I get asked quite a lot “what is best the X100F or the Xpro2 ?” I always find this an interesting question because I don’t quite know why I am being asked the question !
I dont think people want to know what camera I prefer, I think they want to know what one I would recommend they buy ! To find out what would be the best camera for the other person I would need to know so much more about them and their photography. So I will answer this question as if it was directed to me.
I am not that worried about the bells and whistles that are thrown at modern cameras I just want the exposure triangle on the outside of the camera and I want to be able to use it quickly without putting too much thought in to it or digging into the menus.
I do love the rangefinder style because I am a right eye shooter, so with the rangefinder my nose is not squashed on the back of the camera and 9 times out of 10 no one knows where you are pointing a rangefinder !
I am also not that worried about the viewfinder or the rear screen as I need glasses these days for close up work so don’t spend a lot of time using either. If I do use the viewfinder or rear screen it’s just to compose the image so it can be all blurry as long as I can see the composition.
The main difference between the X100F and the XPro2 is the fact it has interchangeable lenses and in all honesty this is the one deciding factor the rest is almost irrelevant.
But I am lucky as I have both cameras.
One thing I must point out is that for Event work I also use the Fujifilm X-T2 and the main reason is for balance the Fujifilm 50-140mm f/2.8 and battery grip with extra battery capacity for a long day shooting is just perfect. I will still use the X100F and XPro2 on the day just to have a variety of lenses with me at all times within easy reach.
At the moment when I am teaching Street photography I just use the X100F.
When I am out shooting in the UK on my own at the moment I use two X100F bodies, one with the fixed 23mm and one with the Fujifilm WCL-X100 Wide conversion lens.
The XPro2 stays at home, so in a way I have answered the question.
I moved away from Nikon to be able to lighten my load and enjoy my day out shooting and over the last 6 years I have only used the Fujifilm system and got to know it very well. In that time the X100 has come a long way and the X100F is now everything I need in an everyday camera for shooting Street, its got a great sensor and exposure triangle on top and the autofocus is now as fast as I need it to be. I used to Zone focus the X100 and X100s and even the X100T to get the results I needed but the X100F has such a great AF system I dont need to use Zone focus for anything anymore. I guess the only time would be in low light or awkward situations and in that case I would just switch to M and back button focus.
When out shooting Street my only consideration now is, is it moving if so switch to C (continuous AF) is is stationary switch to S (single AF)
I like the camera to do all the work for me so I set the camera in to Auto ISO with the following settings – Default Sensitivity 200, Max.Sensitivity 6400, Min. Shutter Speed 1/250 sec.
This set up is basically the same for the X100F and the XPro2 except I alter the Min Shutter speed to suit the lens I have on the camera for the XPro2.
For me the X100F is my Desert Island camera, and this camera now goes with me everywhere I go its the first camera I pack for any trip. One great thing about a fixed lens camera is the fact there is no sensor cleaning so that is a big bonus.
I have adapted the way I shoot to suit the X100F and I think this is important, I see so many people moaning online about the fact a camera has not go this or it has not got that and the biggest moan about the X100F is the fact it does not have a tilting screen ! When it first came out I even thought thats a shame, after using the X70 and all the others with tilting screens I did wonder but now I get it. Why do we keep wanting more and more and more this is why the DSLR’s got so big ! besides the XPro2 does not have a tilting screen.
I love the freedom of the X100F and if I have to pick one camera from the Fujifilm range this would be it.
So what about the Xpro2 ? Its water resistant and it is slightly faster on AF and it has interchangeable lenses, so it’s far better than the X100F and if I travel anywhere out of the UK it comes with me, also for assignments I use the X100F and the XPro2 with a longer lens on to give me something wide and something long to be able to capture the moment no matter where it happens.
I love my XPro2 and in the Fujifilm range it comes up as my favorite camera but it also annoys me because it gives me lens choice ! The Fujifilm lenses are all so good you then end up taking the XPro2 and 3 or 4 lenses with you and you only ever use one ! So it puts more weight in your bag is counter productive.
