Fujifilm

GXF50s days 4,5,6…

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BRFFUK0002 FUJIFILM X PHOTOGRAPHER BADGE-H UK_MATT HART

GFX days 4,5,6 are all a bit of a blur, it was such a great weekend with great friends and went far to fast.

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It was Fujiholics Wales Weekend. This year a small group of Fujiholics met up in Beddgelert for the weekend with no real plan. Well there was a plan, take a few photos drink some beer have a few coffees and some cake ! Share some stories and catch up with friends old and new.

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We all met up on Cae Du Campsite on Friday night and had a few beers and discussed the plan for Saturday ! This was a complete waste of time as we changed our minds in the morning.   We decided to take the Steam Train from Beddgelert to Porthmadog on the Welsh Highland Railway.   The original plan was to do a Circular Walk.

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It was a fantastic little journey and Jane was just a little bit excited !  She even got to drive a Steam Train at Porthmadog station with some of the girls in the group.

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We went in to an amazing cafe called Jennys for breakfast in Porthmadog, they had some of the best home cooked cakes we had seen for quite a while ! The Lemon meringue pies were to dies for and we brought two for the journey home !!

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We had a great journey back and ate most of the lemon meringue and finished the evening off in the village in Saracens Head with a very nice meal and a few pints.

We all made our own way home on Sunday as North Wales was quite busy and there were not to many places to park for a Fujiholics tour…

I shot all the images from the weekend on the GFX in a variety of lighting conditions and processed the black and white images with Silver Efex Pro and the colour images are all just a very quick lightroom edit.

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I carried the GFX around all weekend and I have to say it was not as heavy as I expected but its still on the heavy side. You know you have it round your neck after a days walking thats for sure. The point is though does it matter ? The answer is yes and no ! Its heavy and if it was a DSLR there would be no point in the extra weight when you have the X-T2 or XPro2 but this thing is so good you dont care ! I again only went out with the 32-64mm lens just to save carrying the other lenses with me and found it just perfect a very versatile lens indeed.

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I am shooting a film in the morning and will be taking the GFX and might try one of primes just to change things up abit.

I will try and get you some images online tomorow night when we finish shooting the video but if I get in late I will skip it until Wednesday night.

So far I am loving the GFX and so much so I have just hired it again for another project in November. I have hired a some diferent lenses for November so will be able to show you the a few images shot on those then. I still have to use the 63mm and the and the 120mm and hope to do that this week at some point.

I cant wait to get up to Scotland to shoot some Landscape with this amazing bit of kit.

One thing is for sure I will be sad to see the GFX go back at the end of the hire its got to be the best camera I have ever used in my life and the files are just so easy to edit ! They are a breeze in Lightroom, I am for the first time just starting to fall a little in love with Colour !!! Yes on my year of colour I am starting to work out what I like about colour and thats all down to the GFX.

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X100F v XPro2

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BRFFUK0002 FUJIFILM X PHOTOGRAPHER BADGE-H UK_MATT HART

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I get asked quite a lot “what is best the X100F or the Xpro2 ?” I always find this an interesting question because I don’t quite know why I am being asked the question !

I dont think people want to know what camera I prefer, I think they want to know what one I would recommend they buy ! To find out what would be the best camera for the other person I would need to know so much more about them and their photography. So I will answer this question as if it was directed to me.

I am not that worried about the bells and whistles that are thrown at modern cameras I just want the exposure triangle on the outside of the camera and I want to be able to use it quickly without putting too much thought in to it or digging into the menus.

I do love the rangefinder style because I am a right eye shooter, so with the rangefinder my nose is not squashed on the back of the camera and 9 times out of 10 no one knows where you are pointing a rangefinder !

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I am also not that worried about the viewfinder or the rear screen as I need glasses these days for close up work so don’t spend a lot of time using either. If I do use the viewfinder or rear screen it’s just to compose the image so it can be all blurry as long as I can see the composition.

The main difference between the X100F and the XPro2 is the fact it has interchangeable lenses and in all honesty this is the one deciding factor the rest is almost irrelevant.

But I am lucky as I have both cameras.

One thing I must point out is that for Event work I also use the Fujifilm X-T2 and the main reason is for balance  the Fujifilm 50-140mm f/2.8 and battery grip with extra battery capacity for a long day shooting is just perfect. I will still use the X100F and XPro2 on the day just to have a variety of lenses with me at all times within easy reach.

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At the moment when I am teaching Street photography I just use the X100F.

When I am out shooting in the UK on my own at the moment I use two X100F bodies, one with the fixed 23mm and one with the Fujifilm WCL-X100 Wide conversion lens.

