Month: March 2015
Quite a long way back, I was asked to talk at The Photography Show by Marc Horner from FujiFilm UK. I had been a FujiFilm X Photographer for a while and was very excited to be able to represent Fuji at the show, easy decision to make ! I just said yes, and put it to one side it was months away and I had plenty of time to prepare. I did think about it every now and then and decided to get my good friend Gerallt Jones to shoot a short introduction Video to start my presentation. I wanted to keep it true to Fuji and have the short film shot on the Fuji X-T1 in black and white. We got together with a few of the Fujiholics on the 15th of February 2015 to shoot the film and I was not in a good place !! I idea of messing it up was getting to me big style. I was freezing up to the camera, every time G asked me to speak I forgot what I was doing, it got so bad we dropped the voice parts and just went for a soundtrack! I think suddenly it all hit me in 34 days time I will be up on a stage and what if I forget what to say! That was going round and round in my head for a few days after the video shoot ! I just did not want to let Marc and FujiFilm down and was getting nervous. I teach courses all the time, and talk all the time but this was for FujiFilm and it was at the NEC ! I managed to stop looking at the great big Cake, and break it down in to small slices. I left the presentation to the last minute to finish off, and then put the video on a flash drive and presentation on my lap top all backed up to a spare stick just in case I lost the first one ! Well time went by and I was fine very proud to be asked and was very excited, by the time we had got to the NEC and was relaxed and ready to go. We managed to get in to Hall 5 and see the StreetScape stage the night before and that was fine! Well it was big! Like a great big cake! But it was fine.. We made our way over to the Hotel and met up with the Fuji team and had a few drinks and everyone was excited about the show. We went up to our room and I got in to bed all relaxed then BOOM ! Great big Cake came back, 12.00,12.30,1.00,2.00,2.30,3.00,3.30 no matter how much I tried to think about every slice it was still a huge CAKE ! We made our way over to the show and I got set of for talk number one of my five talks for the weekend, and I was still stuck with a huge cake, all the normal nerves and worries about what can go wrong. We set up and a crowd started to form not just a couple of people at least 100 people were around the front of the stage, I thought I hope they all stay and don’t wonder off! Sip of water Video goes on I take my position and its time.. By the time I had got on the stage and started talking I was CAKE free ! 100 people had become 200 then 300 and I was having the time of my life and I did not swear once! What an amazing experience to get up on a stage and not only talk about my passion for Street Photography but to be able to do it for FujiFilm UK. So thank you Marc Horner and FujiFilm for asking me to talk it was an amazing experience and thank you The Photography Show for the great stage set up, and the AV guys who relax you and make it all so simple ! One of the best experiences you can have as a photographer is talking about your work and your passion, so thanks every one that came to see me, I hope you got something useful out of my excited waffle ! If you want to come and see what I am all about then here is a list of my UK workshops for 2015 WORKSHOPS Images above by Gerallt Jones Thanks for coming guys and listening so intently to my Street Life talk…
We met up at 17:00 hours in Victoria Square and a Fujifilm X30 was given away as a prize.
We then set of to Royal Mail Street and made our way to the Old Line Birmingham Canal after a brief Street camera demo from myself and a quick Q & A by Damien Lovegrove.
Damien was soon to live up to his new name and the Love Gloves came off for the above shot. The Loveglove name came from a Japanease translation of Lovegrove a few weeks back when Damien was representing FujiFilm UK in Japan as one of the FujiFilm X Photographers.
Most of the images from the evening were posted on Twitter under the #FujiTPSWalk and are well worth a look. I managed to grab a few images between chatting and demonstrating a few street photography techniques. We then made our way to a local pub for a quiet drink before ending the evening. So, if you are at The Photography Show next year look out for a Street Walk, one of the best ways to see a city and make new friends.
If you don’t want to wait till then, have a go at this great competition by Clifton Cameras and FujiFilm UK and try to win one of three Fuji X100T’s and possibly a trip to Paris.
You can also come on one of the free Photowalks planned over the next 6 months, see web site for details http://www.techtoyreviews.com/fujifilm-xt10-rumors-sensor-fuji-xt1-price/
There is a lot more to being a photographer than just relying on the functions of your camera. Every subject requires a new set of skills and these skills take time to learn. Don’t expect it to happen over night and don’t be afraid to take some courses and learn every set of skills you will need for you to be the best in your field. This is not as easy as it looks, learning to use the camera is just the first step and then forget everything you think you know because the camera is just a tool. It wont do it all for you no matter how much the advertising blurb tells you it can. One of the main reasons I went over to Fuji from Nikon was just that, the advertising was getting in the way of my own creativity and I was not using half the bells and whistles Nikon had programmed in the body.
It’s not all about the camera and for every one thinking I am going to say nice things about Fuji because I am an X Photographer you will be wrong. I use three film cameras, a Nikon Fm2 an Olympus Om10 and a Fujica ST705. It’s not all about the camera it’s about the camera skills. The reason I choose Fuji over every other brand is because when I have a Fuji X100T in my hands I feel like I did over 40 years ago, excited and inspired to go out and create new images. That is what excites me every day, shooting shooting shooting.
