As quite a few people know I am changing the format of my workshops in 2018 so if anyone wants to take part in the present format, please choose one of my Street Photography Workshops from the list below.
This is the format for 2017.
The workshops will encourage debate about Street Photography and help the participants to be more critical about their work.
The workshops are suitable for professional and amateur photographers of all levels. We ask you to familiarise yourself with using your camera and learn how to change settings quickly before attending the day, this will enable you to enjoy the experience fully.
The day will start at 10.30am and conclude at 16.30pm with a break for lunch and plenty of comfort breaks throughout the day, most of the day will be out on the streets. There is a lot of walking during the day and the event may take place in inclement weather so come prepared.
You will spend the day with myself exploring the streets picking up tricks and tips on my style of Street Photography throughout the day. My Street photography workshops and courses are fun, informative and relaxed. They are both challenging and highly enjoyable and designed to stretch your imagination.
I uses the Fuji X100F and XPro2 with a 35mm or 16mm Prime lens.
You can bring any DSLR or mirrorless camera on this course; fixed lens compacts are also welcome. If you are wondering what lenses to bring 50mm is ideal for full frame and 35mm film uses. APSC size sensors 35mm is ideal or lenses around the normal focal length.
The day normally starts at 10.30am with a coffee introductions and a discussion about the day. We will touch on the ethics and law and how to deal with challenges in this area.
Next we will discuss camera set up for the day and the best set up for street photography with a practical demonstration of street camera technique.
Matt will cover what Street Photography is, and show you some of his favourite Street Photographers images. He will also show you the best way to approach his style of Street photography.
We normally spend around two hours covering these subjects then around 12.30am we head straight out on to the streets where you can watch the way Matt works and try out some of the tips and tricks that he shares with you.
We break for lunch around 1.30pm where we can find a quiet place for a snack to discuss the mornings work and share our experiences.
We then go back out on the streets to practice your new street techniques and try and find your street rhythm and look for some interesting characters or great light!
We stay out shooting until about 4pm, we then find a quiet place to sit as a group to discuss the day and this will include lessons learnt. Matt will share his processing techniques and preferred software. Matt will give you his views on Critique and show you how to review your own work.
I know the majority of you guys that read my blogs and attend my workshops are Fujifilm users but for all you that have other brands of camera please feel free to book on any of these workshops as all camera brands are more than welcome.
Here are the available dates left this year, please click on the dates for availability:
These will be the last Street Photography Workshops in this format at this price.
I have some interesting ideas for Locations and Styles of Workshops for next year, these workshops will be a little more complex so require a lot more planning.
I will advertise the 2018 Workshops around about October time.
I will be leading the Fujiholics Photowalks in London, Edinburgh and Bristol this year so make sure you sign up before all the places are gone. We have over 350 people signed up for London already.
Hope to see some of you on a Free Walk or Workshop and if you are a Fujifilm shooter then our new Facebook group might be for you here.
Here we go again, another year of Photo Walks. This year I will be leading four Fujiholics Photowalks. The Liverpool walk has already taken place but Bristol, Edinburgh and London are still up for grabs.
I would like everyone to know that you can bring any make of camera with you and that includes smart phones. You can also come without a camera just for a day out. It’s all about like minded people getting together to have a great day out and to share ideas and meet new people.
The walks are free to sign up to, I only ask that if you sign up then change your mind, please follow the link from your Eventbrite confirmation email to remove yourself so other people can sign up as numbers are limited.
So far this year London is in the lead with 280 people signed up.
We would like to see more families and children on the walks and would like you all to know that kids are welcome as long as they are accompanied by an adult. Why not bring them to London and make a weekend of it. They can use their phones or even buy them a throw away camera.
Photowalks are great, I have met friends for life on the walks and also made some amazing business contacts. They are a great way to explore our cities on foot with a great bunch of people.
A route and map is emailed out to everyone that signs up approx 1 week before the event to download to your smartphone or gps device or you can print out the map. You don’t have to keep up with the guys at the front as we tweet our location throughout the day and use a unique hashtag for the day. You can stop for refreshments along the way or even a cold beer and then catch up a bit later by taking a shortcut using the tube.
