One of the most common questions I get asked is “How did you get into Street Photography ? ”
I guess the simple answer is by accident, I didn’t even know I was shooting Street until about eight years ago.
I was given my first camera about the age of eight and living in a big city I guess I have always taken pictures of people on the street. I have also photographed just about every genre of Photography there is. At one time I was known as the photographer that could shoot anything. I guess this label was true and I could shoot just about anything. It’s part of being a professional photographer you soon learn to shoot what will pay the bills and you get better and better as a photographer the more strange situations you find yourself in.
I have always tried to separate my passion from my work and with some of the jobs I have had outside of photography industry this was easy. The trouble with being a professional photographer is how do you separate your passion from your day to day photography. This was a struggle at first especially as I am so busy with work but now I have found the simple answer. Only talk about and shoot what I am passionate about and turn the rest down !!
So why Street Photography ? I guess it’s all about people watching. I have always been a people watcher, every occupation I have ever had, I would spend my lunch breaks and spare time watching people in towns and cities. This then turned into trying to capture those special little moments as with the right light. I shot a lot of people in the street and most of what the images were bland and boring and did not tell much of a story although I found it relaxing and great fun. I did get through a lot of rolls of film and did not have a lot to show for it, but it got me out in the fresh air.
I have spent quite a bit of time shooting portraits and headshots and spent some time shooting glamour in a studio and found that type of work where you set up the shot with perfect light and perfect people to be too contrived. I wanted more excitement. Instead of using the holy trinity of photography Light, Composition and Moment in the Studio I wanted to go out and look for it on the Streets. Quite mad you might think and yes at times I get very frustrated by the simple fact there is no light, I cant get the composition right and the moment never comes. This was compounded by the fact I am a Candid Street Photographer so will never compromise and set up a shot. I can’t change the dynamic in the scene it just doesn’t sit right with me. I have thought about it many times when working on project for big companies but just can’t do it.
I have shot Candid Street for years without knowing that it was Street Photography, the image below was part of my early windows project back in 2009 in Tunbridge Wells. It was a couple of years before this image was taken that some of my friends started calling me a Street Tog and I did not take any notice. I just thought they were naming me for what I liked to shoot. But the name started to stick and make me wonder so I started looking in to Street a properly around 2012-2013 but after looking at some of the amazing work of the masters felt my work was just ordinary.
However I decided to read up on Street Photography and check out the masters of Street and other modern Street Photographers. It’s about then I worked out I was probably a Candid Street Photographer. In 2013 I did a ‘Year of Black and White’ project and off the back of the project I was asked to do some talks about photography and from there the workshops came and I started teaching Street Photography and Black & White editing.
The funny thing is at the time I was still not sure what I was doing was right !! Then a friend of mine gave me a book by David Gibson The Street Photographer’s Manual This was a breakthrough moment as I agreed with 95% of the book and then realised this was how I was teaching so thought to myself I must be doing something right ! Thanks David for writing a great book and Elaine for giving me the book.
I still don’t see myself as a Street Photographer yet, I feel I have a long way to go and one day hope to finish a project that I am really happy with and take one amazing Street image. I guess some of my work won’t be relevant for 50-100 years but I love what I do and can’t wait to get stuck in to my next project..