90mmf/2

Fujifilm introduces the iconic X-T3

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X Series’ evolution into the 4th generation…

Fujifilm introduces the iconic X-T3

 

A complete upgrade: including an all-new back-illuminated 26MP X-Trans CMOS 4 (*1) sensor and X-Processor 4 image processing engine.  The X-T3 offers superb image quality and enhanced ability to track moving subjects – with substantial AF performance improvement and blackout-free burst shooting.  The FUJIFILM X-T3 mirrorless digital camera is the world’s first *2 APS-C mirrorless camera capable of 4K/60P 10 bit recording to meet the needs of professional videographers.

FUJIFILM Corporation (President: Kenji Sukeno) has announced that it will release the FUJIFILM X-T3 (hereinafter “X-T3”), the latest model in the X Series of mirrorless digital cameras, renowned for their unique colour reproduction technology to deliver outstanding image quality in both stills and video.

X-T3_Black_Front+XF18-55mm.jpgThe X Series began with the 2011 release of X100. The X-Pro1, released in 2012, became the first model to feature the X-Trans CMOS sensor, which uses a unique colour filter array based on FUJIFILM’s extensive photographic expertise to achieve exceptional image-resolving performance and control of false colours at the same time, as well as the EXR Professor Pro image processing engine compatible with the sensor. For seven years, the X Series and its sensor – image processing engine combination have continued to evolve, with the company unveiling “X-Trans CMOS II” / “EXR Processor Pro II” in the X-T1, released in 2014, and “X-Trans CMOS III” / “X-Processor Pro” in the X-Pro2 and X-T2, released in 2016. The three generations of evolution have constantly advanced the X Series’ image quality and mobility.

 

The latest model, X-T3, features the new X-Trans CMOS 4 sensor and X-Processor 4 image processing engine, ushering in a new, fourth generation of the X Series.

 

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X-Trans CMOS 4: This is the back-illuminated APS-C sensor with more than 4 times the number of phase detection pixels than current models (*3), distributed across the surface. It boasts a high S/N ratio and the lowest sensitivity of ISO160 despite its 26MP resolution. The low-light autofocus limit has also been extended to -3EV, enabling accurate AF even in low light conditions, e.g. scene lit only with candlelight.

 

X Processor 4: This engine has 4 CPU units to achieve image processing speed about 3 times faster than that of current models (*3). Not only boosting AF accuracy and speed substantially, the engine is the world’s first (*2) to delivers 4K/60P 10bit output, meeting the needs of professional videographers, in a mirrorless camera equipped with a sensor in the APS-C size or larger. It is also capable of instantaneously handling complex image processing tasks such as FUJIFILM’s unique “Colour Chrome Effect” and “Monochrome Adjustment” function, achieving Warm Black / Cool Black tone in digital, which is adopted as one of the way of expression for monochrome print in silver halide film.

 

The X-T3 takes full advantage of the capability of these fourth-generation devices to enjoy significant performance improvement.

 

Higher image quality: Highest level of 26.1MP resolution in APS-C size sensor. Also, it achieves keeps as low level of noise as current models (*3) even increasing the number of pixels.

 

Dramatically improved AF performance: 1.5 times faster processing speed than current models (*3) to deliver faster and more accurate AF, and substantially enhanced performance in face / eye detection AF thanks to 2.16M phase detection pixels arrayed at entire frame.

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Significant improvement in tracking performance of fast-moving subject: Delivering blackout-free continuous shooting (*4) of up to 30 fps while using smooth Live View of 60fps to check your subject.

Video performance for professionals: Supporting 4K/60P 4:2:0 10bit internal SD card recording as well as 4K/60P 4:2:2 10bit HDMI output, which can be filmed at the same time. Also, featuring the video-specialized Film Simulation mode “ETERNA,” popular with the X-H1.

 

*1 X-TransTM is FUJIFILM Corporation’s trademark or registered trademark. The sensor has a unique non-periodic filter array to reduce the appearance of moire patterns and false colours without the use of an optical low-pass filter.