In London this year we have the Fujiholics Team and a few other Pro Photographers as well as some retailers so hope to bring you a few offers for the day. There will be quite a few Fujifilm X Photographers and Ambassadors about as well. The Fujiholics Team really do make you all feel welcome.
I would love to see as many of you guys on one of the walks this year, the last three walks are spread out all over the UK so feel free to come and join us.
Here are the links to the walks..
If you want to buy cheap train tickets then here is a link to sign up to The Train Line ticket alert.
If you need to know any more details then feel free to contact us firstname.lastname@example.org or email@example.com
Hope to see you sometime in 2017…
I have been using the X Series now for over five years. I teach Street photography and shoot events with the cameras regularly and the biggest gripe I hear from most people is their batteries don’t last five minutes ! I went out with one guy a few weeks back and he used six in the morning session of my Street Photography workshop.
I asked him what make the batteries were and found out three were Fuji and three were another brand. I then asked him when he charged them last and he could not answer !
I shoot every day with my XPro2 and most weeks with my X-T1 and I shoot events 10.00hrs-11.00 hours and only use one possibly two in a 7-8 hour day if I shoot up to 11 hours or more I might end up on my third. I do shoot with two bodies but this is per camera and at times one is enough for the Xpro2 and two for the X-T1.
I am not talking about the NP95 batteries they do not last as long, but with good battery managment I only used to use about three of those a day in about 8 hours of shooting.
I have spoken to quite a few Pros who shoot every day and have great battery management and quite a few amateurs who have poor battery management and the conclusion is most of the people that moan about battery life have poor battery management. There are also the semi pros that came out as a mixture of good and bad but this was all down to battery management and battery choice ! So why do the pro’s get better battery life ? Mainly because they use the cameras more regularly and charge the batteries every time before they go out.
I am not going to give you all the technical mumbo jumbo or battery tests I am just going to share with you what batteries to buy what chargers as well as good battery management.
I am fully aware a Fuji NP-W126 is not as good as a Nikon D3s battery but it’s not as big and does not cost £150 so this is not about better heavier more expensive battery it’s about good battery management.
I have quite a few batteries most now are Fuji NP-W126 batteries these might be more expensive but in my experience they do last longer between charges and the life is longer than most aftermarket versions. The best aftermarket version I have found are the eXpro and this is my prefered aftermarket purchase.
Good battery management is key to long life and also the right charger and the rule of thumb is Fujifilm Chargers for Fujifilm batteries and eXpro changers for eXpro batteries.
I have put eXpro batteries in Fuji chargers and they don’t last as long as when they are charged in their dedicated chargers, in fact they can last half as long they also appear to discharge more quickly, if not used quite soon after the charge.
So if you go down the route of an aftermarket battery get the eXpro battery and eXpro charger, I would get the double charger for around £12 great value for money. The eXpro batteries are around £9 with a two year warranty.
Good battery management is very easy but can become more and more complicated the more batteries you have to deal with. I use the ThinkTank battery storage pouch and put the batteries in terminals facing down and when I swap them out I leave the terminals facing up. But any good case that covers the terminals is great the worst way to carry the batteries is loose, as you just don’t know if they come into contact with metal objects in your bag and discharge.
If you have one battery it’s quite simple, you charge your battery pop it in your camera go out and shoot when it’s discharged you recharge it and off you go. Sounds simple but this is where it can go wrong. If you now leave that battery in your camera for a few days a week a month it will slowly discharge. So when you go out to shoot and you think it’s fully charged it’s not. Most people I ask who’s batteries run out very quickly on a workshop can’t remember when they charged them or say a few days ago, I then say when did you use your camera last and most say a week or so !
You need to charge the battery in your camera up before you go out and that is a refresh charge. If you pop it in the charger and it comes up charged straight away you are good to go if not you might only have to wait 10-20 min but its worth it.
Now what about a pouch of four or more !
After a gig I come home and charge the batteries with the terminals facing up straight away and then pop them back in the pouch.
Before every event I charge the lot or refresh charge the lot most of the time they don’t take long but if I have been away on holiday they take a little longer sometimes you just can’t remember when you last charged them. I also carry the pouch in my coat pocket in the winter to keep them warm to stop them from premature discharge never a good thing !
You would be surprised how long batteries get left in your camera without getting charged and you just sticking them in your bag or pockets. Not charging before use you are setting yourself up for failure.
