I don’t know where to start with this but after leaving a Facebook Group yesterday because the admin were demanding that every post had the camera settings I was left shocked !
They also wanted to know what Lee filter was used !
I did make a comment before I left but I think it was lost in Translation ! The guy was insisting it was not about the light !
I fully understand they most people that are learning to use there camera think they need to know other people’s camera settings and for some reason some Pro’s and some trainers encourage this, and so do lots of groups !
I remember when I was younger I even fell for this myself until I realised it’s all irrelevant!
We are convinced by other people the way to learn is to read up on camera settings so much so we get obsessed with Exiff data !
We then think if we had that camera and that lens that guy uses so we could take photos like him or her !
The brands have taken this to the next level and love all their Ambassadors to share this info.
The Photographer might as well share what they had for breakfast and how they were dressed for all the good it will do us.
If you were to take three photos with the exact same setup at three different times of day using a Photographers setting you would get three different sets of results.
We don’t know what the light was like at the time, what software was used, how it was processed or what effect the Photographer was going for.
When I used to teach Street Photography the most common question I ever got asked was “can you set my camera up for me ?” or “what are your camera settings for Street ?”
When I try and explain that’s not how it works I get the look ! I can hear the cogs ticking ! “He does not want to tell us his secrets !” “He does not want us to be better than him !”
When the truth is I Format my memory card before I go out and shoot in RAW and have my Cameras set on Manual if I am in a Studio and Aperture Priority or Shutter Priority out on the Street and probably Auto ISO ! If I am shooting Landscape it will be Manual with the lowest ISO probably.
Wherever we stand on this planet whatever country we are in, at any given time of day the light and conditions are different and also the effect we want in our camera also comes in to play.
We have to learn to Master the Exposure Triangle there and then and it’s only by going out day after day for years and years can we work out what works for us.
Yes of course you can use the Sunny 16 rule on a Sunny day but that just gets you a shot !
What if you want people with motion blur or want narrow depth of field or you even want to make people disappear from the scene ! What if you want movement in the clouds or silky water !
What if in a Studio you want High Key or Low key ?
Stop obsessing over bloody camera settings and get out and practice ! The more time you spend with a camera in your hand the more you learn.
Photography is about so much more than Exiff Data it’s about Light,Composition, Moment, Amazing Subject and Emotional impact. It’s about you the Photographer and what your vision is. Not what settings Linda Wisdom uses !
You won’t learn this stuff in a week or a month it’s a lifetime of learning !
If you are in a Facebook group that insists on Exiff Data leave the group, go outside and take some photos it will be the best thing you have done for your photography all week.
There is no shortcut trust me, get out with your camera every day or as much as you can and practice practise practise, learn by your mistakes and trial and error. That way you learn a lot faster.
You can read as many books as you want, do as many courses as you want they just give you inspiration. It’s down to you and you alone to teach yourself the Exposure Triangle and learn to speed up that process by daily practise.
Jane always says to me she does not want to learn photography because there is too much to remember ! So very true but with practice it becomes second nature. You can just dial it in and shoot. You don’t become an expert at anything if you sit on your arse and wait for it to come to you, hard work and commitment is the name of the game.
Searching YouTube for those bits of info on camera setting for hours and hours won’t make you a better photographer it just makes you a couch potato !
So get up go out and get practicing ..
I guess I have fallen in love with this camera, it blows me away every time I use it and to think I left it so long before I invested ! I have always secretly wanted to get a medium format camera but I never really had the need for it or a business case to buy it, as I said in my previous post about the GFX I just decided to buy it as an early retirement present to myself, not that photographers ever really retire.
I have three projects to shoot with the GFX this year as well as getting back in to Landscape photography and this is the perfect tool for the job.
Three of the projects I am involved with will include really large prints and even though the other X Series cameras are capable of large prints they cant hold the detail as well as a bloody great images sensor in a medium format camera.
One amazing thing about the GFX is the ability to switch it to C Mode once the Lens is set to C and the ISO dial is set to C and the shutter speed dial is set to T the camera is in Command mode and the back and front Command dials act as a DSLRs command diles do and control the Speed and Aperture. Also if you push the front command dial you can then alter the ISO so this puts the Exposure Triangle at your fingertips.
The command mode gives you the control you need to dial in the exposure you require for LE Photography ( Long Exposure ).
The old way was to take and exposure and then calculate the filter factor with the current exposure time to give you the time it would take to make the exposure. Well that all just changed the GFX50s can’t do a timed exposure up to 60 minutes on its own.
Let me explain, you set up the shot focus the lens then set the lens to M to prevent it from re focusing when you press the shutter. Then you simply place the filter you require like the Lee 15 Stop in the holder and adjust the Aperture do the desired depth of field. Then you move the shutter speed all the way until the camera meters for the sceen through the filter. Once you set you then just set the self timer in the Q Menu to 2 seconds to prevent camera shake and make your exposure. You don’t even need a cable release so that’s one thing less to blow around in the wind.
This function alone as made my whole life so much easier and considering the GFX is about the same size as a D800 and my Landscape kit now consists of one camera and three lenses I am really happy. I use the GF23mm GF32-64mm and the GF110mm and this little lot is quite a light lighter than the Nikon D3s and pro lenses I used to carry and the images from the GFX are outstanding as it the dynamic range.
Right I best get back to wales and see what else this thing can do.