The XPro2 is perfect for travel and perfect for assignments and just about anything but when it comes down what one I prefer based on weight, size, portability etc the X100F wins hands down.
We all want diferent things from our cameras and Fujifilm have an amazing range of bodies and lenses now and I love to use them all but the X100F is still my desert Island Camera.
As quite a few people know I am changing the format of my workshops in 2018 so if anyone wants to take part in the present format, please choose one of my Street Photography Workshops from the list below.
This is the format for 2017.
The workshops will encourage debate about Street Photography and help the participants to be more critical about their work.
The workshops are suitable for professional and amateur photographers of all levels. We ask you to familiarise yourself with using your camera and learn how to change settings quickly before attending the day, this will enable you to enjoy the experience fully.
The day will start at 10.30am and conclude at 16.30pm with a break for lunch and plenty of comfort breaks throughout the day, most of the day will be out on the streets. There is a lot of walking during the day and the event may take place in inclement weather so come prepared.
You will spend the day with myself exploring the streets picking up tricks and tips on my style of Street Photography throughout the day. My Street photography workshops and courses are fun, informative and relaxed. They are both challenging and highly enjoyable and designed to stretch your imagination.
I uses the Fuji X100F and XPro2 with a 35mm or 16mm Prime lens.
You can bring any DSLR or mirrorless camera on this course; fixed lens compacts are also welcome. If you are wondering what lenses to bring 50mm is ideal for full frame and 35mm film uses. APSC size sensors 35mm is ideal or lenses around the normal focal length.
The day normally starts at 10.30am with a coffee introductions and a discussion about the day. We will touch on the ethics and law and how to deal with challenges in this area.
Next we will discuss camera set up for the day and the best set up for street photography with a practical demonstration of street camera technique.
Matt will cover what Street Photography is, and show you some of his favourite Street Photographers images. He will also show you the best way to approach his style of Street photography.
We normally spend around two hours covering these subjects then around 12.30am we head straight out on to the streets where you can watch the way Matt works and try out some of the tips and tricks that he shares with you.
We break for lunch around 1.30pm where we can find a quiet place for a snack to discuss the mornings work and share our experiences.
We then go back out on the streets to practice your new street techniques and try and find your street rhythm and look for some interesting characters or great light!
We stay out shooting until about 4pm, we then find a quiet place to sit as a group to discuss the day and this will include lessons learnt. Matt will share his processing techniques and preferred software. Matt will give you his views on Critique and show you how to review your own work.
I know the majority of you guys that read my blogs and attend my workshops are Fujifilm users but for all you that have other brands of camera please feel free to book on any of these workshops as all camera brands are more than welcome.
Here are the available dates left this year, please click on the dates for availability:
These will be the last Street Photography Workshops in this format at this price.
I have some interesting ideas for Locations and Styles of Workshops for next year, these workshops will be a little more complex so require a lot more planning.
I will advertise the 2018 Workshops around about October time.
I will be leading the Fujiholics Photowalks in London, Edinburgh and Bristol this year so make sure you sign up before all the places are gone. We have over 350 people signed up for London already.
Hope to see some of you on a Free Walk or Workshop and if you are a Fujifilm shooter then our new Facebook group might be for you here.
Here we go again, another year of Photo Walks. This year I will be leading four Fujiholics Photowalks. The Liverpool walk has already taken place but Bristol, Edinburgh and London are still up for grabs.
I would like everyone to know that you can bring any make of camera with you and that includes smart phones. You can also come without a camera just for a day out. It’s all about like minded people getting together to have a great day out and to share ideas and meet new people.
The walks are free to sign up to, I only ask that if you sign up then change your mind, please follow the link from your Eventbrite confirmation email to remove yourself so other people can sign up as numbers are limited.
So far this year London is in the lead with 280 people signed up.