Fuji have given some tips on longer life in your camera and you can find that Battery life management.
There is a really good double charger by eXpro and it’s this one eXpro LCD
So don’t stay in the dark with battery poor management,charge before you go.
I had another great year at The Photography Show and this year was just the same as last year as far as questions were concerned, but this time about the Xpro2 and not the X-T2 so I have decided to answer a few questions in this blog. If you came to the show and listened to my talk for Fujifilm UK, you will know how much I hate writing and why. I also only tend to write my blog when I have something to say, the rest is just noise.
One of the great things about TPS is the fact that so many photographers get together in one place and get to inspire each other. I always come away from the show buzzing with ideas. This year the biggest buz and the coolest places to be where the SmugMug Stand and the Fujifilm Stand, this is in part to the huge community of like minded photographers that love to be part of what is becoming the coolest collaboration in photography ever.
To many people get bogged down in the TEC, at the end of the day you only need a box with a lens and a way of controlling Aperture, Exposure and ISO the rest is all personal taste.
We all choose cameras we like the look and feel off and we listen to the people around us for feedback and read reviews etc, that is the same for a sofa or pair of shoes or a toaster.
People are free to choose what ever camera they like so there is no real need to moan about one you don’t like go buy one that fits your personal requirements.
All you really need is the exposure triangle the rest is just semantics! I was asked over and over again at the show to pick all the fault’s in the XPro2 and when I said it does not have any, one person was pushing me for a fault he even said “so what would other people say was wrong with it” I don’t know what other people would say I have never been one to wish a camera had this or what or needed x or y I just buy a camera that I feel an emotional connection to and that has the exposure triangle close to hand, after all that is all I NEED ! I don’t need much more in my line of work, I am a Photographer and just need to take pictures. I do like a great lens to give me a sharp image if I want a sharp images and Fuji lenses give me that in droves.
I have an XT10 for Street and to stick in my pocket and that has a 27mm lens on it, I have another XT10 with a 90mm lens on it. My XPro2 has a 35mm f/2 lens on it and my X-T1 has a battery pack and 50-140mm on it most of the time. These are all for different jobs like a mechanic with a socket set! The Cameras are the ratchets and the lenses the sockets so picking fault in ratchet or socket for one job is pointless when you have a great set of tools ! I get asked about 4k video etc and I roll my eyes ! I have two GoPro cameras for video if I want to shoot 4K but in all honesty the Video in my XPro2 or X-T1 is great for blogging etc If I wanted amazing stunning video I would buy a new tool for my tool box not moan about the ones I have.
So why do I buy new cameras if I am not chasing the tec ? I chase the warranty that’s why, you see so many people blaming the manufactures and moaning about faults 5 months or 8 months out of warranty. I thinks it’s mad! Social media has become a media hub for moaning about out of warranty issues with all brands. As a professional even before I used Fuji X Series camera I used to buy a new Nikon body every time the warranty ran out that way if I ever had an issue I could return it and get it repaired without any hassle. To be honest in all the time I have owned the Fujifilm X System and I don’t look after my tools as much as I should, I have never had to have them repaired. The only camera I sent back was one of my X-T1’s for the light leak issue and that was turned around in 7 days.
Quite a few people think we get our kit for free but this is just not true, I paid for all my Fuji X Cameras and lenses before I was a Fujifilm Ambassador and still do to this day. We do get to hire new gear when it’s available and free of charge but it has to be given back. The only camera I have been given was the Fuji XPro2 and this also had my name on the serial number. This was a gift for all my hard work in the XPro2 launch and my ongoing work for Fujifilm. But when I say given, if I had invoiced Fujifilm for my time this it would far outweigh the cost of the camera.
Mirrorless cameras make great tools and don’t take up any room so you can in fact have quite a few in your toolbox, I also do like a spare body for back up.
I was asked at the show if I could choose one X Series camera what one would it be ! That is like saying what is your favourite Socket or wrench! Well the answer if it was a toolbox would be SnapOn and what ever socket I needed for the job.
So why Fuji, well I started buying the X Series cameras and the found this great community around the world that all had this passion for the brand, they would share there passion and I soon found myself starting Fujiholics to put on events to get everyone together to share the passion and take photos, mostly of coffee and cake and each others cameras it appears !