The XPro2 stays at home, so in a way I have answered the question.

I moved away from Nikon to be able to lighten my load and enjoy my day out shooting and over the last 6 years I have only used the Fujifilm system and got to know it very well. In that time the X100 has come a long way and the X100F is now everything I need in an everyday camera for shooting Street, its got a great sensor and exposure triangle on top and the autofocus is now as fast as I need it to be. I used to Zone focus the X100 and X100s and even the X100T to get the results I needed but the X100F has such a great AF system I dont need to use Zone focus for anything anymore. I guess the only time would be in low light or awkward situations and in that case I would just switch to M and back button focus.

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When out shooting Street my only consideration now is, is it moving if so switch to C (continuous AF) is is stationary switch to S (single AF)

I like the camera to do all the work for me so I set the camera in to Auto ISO with the following settings – Default Sensitivity 200, Max.Sensitivity 6400, Min. Shutter Speed 1/250 sec.

This set up is basically the same for the X100F and the XPro2 except I alter the Min Shutter speed to suit the lens I have on the camera for the XPro2.

For me the X100F is my Desert Island camera, and this camera now goes with me everywhere I go its the first camera I pack for any trip. One great thing about a fixed lens camera is the fact there is no sensor cleaning so that is a big bonus.

I have adapted the way I shoot to suit the X100F and I think this is important, I see so many people moaning online about the fact a camera has not go this or it has not got that and the biggest moan about the X100F is the fact it does not have a tilting screen ! When it first came out I even thought thats a shame, after using the X70 and all the others with tilting screens I did wonder but now I get it. Why do we keep wanting more and more and more this is why the DSLR’s got so big ! besides the XPro2 does not have a tilting screen.

I love the freedom of the X100F and if I have to pick one camera from the Fujifilm range this would be it.

So what about the Xpro2 ? Its water resistant and it is slightly faster on  AF and it has interchangeable lenses, so it’s far better than the X100F and if I travel anywhere out of the UK it comes with me, also for assignments I use the X100F and the XPro2 with a longer lens on to give me something wide and something long to be able to capture the moment no matter where it happens.

I love my XPro2 and in the Fujifilm range it comes up as my favorite camera but it also annoys me because it gives me lens choice ! The Fujifilm lenses are all so good you then end up taking the XPro2 and 3 or 4 lenses with you and you only ever use one ! So it puts more weight in your bag is counter productive.

The XPro2 is perfect for travel and perfect for assignments and just about anything but when it comes down what one I prefer based on weight, size, portability etc the X100F wins hands down.

We all want diferent things from our cameras and Fujifilm have an amazing range of bodies and lenses now and I love to use them all but the X100F is still my desert Island Camera.

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Workshops Update

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BRFFUK0002 FUJIFILM X PHOTOGRAPHER BADGE-H UK_MATT HART

As quite a few people know  I am changing the format of my workshops in 2018 so if anyone wants to take part in the present format, please choose one of my Street Photography Workshops from the list below.

This is the format for 2017.

The workshops will encourage debate about Street Photography and help the participants to be more critical about their work.

The workshops are suitable for professional and amateur photographers of all levels. We ask you to familiarise yourself with using your camera and learn how to change settings quickly before attending the day, this will enable you to enjoy the experience fully.

The day will start at 10.30am and conclude at 16.30pm with a break for lunch and plenty of comfort breaks throughout the day, most of the day will be out on the streets. There is a lot of walking during the day and the event may take place in inclement weather so come prepared.

You will spend the day with myself exploring the streets picking up tricks and tips on my style of Street Photography throughout the day. My Street photography workshops and courses are fun, informative and relaxed. They are both challenging and highly enjoyable and designed to stretch your imagination.

I uses the Fuji X100F and XPro2 with a 35mm or 16mm Prime lens.

You can bring any DSLR or mirrorless camera on this course; fixed lens compacts are also welcome. If you are wondering what lenses to bring 50mm is ideal for full frame and 35mm film uses. APSC size sensors 35mm is ideal or lenses around the normal focal length.

The day normally starts at 10.30am with a coffee introductions and a discussion about the day. We will touch on the ethics and law and how to deal with challenges in this area.

Next we will discuss camera set up for the day and the best set up for street photography with a practical demonstration of street camera technique.

Matt will cover what Street Photography is, and show you some of his favourite Street Photographers images. He will also show you the best way to approach his style of Street photography.

We normally spend around two hours covering these subjects then around 12.30am we head straight out on to the streets where you can watch the way Matt works and try out some of the tips and tricks that he shares with you.