*2 As of September 6, 2018, according to FUJIFILM data

*3 Comparison with current models “FUJIFILM X-T2” and “FUJIFILM X-H1”

*4 Available only when using the electronic shutter

 

Main Features

 

Use of the Series’ fourth-generation devices, new sensor “X-Trans CMOS 4” and new processor “X-Processor 4,” for the highest image resolving performance, colour reproducibility and fastest processing in the history of the X Series

  • The X-T3 features the X Series’ fourth-generation APS-C sensor, newly developed “X-Trans CMOS 4” (26.1MP, without low-pass filter). It uses the unique colour filter array synonymous to X-Trans CMOS sensors to control moire and false colours and adopts the Series’ first back-illuminated structure to improve image resolution without compromising the S/N ratio. Furthermore, the sensitivity of ISO160, previously available only as extended ISO, is now part of the normal ISO range. It is very useful in daylight outdoor shooting or when trying to achieve bokeh with a fast large-aperture lens.

 

  • The X-T3 uses the new “X-Processor 4” image processing engine to add the new “monochrome adjustment” function to the Film Simulation modes, which are based on FUJIFILM’s proprietary technology to deliver diverse colour expressions. Warm black and cool black, conventionally achieved with a choice of specific photographic papers and developers, have been faithfully reproduced digitally to broaden the scope of monochrome expressions. This function is available in the standard “Monochrome” mode as well as the “ACROS” mode, which provides smooth halftones, deep blacks and beautiful textures.

 

  • The “Colour Chrome Effect,” previously only available in FUJIFILM’s medium-format mirrorless digital camera “GFX50S,” is featured in the X-T3, the first in the X Series. The effect produces deeper colours and gradation in subjects with highly saturated colours, such as vivid-coloured flowers with shadows, a notoriously difficult photo subject for gradation reproduction. The high-speed processing power of the X-Processor 4 means this effect can be applied not only in single shots but also in continuous shooting.

 

Use of the new devices and improved algorithm for significant improvement in AF performance in low light and when tracking a moving subject

 

  • The X-Trans CMOS 4 has 2.16M phase detection pixels, more than 4 times compared to current models (*3), increasing the phase detection AF area to entire frame (approx. 100%). Fast and accurate phase detection AF can be used even on a subject that is positioned away from the centre of the frame. The low-light phase detection autofocus limit has also been extended by around 2 stops from -1EV to -3EV, making it possible to accurately focus in low light conditions, e.g. a scene lit only with candlelight, or night-time photography. Furthermore, the X-Processor 4’s high processing speed and improved phase detection algorithm means the camera refocuses (AF) and meters (AE) 1.5 times more frequently than current models (*3) to enable accurate autofocus even when shooting sports involving fast and erratic movements across the frame.

 

  • The performance of face-detection AF on a moving person has been doubled over current models (*3). The eye-detection AF supports the AF-C mode, maintaining accurate focus tracking even in portrait photography that involves movements. The X-T3 focuses accurately when shooting a person front-on or side-on, even in situations where the face- or eye-detection AF previously had difficulty. The face- and eye-detection AF is available also during video recording to achieve smooth filming of persons.

Enhanced viewfinder performance improving the ability to track a moving subject

 

  • The X-T3 features a 3.69-million-dot high resolution EVF with a high magnification ratio of 0.75x. The display time lag of just 0.005 seconds and refresh rate of approx. 100 fps ensure smooth display of motions, allowing you to precisely identify subject movements and focus positions. Unlike current models (*3), continuous shooting of 11 fps with the mechanical shutter no longer requires the optional vertical grip, enabling fast continuous shooting while keeping the camera weight low.
  • The new “Sports finder mode” makes it easy to capture a moving subject. The mode shows approx. 16.6M (1.25x crop) area marking in the LCD/viewfinder, and shoots the area within the marking. This is particularly useful for sports photography and wildlife photography, as you can check the movements of a subject just outside the shooting frame and take advantage of shorter-than-usual blackout time.

 

  • Increased read speed from the sensor and high-speed processing capability have made it possible to enjoy AF/AE-tracking, blackout-free continuous shooting(*4) of up to 30 fps in approx. 16.6M (1.25x crop) mode, while using smooth Live View of 60fps to check your subject. The rolling shutter distortion, a typical issue of electronic shutters, has been halved compared to current (*3) models.

 

In order to never miss a crucial shutter moment, the X-T3 has the new “Pre-Shoot” function (*4), in which the camera starts shooting as soon as the shutter button is half-pressed. You will never miss an important photo opportunity, previously caused by time lag between the moment when the shutter button is fully pressed and the moment when a photo is actually taken.