As far as a camera is concerned, I only need an exposure triangle and I am happy, but the X Series have given me so much more I have never had so many collaboration talks with so many photographers. The Fujifilm teams all over the world are all great people and are all part of the community in one way or another.
If you pushed me to say what is the best all round Street Combo I would have to say the XPro2 and 35mm f/2 lens at the moment but that’s because I LOVE shooting Acros Film Simulation with Green filter Jpegs are my thing at the moment as I hate processing with a vengeance. The 35mm f/2 is just sexy that is all !
I try to have an emotional attachment to my work and I need the same feeling with my camera system. Perfect tool for that is right for the job.
They X Series do look good next to a coffee and cake to !
I started out with a pair of Nikon Fm2 Film Body’s shooting with a 20mm or 50mm lens and a 135mm lens.These were great for Street Photography and Travel Photography. Some of the great photographers of the past used the same combination as these lenses would cover most situations. The 135mm was a great portrait lens and I have missed this lens ever since I went digital.
I have been looking for the equivalent combination for my Street Photography so I can shoot with two decent prime lenses and matched bodies. Well the day has come, the perfect lens and body combination has landed ! I can now shoot my X-T1 with 35mm or 16mm with an X-T10 and 90mm f2 on my X-T1.
I am very excited about these two great Fuji products being launched at the same time as I think they are made for each other !
The X-T10 features an APS-C X-TransTM*3 CMOS II sensor with built-in phase detection AF. Coupled with a high-performance image processing engine and FUJINON lenses, the camera delivers excellent resolution and outstanding image quality, backed by unique colour reproduction technology. The X-T10 uses a new AF system. This offers Fujifilm’s conventional 49-point AF mode for high speed and precision focusing, as well as new Zone and Wide/Tracking modes that track subject movement across a larger 77-point area, substantially improving the camera’s ability to capture moving subjects. Combined with the AF-C capability and the continuous shooting speed of up to 8.0fps*4, the camera delivers the high quality images that have become synonymous with the X Series, across a broader range of photographic situations.
Key features of the Fujifilm X-T10
(1) All-new design packs X Series’ operability into a compact and lightweight body
The design of the compact and lightweight body bears all the hallmarks of an X Series camera. Both top and base plates are made of a lightweight, but highly rigid, die-cast magnesium. The top plate features three precision-milled aluminium dials which give the X-T10 a premium feel and allow users to intuitively adjust the combination of aperture, shutter speed and shooting functions while concentrating on picture taking.
Additionally, the back panel has a 3-inch 920K-dot tilting LCD monitor suitable for both above head and close to the ground shooting. Two colour options will be available: Black and Silver.
- It is equipped with an Auto Mode Switch lever for selecting the fully-automatic Advanced SR Auto mode. In this mode, the camera automatically chooses the optimum settings for a given scene to make shooting effortless.
- Each of the two command dials and seven function buttons featured can be customized so that you can tailor the camera to your needs.
- The body also features an integral pop-up flash,positioned in the center of the top plate.The built-in Super Intelligent Flash automatically adjusts light output according to the scene type.
(2) Real Time Viewfinder
With a magnification of 0.62x and a display lag time of just 0.005sec, the X-T10 has a large, fast viewfinder. It offers a clear; high-definition live view thanks to the new 2.36million dot organic EL electronic viewfinder, plus visibility has been improved by automatically controlling finder brightness according to the ambient light levels. The live view display can also be set to the “Preview Pic. Effect” option to reflect the shooting conditions and offer a natural view close to that of the naked eye. The viewfinder’s eye sensor will also automatically orientate the information when the camera is positioned vertically; something that’s not possible on models with optical viewfinders.
(3) The X-TransTM CMOS II Sensor and EXR Processor II engine combine to deliver outstanding image quality and high speed performance
The camera features Fujifilm’s APS-C 16.3 megapixel X-Trans™ CMOS II sensor. Its unique, random colour filter array reduces moiré and false colours without having to use an optical low pass filter. The elimination of the low pass filter, which compromises image quality, means a greater amount of light reaches the sensor. Combined with the EXR Processor II image processor, this means the sensor delivers outstanding resolution and low noise.