We break for lunch around 1.30pm where we can find a quiet place for a snack to discuss the mornings work and share our experiences.

We then go back out on the streets to practice your new street techniques and try and find your street rhythm and look for some interesting characters or great light!

We stay out shooting until about 4pm, we then find a quiet place to sit as a group to discuss the day and this will include lessons learnt. Matt will share his processing techniques and preferred software. Matt will give you his views on Critique and show you how to review your own work.

 

I know the majority of you guys that read my blogs and attend my workshops are Fujifilm users but for all you that have other brands of camera please feel free to book on any of these workshops as all camera brands are more than welcome.

Here are the available dates left this year, please click on the dates for availability:

Edinburgh 3rd June

Manchester 9th June

Birmingham 1st July

London 7th July

London 8th July

Bristol 21st July

Liverpool 26th August

Liverpool 24th Sept

Liverpool 14th October

Manchester 25th Nov 

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These will be the last Street Photography Workshops in this format at this price.

I have some interesting ideas for Locations and Styles of Workshops for next year, these workshops will be a little more complex so require a lot more planning.

I will advertise the 2018 Workshops around about October time.

I will be leading the Fujiholics Photowalks in London, Edinburgh and Bristol this year so make sure you sign up before all the places are gone. We have over 350 people signed up for London already.

Fujiholics Bristol

Fujiholics Edinburgh

Fujiholics London

Hope to see some of you on a Free Walk or Workshop and if you are a Fujifilm shooter then our new Facebook group might be for you here.

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Photowalks 2017

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BRFFUK0002 FUJIFILM X PHOTOGRAPHER BADGE-H UK_MATT HART

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Here we go again, another year of Photo Walks.  This year I will be leading four Fujiholics Photowalks. The Liverpool walk has already taken place but Bristol, Edinburgh and London are still up for grabs.

I would like everyone to know that you can bring any make of camera with you and that includes smart phones. You can also come without a camera just for a day out.  It’s all about like minded people getting together to have a great day out and to share ideas and meet new people.

The walks are free to sign up to, I only ask that if you sign up then change your mind, please follow the link from your Eventbrite confirmation email to remove yourself so other people can sign up as numbers are limited.

So far this year London is in the lead with 280 people signed up.

We would like to see more families and children on the walks and would like you all to know that kids are welcome as long as they are accompanied by an adult. Why not bring them to London and make a weekend of it.  They can use their phones or even buy them a throw away camera.

Photowalks are great, I have met friends for life on the walks and also made some amazing business contacts. They are a great way to explore our cities on foot with a great bunch of people.

A route and map is emailed out to everyone that signs up approx 1 week before the event to download to your smartphone or gps device or you can print out the map. You don’t have to keep up with the guys at the front as we tweet our location throughout the day and use a unique hashtag for the day. You can stop for refreshments along the way or even a cold beer and then catch up a bit later by taking a shortcut using the tube.

In London this year we have the Fujiholics Team and a few other Pro Photographers as well as some retailers so hope to bring you a few offers for the day. There will be quite a few Fujifilm X Photographers and Ambassadors about as well. The Fujiholics Team really do make you all feel welcome.

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I would love to see as many of you guys on one of the walks this year, the last three walks are spread out all over the UK so feel free to come and join us.

Here are the links to the walks..

Bristol

Edinburgh

London

If you want to buy cheap train tickets then here is a link to sign up to The Train Line ticket alert.

If you need to know any more details then feel free to contact us info@fujiholics.com or matt@fujiholics.com

Hope to see you sometime in 2017…

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2017 Year of Colour – so far

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BRFFUK0002 FUJIFILM X PHOTOGRAPHER BADGE-H UK_MATT HART

Here we are four months in to my Year of Colour and I am struggling !

I always thought it would be hard thats why I chose to take it on as a project, but this has been so much harder than I thought but mainly because I have been so busy. I have hardly been able to get out and shoot any personal work so have just had to grab a few shots on my workshops and walks.

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I have found out as expected colour is complicated! I have always realised that and found it very difficult to match the colour to my mood and style. I think it was a lot easier back in the film days you chose a film for your style or job and just went out and created. Well I did, because I chose colour transparency film so did not have much say in the initial process. I guess that’s another reason I went black and white in the early days.

With digital you have so many choices from camera to software it’s just a minefield but I think I made a small breakthrough yesterday on a workshop.

I started off this project with the XPro2 and the X100F as my main cameras and now I have decided to just use the X100F for the rest of the project as best I can.

