Month: February 2018

X X Photograper

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Today I made the decision to hand back my X and become an X X Photographer !

This was not an easy decision but the timing was about right for me and my business moving forward.

So what camera system will I be moving to you might all ask ! Well the truth is I am not going to be moving to any other system, I love the Fujifilm X System and the GFX and this will remain my brand of choice.

I never ever got paid by Fujifilm to say that the X System was great and always said I only said it was great because that was the way I felt about it. But there are plenty of people that did not believe me.  I can honestly say now that Fujifilm have never paid me to say the X system is great and from now on I will still be using what I feel is the right system for my workflow. I loved the X100 the day it was released and I have loved all the X Series cameras that I have used. Going back to basics when I moved over from Nikon and got the first X100 and XPro1 made me slow down and think and the sensors have always blown me away.  The XPro1 was and still is as much a game changer back then as the GFX is the game changer today. The fact that the exposure triangle is where you need it and the cameras just feel right in your hands will never change and the work I have produced with the X Series cameras speaks for itself. I can’t wait to see what Fujifilm bring us in the future.

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Watching all the griping and moaning about the new XH1 from all the Nikon and Canon users on social media has made me laugh over the last couple of weeks. Fujifilm have come up with a camera that you all asked for ! So why all the moaning that its too big or the grip is not right or this and that ! It’s hard to read and pathetic at times. Photography is about the image and creating amazing images with the 6 inches behind the camera not the tech that goes in to it. Video is a whole new ballgame and Fujifilm are now improving in that field as well and in time I am sure will bring us an amazing camera for Video. I really do wish people would get on with creating great content with stills or video and be proud of the work they produce and get off social media moaning and running people and companies down.

I only own one camera that is not a Fujifilm camera and its a Canon 200D and this is my Vlogging camera and will remain my Vlogging camera until Fujifilm make a camera with an articulated screen that I can use to Vlog with.  I would use my X-T20 all the time for Video and Vlogging but its just takes me to long to set up, even though I prefer the images out of the X-T20 I love the ease of use of the 200D. I did use my X-70 for a while but the Rode Mic would get in the way of the flip up screen. I have used the X-T20 and the 200D side by side on some workshops and can say that the X-T20 images are always better, but the 200D is just a breeze to work with when filming yourself. Fingers crossed in the future Fujifilm with bring us a decent articulated screen and all my dreams will come true.

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I have been so busy over the last few years I have hardly had any time to stop and think and even worse I have not been able to give the time I need to develop Fujiholics.  I sat down at the end of 2017 and decided I needed to make changes to my business plan to give more time to Fujiholics in 2018 / 2019 and also to concentrate on my own business and get back to making images I like and not images that people expect me to make.

I have three projects on the go this year and also need the time to concentrate on my own personal work.  The fear has always been that I would start to hate photography because I  would spend more time in the office and less time out taking photos and last year was very much 90% hard graft marketing and I hardly shot a thing.  So it’s time for change. I still love the photowalks and getting out and meeting people and I really do love all the Fujiholics what a great bunch of people and the community I believe is one of the best in the industry.

I have absolutely loved all my time with the Fujifilm UK team and the Fujifilm team around the world it’s honestly been some of the best moments of my Photography career.  I have never met such a passionate bunch of people in all my life, the team really do believe in the  X Series as much as we the users do and that makes them very special team.

I have lots and lots of plans for Fujiholics in the future and with the help of Richard Waine and my new Business Partner who will be revealed very soon I hope to bring all the Fujiholics some great new content and a few surprises.

So thank you to all the guys at Fujifilm you all know who you are and here is to an even more exciting future.

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Black and White Editing

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Black and White Editing.

I like to keep my Black and White workflow as simple as possible and have refined my systems and processes over the last ten years. I use Lightroom CC and Silver Efex Pro 2 for all my black and white images. I shoot most of the time in RAW but this process is just as effective with Jpegs, you just have less latitude with the Jpeg file. SEP2 is part of the Google Nik Collection and was made free to everyone last year.

My workflow is simple and after a day out shooting I pop my memory card in to my MacBook Pro and copy the images in to Lr CC this is where I view the images and make my selections. I might shoot 40-60 images in a session or more but I normally only end up with 3-5 keepers if that. Once I have made my selections I then open each image in turn in SEP2 for conversion to black and white. After a few small slider movements I import the image back in to Lr for some final editing and then star rating this whole process takes less than 3-6 min per image.

I view each image on my 27” Eizo Monitor, the monitor is calibrated regularly even though this is a black and white process I need to see every tone between the black end of the spectrum and the white end.  If you don’t have a calibrated monitor or an old monitor its best to buy a new up to date LED type monitor as these are great out of the box. You can download a test card from the internet to check your screen, if you can’t see every band in the chart you need to calibrate of upgrade your monitor.

I will take you through my very simple workflow from start to finish with this image taken of Glenfinnan Scotland, this is the RAW file out of camera converted to Jpeg.

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First I import my images in to Lr and once in Lr I then view all my images and the images I want to keep I give a one * I do this in the Library module. Once I have made my keeper selection I then highlight and delete the rest of the images leaving my keepers and these are all the ones with the one* sometimes at this point I will remove a couple of the one* images if I think the others are stronger. At times, I have deleted the whole lot.

Once selected I will then import the first keeper in to SEP2 this is a simple right click open in SEP2.

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Once the image opens in SEP2, I do not touch the left-hand side of the program as this is mostly pre-sets and there is no point in opening a pre-set because I will then have to spend the next 10-20 min trying to get the image back to the way I want it from the pre-set. I only ever use the sliders and the controls on the right-hand side of SEP2 and only use the main sliders and not open them up for fine control. The main sliders I use are Brightness Contrast and Structure and I make changes by eye to every single image I open.  I start at the top and work down the sliders.  I normally brighten most images by about 20% then contrast about 20% and then apply quite a lot of Structure to make the images pop about 60% but this is all by eye and not an exact science. On the Glenfinnan, I am going to go Brightness 22 Contrast 22 and Structure 66.

If I need to just make controlled adjustments I use the control points so as not to cause over processing of artefacts in the complete image. This is mainly with people’s faces or complicated backgrounds with out of focus areas. I don’t need to do that in this image, I am happy with the way the image looks so I then import the image back in to Lr.

Once in Lr I switch to the development module.

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I again start at the top right of the sliders and work my way down sometimes a few tweaks and at others hardly anything at all, therefore I don’t use pre-sets in Lr as I would spend most of my time correcting the changes the pre-sets make.

I always keep an eye on the Histogram for clipped highlights as these look harsh in digital images and even worse printed. I ignore the clipped blacks as these looks great when printed and I do like quite dark blacks in my images.

The first thing I do to this image in Lr is add a graduated filter to the sky and use the exposure control to darken the Sky by one stop. I then use the shadows slider to just pull back the shadows from the mountains. I then make a second graduated selection and darken the top of the sky to about half a stop.

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I then work my way down the sliders Contrast +24 Shadows +18 Blacks -31 Clarity +31 and finish off with a post-crop Vignette of about -7 I would also use the adjustment brush to lighten the snow areas and darken any areas using the exposure slider. This is about the same way you would dodge and burn in the Dark Room. This is all to personal taste, I prefer my whites to be white in an image so do tend to burn in the white but without over exposing them.

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I would then rate my image for personal use between 3* and 5* if I felt at this stage the image was 2* or 1* I would delete it.

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The image looks quite dark in WordPress but looks great printed or on my Eizo, I hope to run a Black and White editing workshop for Fujiholics later in the year so please keep an eye open on the Fujiholics website.