- Fujifilm combined the processor’s noise reduction function with the technology for mounting circuit boards to reduce noise in high sensitivity images. This has enabled the ISO setting of up to 51200*5. Even at an ultra-high sensitivity, the camera produces low noise and strong blacks, thereby broadening photographic potential in low light conditions.
- The camera features the unique Lens Modulation Optimizer (LMO) *6 image processing technology to deliver the best possible image quality. Using optical performance and other characteristics of each lens, LMO corrects optical defects such as diffraction*7 to achieve edge-to-edge sharpness and a realistic three-dimensional effect.
- The unique on-sensor phase detection AF system focuses in an ultra-fast 0.06 sec*8. With the high-speed EXR Processor II image processor, the camera starts up in just 0.5sec*9, has a shutter time lag of 0.05sec and shooting interval of 0.5sec*10.
(4) New AF system with Zone and Wide/Tracking modes for effortless capture of moving subjects
- The new AF system offers Fujifilm’s standard 49-point Single Point mode for high speed and precision focusing, as well as the new Zone and Wide/Tracking modes that use a larger 77-point area to capture moving subjects.
- Zone mode allows users to select a 3×3, 5×3 or 5×5 zone out of the 77-point AF area. During AF-C focus, the camera continually tracks a subject, positioned at the centre of the zone. The centrally positioned 3×3 and 5×3 zones, in particular, delivers fast focusing thanks to the on-sensor phase detection AF.
The Wide/Tracking mode is a combination of the Wide mode (during AF-S), in which the camera automatically identifies and tracks the area in focus across the 77-point AF area, and
- the predictive Tracking mode (during AF-C), which uses the entire 77-point area to continue tracking a subject. This feature enables continuous focusing on a subject that is moving up and down, left and right or towards and away from the camera.
- The Single Point mode divides the focus area into smaller sections to accurately determine the distance to the subject for greater focusing precision. The working range of the on-sensor phase detection AF has been improved from 2.5EV to 0.5EV so phase detection AF works at high speed even in low light conditions or on a low contrast subject.
- The camera features Eye Detection AF, which automatically detects and focuses on human eyes. The function allows you to easily focus on the eyes even in difficult conditions – when shooting a portrait with a very wide aperture to obtain strong bokeh effects, for example.
- The Auto Macro function automatically activates the Macro mode while maintaining AF speed, eliminating any need to press the Macro button to capture a close-up. This allows you to re-assign the Macro button to a different function.
- The optimised algorithm delivers a smoother and more natural AF action during video recording.
- With the combination of the phase detection AF data and subject motion predictive AF, the camera is capable of continuous shooting with AF-C at up to approx. 8.0fps.
(5) 18 high-performance FUJINON X-mount lenses that deliver premium image quality and expand the scope of photography
The very latest digital technologies have been used to develop X-mount lenses, which offer high-precision optical designs to deliver the highest possible image quality. When designing the lens range, the aim was to achieve edge-to-edge definition for high-resolution imagery across the entire frame and offer the brightest possible maximum aperture for maximum creativity, while maintaining a compact and portable size. The current line-up of 18 lenses ranges from ultra wide-angle to telephoto, including five fast aperture prime lenses. These lenses bring out the very best image quality from the X-T10. Optional accessories such as mount adapters and macro extension tubes further broaden photographic potential.
(6) Perfect your photos with Film Simulation modes and other creative features
Fujifilm’s unprecedented image quality has been created through 80 years of development of photographic films. This technology helps the camera to reproduce warm skin tones, bright blue skies and rich green trees, just as photographers remember the scene. The X-T10 features the latest CLASSIC CHROME Film Simulation mode, which delivers muted tones and deep colours. Users can choose from ten other modes that simulate the effects of traditional Fujifilm films. These include colour reversal film effects (VELVIA/PROVIA/ASTIA), professional colour negative film (PRO Neg.Std / PRO Neg.Hi), monochrome filters (MONOCHROME, Ye filter, R filter and G filter) and SEPIA.
Advanced Filter functions are also available on the X-T10. Users can choose from eight different artistic effects:
Pop Colour – Emphasizes contrast and colour saturation.
Toy Camera – Creates shaded borders as if you were taking a photo on a toy camera.
Miniature – Adds top and bottom blur for a diorama or miniature effect.
Dynamic Tone – Creates a fantasy effect by boosting tones.