I have been going between RAW and Jpeg and then changing my mind again but now I have decided to shoot Jpeg and Raw and start playing around with the Jpeg settings in camera on the X100F. This way hopefully I will have a few choices at the editing stage, I have struggled to get a Jpeg image to look how I want it to look and prefer RAW with a very simple Lightroom conversion but I still feel I am missing a trick with Jpegs.

So it’s time to start experimenting. I can’t do that chopping and changing between cameras, the X100F is going to get some serious use this year.

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Consistency without pre sets is going to be my main bug bear as I have an amazing black and white workflow that just works. With colour it’s more dependent on the quality of light on the day and the colour temperature of the light so that has become a big issue for me. I have been falling out with colour in a big way over the last couple of months so much so that I was starting to hate it.

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But then I shot the image above and started to look at colour in a whole new way. I realised I was thinking in terms of Digital and not Film and the closer I could get to the film or Cine look the better. I think colour trends change and people do like saturated mad colours but I dont think thats me. I have always liked the way RAW files looked except they are flat and lifeless but with a few tweaks they come alive.

So I need to explore if I can get the same feel in camera with Jpegs, I am not holding up much hope but by shooting Jpeg and Raw I  have kept my options open.

Thank you Fujifim for Film Simulations, I am going to play with these over the next couple of months and see what happens. If it drives me nuts I have the RAW files to fall back on.

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This image changed it yesterday. The colour of the shop front and the guys shirt were a close match so I wanted to capture this in RAW and make some simple changes to get the image to look how I wanted in Lightroom. I then set about getting the camera set up to look like this on the rear screen or as close as I could get it.

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I then did the same with this image, it’s just a crazy experiment trying to edit a shot before you take it in camera but thought I would give it a go.

My dream is to not need to use Lightroom to edit so it’s about time I started playing around to achieve the end goal !

 

Venice X100F

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BRFFUK0002 FUJIFILM X PHOTOGRAPHER BADGE-H UK_MATT HART

I was last in Venice with the Fujifilm XPro1 back in 2013 and have been missing it like crazy for the last four years. I have just got back from Venice with Paul to run a Fujiholics workshop. The weather was a mixed bag but Venice gets so busy it is always at its best out of season.  My favorite times of the year are October, late February or early March.

I took with me the X100F, XPro2, XT2 and will write about the others when I get time after TPS and probably next month.

I decided to just use the X100F with Jpegs only as part of my 2017 Year of Colour, forcing myself to just use Jpegs with no RAW backup was the name of the game. So I set the camera to Image Quality Fine, Film Simulation Velvia, Dynamic Range 200, White Balance Auto, Highlight Tone -1 and Shadow Tone +1 to start off with.

I was editing the images out in Venice on the Ipad Pro with Snapseed and as part of this process in the end decided to set the Highlight and Shadow tones back to 0 for now and just make the changes in Snapseed. I have always wanted to be able to process very quickly so making changes in camera confuses me at times because I find myself undoing the changes I made in camera at the processing stage.

I must point out all the images in this blog are shot on a preproduction X100F.

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X100F ISO 640 1/640 sec f/3.2

Even though I am a Candid Street Photographer I have included a few other images here from my trip.  Venice is an amazing place for photography. I have never seen so many cameras in all my life as I did on this trip but that was probably down to the fact the carnival was just finishing as the workshop started. There are some seriously big back packs around in those small alleys thats for sure !

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X100F ISO 800 1/640 sec f/4
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X100F ISO 3200 1/4000 sec f/4

The only downside to this time of year is the ever changing light, even though the colours don’t have quite the same depth and beauty in the shade or shadow, I do like the way the X100F handles the fast changes with the Auto ISO, I know most people are scared to ramp up the ISO but I haven’t ever worried about this and set mine to Auto with the base at 200 ISO and the Max at 6400 ISO. I know you can ramp it up to 12800 but there was no need during the day. I do prefer what you see is what you get and if it’s dull its dull, you can’t have great weather and images all the time. This is the down side to colour photography and this is a great learning curve for me on my Year of Colour.

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X100F ISO 4000 1/4000 sec f/4

I used to shoot manual all the time but for Street I prefer aperture priority. That way I can just get on and shoot and not have to worry too much about the camera settings. I do switch back to manual when I have more time on my hands to think and compose.

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X100F ISO 3200 1/4000 sec f/4
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X100F ISO 6400 1/4000 sec f/4

I do quite like breaking the rules and playing around with camera settings when I get a new camera. It is always interesting to see how the combinations of ISO and shutter speed affect the tones in the images. I have to know what I can get away with in what light and at what speed.