 

Design / operability and expandability

 

  • The X-T3 inherits X-T2’s popular design features such as the positioning of dials on the top panel, central viewfinder style for added sense of stability, and excellent grip design for comfort. The silver color is lineup as standard, which features more classical tone compared with graphite silver, limited edition for previous models. Its styling that reminds you of traditional film cameras is combined with outstanding practicality, making it photographic equipment that is a pleasure to own for many years to come.

 

  • Enhanced operability and expandability in response to user feedback

 

Specific areas of operability enhancement

・EVF’s diopter adjustment is lockable achieved by pulling out and rotating a diopter knob, so as to prevent unintended adjustments while carrying the camera.

・The X-T3 uses a touchscreen panel with higher contrast, wider viewing angle and better operability than those in previous models to enable intuitive operation.

・The X-T3 inherits X-H1’s features such as large top-panel dials / rear-panel buttons and comfortable clicking touch of front and rear command dials.

・A headphone jack is provided on the camera body so that all accessories required for video recording, such as microphone and HDMI devices can be centrally connected to the body for added mobility in videography.

・Terminal cover is removable, providing easy connectivity for HDMI cables, microphones, headphones. Also it will not disturb when setting up with rig for movie shooting.

・The USB terminal supports USB Type-C (USB3.1 Gen1) specifications. An Anker (*5) battery can be connected to significantly increase the maximum number of frames per charge and the maximum duration of video recording.

 

 

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Enhanced video performance

 

  • This is the world’s first (*2) mirrorless digital camera capable of internal SD card recording 4K/60P 4:2:0 10bit. It is also the world’s first (*2) mirrorless digital camera with APS-C or larger sensor capable of 4K/60P 4:2:2 10bit HDMI output. Supported video formats include the widely-used H.264/MPEG-4 AVC as well as H.265/HEVC for greater data compression. This enables the use of high 200Mbps bitrate in recording of 4K/60P 4:2:0 10bit, as well as simultaneous HDMI output while recording. Video compression options available are ALL-Intra (*6) and Long GOP. When using ALL-Intra, video is recorded at 400Mbps (*7).

 

  • The sensor’s read speed is about 50% faster than current models (*3), which enables fast 17msec reading of 4K/60P video. The rolling shutter distortion has been reduced for smooth replay of a fast-moving subject. The camera’s support for 10bit colour depth boosts the amount of colour information 64 times compared to 8bit. This is combined with 400% (approx. 12 stops) dynamic range for capturing materials of rich gradation, such as a sunset landscape.

 

  • The introduction of a new noise reduction process and new “4K interframe noise reduction” function have reduced noise by the equivalent of approx. 2 stops. The new NR process has an enhanced level of noise-identifying accuracy for appropriate reduction in noise. The 4K interframe NR function (*7) uses differential data between adjacent frames to reduce noise. Furthermore, the minimum sensitivity for shooting F-Log and DR400% footage has been extended from the current models’ (*3) ISO800 to ISO640, meeting the needs of videographers.

 

  • In addition to the abovementioned functions, the X-T3 will, after applying a firmware update to be released by the end of 2018, support video recording in the Hybrid Log Gamma (HLG), one of the formats defined in the ITU-R BT.2100 international standards. In response to user feedback, the firmware update is also due to give the X-T3 an ability to simultaneously output Film Simulation and F-Log footage.

 

*5 Anker is trademark or registered trademark of Anker Innovations Limited or associated companies.

*6 Available at 4K/29.97P, 25P, 24P, 23.98P, and FHD/59.94P, 50P, 29.97P, 25P, 24P, 23.98P when H.265/HEVC is selected.

Not compatible with H.264.

*7 Available at 4K/29.97P, 25P, 24P or 23.98P.

Requires an SD card with the video speed class of V60 or above to record at the bitrate of 400Mbps

 

Optional accessories

 

  • Vertical Battery Grip VG-XT3 (designed specifically for the X-T3)

 This grip is dust-resistant, water-resistant and capable of operating at temperatures as low as -10°C. It fits two batteries, bringing the total number of batteries to three, including the one on the camera body, to increase the maximum number of frames that can be taken per charge to approx. 1,100 (Normal mode). The camera does not need to suspend its operation to switch to a new battery, even during continuous shooting or video recording, providing a stress-free shooting experience.