Partial Colour – Retains one selected original colour and changes the rest of the photo black & white. Colours can be selected from red, orange, yellow, green, blue and purple.
High Key – Enhances brightness and reduces contrast to lighten tonal reproduction.
Low Key – Creates uniformly dark tones with few highlight areas.
Soft Focus – Creates a look that is soft throughout the whole image.
- The Multiple Exposure function offers users the chance to combine two separate subjects into one photo, perfect for adding people into photos.
- The camera’s aspect ratio can be selected from 3:2, 16:9, and 1:1 (square) to accommodate a wide range of photographic styles.
- The camera also features an ADVANCED SR AUTO mode, which recognizes faces and every scene type to automatically optimise the focus, exposure, ISO and other settings.
- Interval timer shooting for time lapse photography is available with intervals of one second to 24 hours and up to 999 frames.
- A completely silent electronic shutter that is capable of exposures up to 1/32000sec. has been added. Photos with a shallow depth-of-field can now be shot with the aperture wide open on snowy fields or the beach under clear skies. As there are no mechanically operated parts, candid shots of animals and sleeping babies can be captured more easily than ever before.
Other features include the Digital Split Image for precise manual focusing, and Focus Peaking, which highlights high-contrast areas of the subject’s outlines. These areas can be highlighted in white, red or blue, providing a focusing guide even when photographing a scene that’s tricky to focus on.
(7) Full HD video with the X-TransTM CMOS II sensor
- 60fps smooth Full HD movies can be shot with the X-T10. 50fps, 30fps, 25fps and 24fps frame rates are also available.
- Film Simulation modes, including the latest CLASSIC CHROME, and detailed white balance setting is also possible.
- Manual exposure can also be set during movie shooting. Aperture, shutter speed*11 and ISO sensitivity can be changed enabling movies to be shot using an exposure of the user’s preference.
- High-speed, high-precision focusing is made possible by activating Intelligent Hybrid AF, which switches between phase-detection AF and contrast AF according to the scene, even during movie shooting. Manual focus is also possible.
- Six types of scene recognition functions can be used, or it can be left up to the camera to capture beautiful movies.
- A high bit rate of 36Mbps enables high definition capture of delicate movements.
(8) Built in Wi-Fi for shooting from your smartphone or tablet devices*12.
- By downloading the free FUJIFILM Camera Remote app to your smartphone or tablet device, users can use the Remote Control function, which allows a wealth of control, even from a distance. This functionality is great for a wide variety of shots, including group photos, self-portraits and animals in their natural habitat.
- Photos and videos can be sent to devices such as your smartphone with an easy one-touch operation. Pictures and videos on the camera can be browsed, selected, and imported using your smartphone, all without the hassle of inputting an ID or password. It is also possible to add location information acquired by the smartphone or tablet to the image.
- Photos can be sent directly from the camera to the Instax SHARE Smartphone Printer for instant Instax prints.
- Wi-Fi® Transfer*13 is supported, enabling wireless backup of the data to a computer*14.
(9) Premium accessory line-up
- Leather Case BLC-XT10
A stylish authentic leather case that has a wonderfully tactile feel and perfectly suits the X-T10’s classic design. With the X-T10 snugly protected, you can even change batteries without removing the camera. A matching leather shoulder strap and protective cloth are included.
- Hand Grip MHG-XT10
To increase the camera’s grip. Both battery and memory card can be swapped with the grip in place. Additionally, a tripod screw hole can be placed in centre of the optical axis and the base parts are equipped with a 38mm width dovetail protrusion plate, allowing use as a quick shoe mount when using a dovetail groove tripod pedestal.
- M Mount Adapter for additional lens compatibility
- Macro Extension Tube MCEX-16/MCEX-11
Two tubes (16mm and 11mm) are available for fitting between the camera body and an interchangeable lens to enable high magnification macro photography.
- Shoe Mount Flash
There are three types of FUJIFILM external flash, all of which are capable of high-precision TTL auto flash control. The EF-20 and EF-X20 both have a guide number of 20, while EF-42 has a guide number of 42.
- External Stereo Microphone MIC-ST1
Make realistic voice recordings for your high-quality Full HD videos.