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X100F ISO 3200 1/250 sec f/4
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X100F ISO 4000 1/200 sec f/5.6

Venice is an amazing place and feels so safe to wonder about day or night, so it’s a great place to walk around with your camera. I caught the last few days of the carnival so managed to capture a few of the interesting characters. I have to say I love the X100F, it’s a great upgrade from the X100T and the sensor is stunning.  The lens is a little soft at f/2 as it was on the X100T but I shoot most of my work around f/4 anyway these days so its not a big issue for me. Its great to now have a battery that lasts most of the day, but that was also not much of an issue for me on the X100t once you realise your camera’s limits you can compensate yourself. I used to carry 3 batteries for my X100T and for the X100F I carry two.

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X100F ISO 6400 1/800 sec f/4
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X100F ISO 1250 1/640 sec f/4
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X100F ISO 1000 1/640 sec f/4

I do like the way all Fujifilm cameras handle colour and black and white. I used to shoot Nikon and it was a real pain in the bum trying to get Nikon RAW files to look the way I wanted in colour and the Jpegs were worse. The images in this blog are all Jpegs and only had Lightroom cc edits and most of them have had only slight changes with a crop or minor contrast of clarity changes. I can’t bring myself yet to just use out of camera jpegs due to the fact I need a colour style and that is what 2017 is all about. I do however think if you just take images for you and you dont need a style then you could just set the camera up to shoot Jpeg and with a few changes in the settings you would not need to process the images and you could just use the Jpegs with no editing and this is amazing ! In the days of social media you can just wifi the Jpegs from camera on the fly and you are done. The X100F is just perfect to carry in your pocket everywhere you go and makes a great street travel camera.

With its fixed lens you have no worries about sensor cleaning and if you wanted to, you could add the conversion lenses to your collection and still not have sensor dust issues.

With the addition of the Digital Zoom this is a serious amount of reach for a pocket camera, the TCL-X100 Converter will give you 50mm, 72mm, and 100mm reach.

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X100F ISO 400 1/160 sec f/4
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X100F ISO 200 1/640 sec f/8
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X100F ISO 320 1/1000 sec f/4

Street Photography Workshops

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BRFFUK0002 FUJIFILM X PHOTOGRAPHER BADGE-H UK_MATT HART

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Edinburgh

All my Street Photography workshops apart from Liverpool are with Calumet Photographic this year.

I have already been to Birmingham and London and this weekend I will be back in Edinburgh on Friday and Glasgow on Saturday. If you are starting to get into Street Photography  or have been doing it for a while and have lost your way or your mojo then this workshop with give you all you need to take your Candid Street Photography to the next level. The workshops are tailored to enable you to think out of the box and show you all the skills you need to handle your camera in a discreet way so as not to upset your subjects.

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Glasgow

The images in this blog where all shot in Glasgow or Edinburgh on Fujifilm cameras, but even though I am a Fujifilm Ambassador you do not need to bring a Fujifilm camera on these workshops. Any make of camera will be good and that includes a smart phone if that is all you have.

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Glasgow
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Edinburgh

I am still running my own Liverpool workshops and these can be found on my Eventbrite page HERE. In 2018, I hope to be running some joint Street workshops with some of the great Street Photographers though Fujiholics and you can find all the future dates for the Fujiholics Workshops HERE.

The workshops in Edinburgh and Glasgow this weekend will start with a brief on What is Street Photography? which will last 2 hours. We will also look at some of the great Street Photographers past and present images.

I will be offering a practical approach to candid street photography with camera handling techniques.

I only shoot Candid street photography but we will have an open discussion on other styles, with the way other people view this approach.

I will give you an insight into the importance of projects and themes in Street photography to help you grow and develop.

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Edinburgh

My workshops are for anyone interested in Street Photography to bring like minded people together so you not only learn from my style but you can also learn from each other. It always amazes me when you bring like minded people together how much you can learn and be inspired by each other !  I love to share my passion of Photography and Street with you all and I get a great deal of pleasure in watching you learn and grow following a workshop.

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Edinburgh

A large percentage of Street Photography is learning to see and studying the masters, and my workshops give you all the tools you need to follow the path. Many of the people who have been on my workshops have developed their Street Photography and taken it to new levels. I have seen some amazing images in Black and White Street and Streets in Colour on FaceBook, shot by some of my workshop attendees, and this always brings a big smile to my face. Its always great to see their work getting selected for the main gallery.

I am one of the few admins on the Black and White Street and Streets in Colour team, and that gives me a great insight to Street Photography around the world.

I look forward to seeing you guys on one of my workshops in the future and if you need any advice on other Street Workshops in the UK worth attending then please let me know.

I would also recommend a great book by David Gibson The Street Photographer’s Manual

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Glasgow
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Glasgow