The grip features the shutter release button, focus lever, AE-L button, AF-L button, command dials, Q button and Fn button to provide the same level of excellent operability in vertical shooting as you get in horizontal operation.  The VG-XT3 itself has battery-charging functionality. Using the AC adapter supplied (AC-9VS), you can fully charge two batteries at the same time in approx. 2 hours.

 

  • Leather Case BLC-XT3 (designed specifically for the X-T3)

This is a genuine leather bottom case with luxurious textures.  The camera can stay in the case while the battery is replaced.  The case comes with a cloth to wrap the camera in when placing it in your bag.

 

  • Hand Grip MHG-XT3 (designed specifically for the X-T3)

This hand grip makes it substantially more comfortable to hold the camera when it is mounted with a large-aperture lens, thereby reducing camera shake. The camera’s battery or SD cards can be replaced without having to remove the hand grip. The base can be used as a quick release shoe when using a dovetail mount on your tripod.

 

  • Cover Kit CVR-XT3 This is a cover kit specifically for the X-T3.

1 x Sync terminal cover

1 x Hot shoe cover

1 x Vertical battery grip terminal cover (black)

1 x Vertical battery grip terminal cover (silver)

1 x Terminal cover

 

  • Remote Release RR-100

This remote shutter release has a φ2.5mm jack. Similarly to the camera’s shutter release button, pressing the button halfway focuses on a subject, and pressing it all the way down takes a picture. In the BULB or continuous shooting mode, you can slide the shutter button to lock it. It is packaged with a right angle adapter for ease of storage and to prevent unintended cable dislodgment.

 

  • Recommended accessories: Anker PowerCore+ 26800 PD (*8) (30W Power Delivery Wall Charger included) and Anker PowerCore Speed 20000 PD (30W Power Delivery Wall Charger Bundle included) (*9)

Use “Anker PowerCore+ 26800 PD” and “Anker PowerCore Speed 20000 PD”, which are both 30W Power Delivery Wall Charger bundle model, to significantly increase the maximum number of frames per charge and the maximum duration of video recording.

 

*8 Anker and PowerCore are trademark or registered trademark of Anker Innovations Limited or associated companies.

*9 Product may not be available on your country.

 

X-T3_Silver_LeftObl+VPB-XT3+XF8-16mm.jpg

 

 

 

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Photowalks 2017

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BRFFUK0002 FUJIFILM X PHOTOGRAPHER BADGE-H UK_MATT HART

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Here we go again, another year of Photo Walks.  This year I will be leading four Fujiholics Photowalks. The Liverpool walk has already taken place but Bristol, Edinburgh and London are still up for grabs.

I would like everyone to know that you can bring any make of camera with you and that includes smart phones. You can also come without a camera just for a day out.  It’s all about like minded people getting together to have a great day out and to share ideas and meet new people.

The walks are free to sign up to, I only ask that if you sign up then change your mind, please follow the link from your Eventbrite confirmation email to remove yourself so other people can sign up as numbers are limited.

So far this year London is in the lead with 280 people signed up.

We would like to see more families and children on the walks and would like you all to know that kids are welcome as long as they are accompanied by an adult. Why not bring them to London and make a weekend of it.  They can use their phones or even buy them a throw away camera.

Photowalks are great, I have met friends for life on the walks and also made some amazing business contacts. They are a great way to explore our cities on foot with a great bunch of people.

A route and map is emailed out to everyone that signs up approx 1 week before the event to download to your smartphone or gps device or you can print out the map. You don’t have to keep up with the guys at the front as we tweet our location throughout the day and use a unique hashtag for the day. You can stop for refreshments along the way or even a cold beer and then catch up a bit later by taking a shortcut using the tube.

In London this year we have the Fujiholics Team and a few other Pro Photographers as well as some retailers so hope to bring you a few offers for the day. There will be quite a few Fujifilm X Photographers and Ambassadors about as well. The Fujiholics Team really do make you all feel welcome.

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I would love to see as many of you guys on one of the walks this year, the last three walks are spread out all over the UK so feel free to come and join us.

Here are the links to the walks..

Bristol

Edinburgh

London

If you want to buy cheap train tickets then here is a link to sign up to The Train Line ticket alert.