- Protector Filters (PRF-39, PRF-52, PRF-58, PRF-62, PRF-67, PRF-72 and PRF-77)
- DC coupler CP-W126
- AC adapter AC-9V
- Remote Release RR-90
*1: Market leading viewfinder magnification ratio. Approx. 0.62x magnification 50mm (35mm format equivalent) at infinity and diopter set to -1.0 m-1.
*2: Fujifilm research as of April 2015.
*3: X-Trans is a trademark or registered trademark of FUJIFILM Corporation.
*4 In CH mode, focus area is limited inside of central 3×3 in Single point and 5×3 in Zone and Wide/Tracking.
*5: Extended output sensitivity.
*6: Unique signal processing technology that reproduces the sharpness of images blurred by diffraction, etc.
*7: When a fine image that should be sharp is blurred when using a stopped down the aperture.
*8: Fujifilm research based on CIPA guidelines using the X-T10 equipped with XF16-55mmF2.8 R LM WR lens in High Performance mode as of April 2015.
*9: Equipped with XF27mmF2.8 lens in High Performance mode.
*10: MF mode.
*11: Aperture and shutter speed can be changed during shooting. Only shutter speeds faster than the set frame rate can be set.
*12 Android™, smartphone and table devices, iPhone / iPad.
*13 Wi-Fi® is a registered trademark of the Wi-Fi Alliance®.
*14 Requires advanced installation of the free dedicated software FUJIFILM PC AutoSave to your computer.
The FUJINON XF90mmF2 R LM WR is a fast-aperture prime lens that delivers ultra-sharp images with rich bokeh even at the maximum aperture setting. The optical construction of 11 elements in 8 groups (including three ED glass elements) minimises vignetting and creates beautiful bokeh thanks to the rounded diaphragm, which makes it perfect for portraiture as well as other applications.
Despite having a large maximum aperture, the FUJINON XF90mmF2 R LM WR is both compact and, at 540g, lightweight while the minimum working distance of 60cm delivers a wide shooting range. A newly-developed Quad Linear Motor delivers fast, accurate autofocus, plus the lens also features a weather- and dust-resistant structure that can work in temperatures down to -10°C.
Along with the popular XF56mmF1.2 R, this is a must-have lens for portrait photography fans that favour fast aperture prime lenses. The focal length allows you to shoot at a distance that won’t intimidate subjects, leading to more natural, candid results.
*1 35mm format equivalent
(1) Ultra-sharp images even at the maximum aperture
The optical construction comprises 11 elements in 8 groups, including three ED (extra low-dispersion) elements, which reduces chromatic aberrations to deliver sharp, rich images even at the widest aperture of F2.0.
(2) Beautiful bokeh
The rounded aperture blades combined with an optical construction designed to minimise vignetting creates beautiful circular bokeh right to the edge of the image. In addition, stunning depth is possible in images thanks to the differentiation between the razor-sharp subject and the bokeh in front and behind it.
(3) High-speed autofocus as fast as 0.14sec*2 thanks to a newly-developed Quad Linear Motor
A linear motor is fast, quiet and accurate, but here four magnets are used for higher torque. The high-speed autofocus provides a more versatile shooting experience, allowing users to quickly react to subtle changes in a subject’s facial expression.
*2 Complies with CIPA (Camera & Imaging Products Association) guidelines, internal measurement, during high performance mode.
(4) Close focusing to 60cm and 0.3x magnification (35mm format equivalent)
The close focusing capabilities of the FUJINON XF90mmF2 R LM WR allow you to isolate key parts of a subject so you can shoot dramatic portraits or close-ups of flowers and insects.
(5) Weather, Dust, and Freeze Resistance
The lens features a weather- and dust-resistant structure with seven seals on the lens barrel. It can also work in temperatures as low as -10°C. This keeps the lens protected from rain, dust and splashes of water when shooting outdoors.
(6) Lightweight and compact
The lens weighs approx 540g, and is compact too, with a filter thread measuring just 62mm. The combined weight with the XF56mm F1.2 R is less than 1kg – great news for portrait photographers who want to travel light and still shoot with prime lenses for sharp images and strong bokeh.
The Fuji X-T10 and the 90mm f/2 will be available to touch and hold in Demo form at Cambrian Photography Show on the 23rd May http://www.cambrianphoto.co.uk/