Here we go again, another year of Photo Walks. This year I will be leading four Fujiholics Photowalks. The Liverpool walk has already taken place but Bristol, Edinburgh and London are still up for grabs.
I would like everyone to know that you can bring any make of camera with you and that includes smart phones. You can also come without a camera just for a day out. It’s all about like minded people getting together to have a great day out and to share ideas and meet new people.
The walks are free to sign up to, I only ask that if you sign up then change your mind, please follow the link from your Eventbrite confirmation email to remove yourself so other people can sign up as numbers are limited.
So far this year London is in the lead with 280 people signed up.
We would like to see more families and children on the walks and would like you all to know that kids are welcome as long as they are accompanied by an adult. Why not bring them to London and make a weekend of it. They can use their phones or even buy them a throw away camera.
Photowalks are great, I have met friends for life on the walks and also made some amazing business contacts. They are a great way to explore our cities on foot with a great bunch of people.
A route and map is emailed out to everyone that signs up approx 1 week before the event to download to your smartphone or gps device or you can print out the map. You don’t have to keep up with the guys at the front as we tweet our location throughout the day and use a unique hashtag for the day. You can stop for refreshments along the way or even a cold beer and then catch up a bit later by taking a shortcut using the tube.
In London this year we have the Fujiholics Team and a few other Pro Photographers as well as some retailers so hope to bring you a few offers for the day. There will be quite a few Fujifilm X Photographers and Ambassadors about as well. The Fujiholics Team really do make you all feel welcome.
I would love to see as many of you guys on one of the walks this year, the last three walks are spread out all over the UK so feel free to come and join us.
Here are the links to the walks..
If you want to buy cheap train tickets then here is a link to sign up to The Train Line ticket alert.
If you need to know any more details then feel free to contact us email@example.com or firstname.lastname@example.org
Hope to see you sometime in 2017…
I have had quite a few emails from people asking how they can find out where I am and what I am up to.
I have to confess I thought I had that covered this with my website and the Fujiholics site and social media. But I realise this is not as I thought, so from now on I will do my best to keep up my blog so people can find out where I am from here.
I was at the HIP Festival in Hull a couple of weeks back and they have invited me back next year to show my work in their gallery at the City of Culture HIP Event as well as talk on the opening evening etc So I will come back to you all on the date for that one.
I am in Bristol this weekend hosting the Fujihoilcs Bristol Photowalk #FujiholicsBRIS16 this is one of the many free events held by the Fujiholics in the UK to bring like minded people together in the fresh air to share their passion for Photography. To network and share ideas.
I will then be in Glencoe with Paul Sanders and Fujifilm UK on the 21st to the 25th November for the Fujiholics Landscape Workshop There only 4 places left for this workshop and it will be the last Autumn or Winter Glancoe workshop we do as the next few years are just too busy.
I wont bog you all down with to much all in one go but I will just mention the Venice workshop next year again with Paul Sanders there a still a couple of places left for this amazing workshop exploring Landscape and Street.
I will update you all on future events from now on on Social media and by this blog.
I often get asked what would my desert Island camera be! This used to be a hard question in the days of the DSLRs but not anymore it’s very simple it’s the Fujifilm X100. It does not really matter what version of X100 you have, they are all great. The X100 was a stunning camera and I am sure will go on to be a classic, the X100s was a big improvement and the X100T might not be a massive jump from the S but it’s worth every penny, after all the other two are so last year !
One of the main reasons for my desert island camera choice is the fixed lens, no dust or sand on the sensor is a big plus for me for a take anywhere camera. This camera fits in my pocket and can go anywhere I want all over the world and takes up no room. If you don’t add any of the great lenses and bolt on accessories this little camera even fits in your trouser pocket. I am not going to go in to the technical side of the X100T you can find this information all over the internet. I am not going to tell you about all the great accessories or the two stunning add on lenses because I don’t use them, for one reason and one reason alone they make it bigger for my street work. However the Fujifilm Tele Conversion Lens TCL-X100 and the WCL-X100 Wide Angle Conversion Lens are on my must have list for my Travel Photography.
I am just going to share with you a few of my images I have shot with the X100 versions over the last couple of years. Besides I have to be 100% honest with you and say the last ever camera review I read was on the very first X100 and it sold it down the river! Yes I was late to the X100 because the reviews were not great. Some people still pick this camera up and don’t understand it. But to really appreciate this little camera you need to be stuck on a desert island with it. You will be calling it Wilson by the end of your stay ( for those that watched Cast Away )
I made a big mistake a couple of years back and sold my X100 ! I don’t even know why I did it but I missed it so much. Sounds crazy, when I first got my X100 it drove me nuts at times with its quirks and every time I looked at the image on the back of the screen I was convinced I had not nailed the focus, but I had. Once I had the images open in Lightroom I was happy and excited and wanted to get back out and shoot. It has its quirks but they are very easy to live with but the benefits outweigh any quirks tenfold. This little camera is a carry anywhere camera that packs a massive punch with its stunning sensor.
I have a few friends now that own the X100 the X100s and the X100T to be honest I know a large amount of people that are buying the X100 and they are shooting Fashion,Landscape,Street,Long Exposre and so much more.
For me the X100T is the go anywhere shoot anything camera and even better the X100T is so good looking you never put it away. Mine sits on my desk waiting to go out and shoot. I have a black one and this is my preferred colour for street photography, it suites my candid style.
Lets face it, with the X100T, you can have your cake and eat it…