If you need to know any more details then feel free to contact us info@fujiholics.com or matt@fujiholics.com

Hope to see you sometime in 2017…

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Fujifilm X-T2 + 90mm f/2

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I read in the week that some people do not trust the reviews by the Fujifilm Ambassadors.

I started to question my own thoughts. I decided however that I have always given an open and honest view of the Fujifilm X series. I am not one for long reviews anyway so most of my thoughts and feelings about the X Series are from hands on demonstrations and talking to people out and about on the streets on workshop days and events.

I have also never been the pessimistic type and always see the good in all the gear I use and only use very limited functions on the camera so it’s not easy for me to start pulling something apart I am passionate about.

I was asked by Fujifilm UK to be an Ambassador because of my work and because I had already adopted the Fuji X Series in to my workflow and was enjoying the refreshing change from DSLR to mirrorless. So I was already a fan you could say, but if you know me you will know I am quite blunt and honest about most things and if I did not like the X Series I would have moved to a different brand by now.

My blogs are few and far between and as you all probably know by now I am dyslexic and find sitting down to write a blog as about as exciting as sticking pins in my eyes.

Kevin Mullins has by far the best blog on the Fuji X system that I have seen as a Fujifilm Ambassador and he gives a real honest review. Although Kevin and myself both love the X Series, we have both pointed out issues and faults in some of the past X Series cameras and lenses and say so in public.

When I moved over from the Nikon system to X100,  XPro1 the 18mm and 35mm lens after using a Nikon D3s, I was under no illusion the Xpro1 was better I just wanted a change and I was making a leap of faith that Fujifilm would catch up with the mirrorless system and make an amazing camera one day to match their sensors and lenses.

Well I am so glad I took the leap of faith, I have been using the X-T2 now for a couple of months and can honestly say it’s a game changer. If this is what they can come up with in 5 years, I can’t wait for the next 5 !!!

I am not going to go into all the technical mumbo jumbo as most of you know I just use the exposure triangle and go out and shoot. So I will leave you to read Kevin’s review or even better take a look at and independent review like Cameralabs Gordon always gives a fair and honest review on most camera systems and lenses.

For me though the proof of the pudding is in the images and the X-T2 is stunning not just the images but in its handling and focus speed. I still prefer the XPro2 for Street photography but that’s just because I love the rangefinder style of  camera for shooting people in my candid style. But the X-T2 is a killer camera for my Gig and Event work as well as my Landscape work. They are diferent animals as far as I am concerned.

Today I went out for a quick meeting in town, I decided to take the X-T2 and one of my favorite lenses the 90mm f/2 and see if I could grab a couple of Street shots on my route.

I remember shooting this image below a couple of weeks back with the same set up and wanted to see if I could shoot a moving target with me moving and the focus keep up.

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X-T2 90mm f/2 Iso 400 1/1250sec f/4

I walk at quite a pace when I am out and about, even though you can learn to compensate for slow autofocus by standing still zone focusing if you need to. You don’t need to do this with the X-T2 this thing nails the shots, that some of the previous X Series bodies might have missed. The XPro2 I would say is just as good but the the X-T2 gives you a little more confidence. It just has that positive feel about it.

The next two shots with me walking towards the two subjects at quite a pace and just lifting the camera up to shoot as they walked towards me.

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X-T2 90mmf/2 Iso200 1/350sec f/4
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X-T2 90mm f/2 Iso200 1/250sec f/4

 

I was blown over when I reviewed these images over a coffee before my meeting. BOOM was the word that came in my head. I thought wow Fuji you have done it you have made the camera for all the people that doubted the Mirrorless System.  I am quite sure this camera is going to sell like hot cakes. I will just say that this 90mm lens is amazing on this camera. I love to shoot wide and long when I am out on my own and this lens has just the right reach to compliment the 16mm f/1.4 out and about.

Someone commented the other day that I used to sing the praises of the 27mm and the X-T10 and thats very true and I still have the 27mm on my X-T10 and there it stays.

I have to spend some time getting used to the new Cameras Fuji asks us to Test and the X-T10 still has a big place in my heart and a small space in my camera bag.

It all comes down to the right tool for the job and I am lucky enough to have a large toolbox to select my tools from.

At the moment as I write this the X-T2 and the 90mm f/2 are a perfect match for Street style candid portraits…