There will be the cries from the die hard DSLR guys that the little mirrorless cameras can’t shoot Motorsport or Wildlife and in a way they are right likewise a Ford Focus is not a Ford tipper truck. But wait a minute, people have shot these subjects in the days of film and got some amazing shots. Some of the best Motorsport shots from the past were not shot with bells and whistles AF and multi point tracking systems. They were shot in film cameras with manual focus and the Photographers used their skills to create images. These days to shoot lets say Motorsport, you go out and buy a D4s and a 600mm lens and you think that is it, I am going to be the best at this, then some guy with an i phone gets a killer shot and it’s front page news ! Why be part of the long lens and expensive camera crowd in the same place taking the same shots ? Think out of the box and go to the event and shoot the crowds expressions or think of something new and make a name for yourself ! Don’t follow the crowd and don’t believe you need to have 30k in gear to be a great photographer, learn to use what you have. Even better go buy a Film camera for £30 and a lens for £50 and go out and be creative !
With Fuji all the functions I need are on the outside of the camera so I don’t have to dig in the menu’s. This scares some people but this is how you learn your craft. Its not a five minute process it takes years. I have been at it for over 40 years and still learn new things every day and admit it to myself.
It’s not about the camera is about you and it’s a long hard process. No one these days wants to know it’s going to be hard work ! They just want to put pressure on the manufacturers to create camera systems and software that does it all from behind the keyboard.
I am not a technical photographer and I don’t write much about all the camera functions and menu’s. In truth I just don’t care about all that, for me its the end product that comes after my days work that counts, the final image or images.
What is the point in comparing Canon to Nikon or Fuji to Sony? We do that every day with cars, bikes and washing machines. Once you get caught up in all the tech chasing you loose your creative edge. You spend all your time researching cameras and not out shooting, make your choice then one week later Samsung bring out a 20 giga pixel must have camera ! People are still making better images and posting them on flickr with old film cameras in Russia than some of the people with 60k in gear !
It’s like learning to play a violin, it probably wont take you long to get it out of the box , string it, work out the basics and get a sound out of it but there are no short cuts in the learning process. Hard work and dedication will now follow and at some point you might have to admit defeat because you are tone deaf or you just can’t master it. You can still pick it up and enjoy it but you know you will never be a pro.
I know not every one wants to be a Pro Photographer and some people are happy to just walk about taking snaps on their phone or very expensive camera. This post is not about those guys they are happy taking snaps and good luck to them, it’s a great hobby too.
Like a new TV your camera works out of the Box ! You don’t need to educate yourself or be educated in how to use it, the technical side is in the manual that comes with the camera. If you now want to go out, create and become a photographer at any level above snapper, you have to learn. This is a long process for some and quite short for fast learners. Lucky people get it in 30 seconds flat. It takes years for most of us to perfect our craft and to rise to the top of your game. Some people jump from one subject to the other from Landscape to Studio hoping to be noticed but it does not work like that,
I appreciate some people are happy to learn, join clubs and associations but there are some that just want it all on a plate in this modern world and want it for free. Well nothing is for free, hard work, education and dedication is the only way.
There is a faster way, take classes and workshops and learn from the professionals, just like apprentices in the past. My advice there is find your favorite photographer and sign up to their courses and workshops. Its no good learning how to shoot in a Studio when you want to be a landscape photographer, that’s a whole new set of skills.
I get hundreds of emails every year asking this question ” what are your camera presets and can you share them” or “I love your black and white images can you share your Lightroom presets” I don’t use any in camera or Lightroom presets. I shoot in Raw and process every image as an individual image and this shocks people but I am not sure why. If we all used the same presets and programs we would all be the same ! How boring would that be.
You could learn the way I did. I was self taught, and it was all down to trial and error using film. I read lots of books and went out every day and practiced until I got it right. Shooting long exposures with film at 14 was a steep costly learning curve involving hours looking at my mistakes, but I soon learnt.
These days we have Google and YouTube but they are only education tools, they don’t have all the answers and photography is not all about copying other people its about you. It’s about your passion and creativity. There is no substitute for going out every day and shooting, the more time you spend with your camera in your hand the better you will become at using it. Whether you can ever create a great image is another story. I’m still trying.
Photography has so much more to it than cameras along with all the great products you can buy from lighting to filters. I used to have to make my own lighting set ups but I learned so much about lighting doing it that way. I used to make quite a lot of my own photographic accessories for the darkroom and for my camera bag. These days its all on the shelf, but it probably makes it all too easy and stops you thinking.
I am focusing more and more on Street and events and these two choices throw me back twenty years. You don’t need an all singing all dancing DSLR to shoot street or events you need a simple camera with all the controls at you fingertips. All cameras struggle to focus in low light and also struggle to track people in the street. It’s far better to shoot using the skills you have learnt over the years than to try and force the camera to do the impossible. My project this year is Available Light Street and Street Long Exposure Blur. My first day out I was back to stage one, learning how to create the right amount of blur for people in a trial and error way. At least now I don’t have to waist 5o rolls of film to find out how to do it !
There is so much to learn in photography and so many different types. I know some amazing studio photographers that would be out of their depth on a Landscape or wildlife day or even a sports shoot. They could wing it but would struggle. For every different type of photography there are new skills to master. People pick up 600mm lenses in Wildlife and can’t work out why they can’t focus and blame the lens when they need to learn long lens discipline.
Shooting in a studio takes years to master the craft of lighting. I could go on but I just want every one to know there are no short cuts in photography and it’s not all about the camera. It’s all about the skills you learn over the years to create the final image. It’s those skills that will make you stand out from the crowd and give you something to build on so you can be the best at the subject or subjects you choose or help you to change your subject to keep you ahead of the game.
Have a great week and get out there and create…
But don’t go out and shoot a Landscape Long Exposure with a Pier unless you can make it something very special ! #justsaying