We would like to see more families and children on the walks and would like you all to know that kids are welcome as long as they are accompanied by an adult. Why not bring them to London and make a weekend of it. They can use their phones or even buy them a throw away camera.
Photowalks are great, I have met friends for life on the walks and also made some amazing business contacts. They are a great way to explore our cities on foot with a great bunch of people.
A route and map is emailed out to everyone that signs up approx 1 week before the event to download to your smartphone or gps device or you can print out the map. You don’t have to keep up with the guys at the front as we tweet our location throughout the day and use a unique hashtag for the day. You can stop for refreshments along the way or even a cold beer and then catch up a bit later by taking a shortcut using the tube.
In London this year we have the Fujiholics Team and a few other Pro Photographers as well as some retailers so hope to bring you a few offers for the day. There will be quite a few Fujifilm X Photographers and Ambassadors about as well. The Fujiholics Team really do make you all feel welcome.
I would love to see as many of you guys on one of the walks this year, the last three walks are spread out all over the UK so feel free to come and join us.
Here are the links to the walks..
If you want to buy cheap train tickets then here is a link to sign up to The Train Line ticket alert.
If you need to know any more details then feel free to contact us email@example.com or firstname.lastname@example.org
Hope to see you sometime in 2017…
I was last in Venice with the Fujifilm XPro1 back in 2013 and have been missing it like crazy for the last four years. I have just got back from Venice with Paul to run a Fujiholics workshop. The weather was a mixed bag but Venice gets so busy it is always at its best out of season. My favorite times of the year are October, late February or early March.
I took with me the X100F, XPro2, XT2 and will write about the others when I get time after TPS and probably next month.
I decided to just use the X100F with Jpegs only as part of my 2017 Year of Colour, forcing myself to just use Jpegs with no RAW backup was the name of the game. So I set the camera to Image Quality Fine, Film Simulation Velvia, Dynamic Range 200, White Balance Auto, Highlight Tone -1 and Shadow Tone +1 to start off with.
I was editing the images out in Venice on the Ipad Pro with Snapseed and as part of this process in the end decided to set the Highlight and Shadow tones back to 0 for now and just make the changes in Snapseed. I have always wanted to be able to process very quickly so making changes in camera confuses me at times because I find myself undoing the changes I made in camera at the processing stage.
I must point out all the images in this blog are shot on a preproduction X100F.
Even though I am a Candid Street Photographer I have included a few other images here from my trip. Venice is an amazing place for photography. I have never seen so many cameras in all my life as I did on this trip but that was probably down to the fact the carnival was just finishing as the workshop started. There are some seriously big back packs around in those small alleys thats for sure !
The only downside to this time of year is the ever changing light, even though the colours don’t have quite the same depth and beauty in the shade or shadow, I do like the way the X100F handles the fast changes with the Auto ISO, I know most people are scared to ramp up the ISO but I haven’t ever worried about this and set mine to Auto with the base at 200 ISO and the Max at 6400 ISO. I know you can ramp it up to 12800 but there was no need during the day. I do prefer what you see is what you get and if it’s dull its dull, you can’t have great weather and images all the time. This is the down side to colour photography and this is a great learning curve for me on my Year of Colour.
I used to shoot manual all the time but for Street I prefer aperture priority. That way I can just get on and shoot and not have to worry too much about the camera settings. I do switch back to manual when I have more time on my hands to think and compose.
I do quite like breaking the rules and playing around with camera settings when I get a new camera. It is always interesting to see how the combinations of ISO and shutter speed affect the tones in the images. I have to know what I can get away with in what light and at what speed.
Venice is an amazing place and feels so safe to wonder about day or night, so it’s a great place to walk around with your camera. I caught the last few days of the carnival so managed to capture a few of the interesting characters. I have to say I love the X100F, it’s a great upgrade from the X100T and the sensor is stunning. The lens is a little soft at f/2 as it was on the X100T but I shoot most of my work around f/4 anyway these days so its not a big issue for me. Its great to now have a battery that lasts most of the day, but that was also not much of an issue for me on the X100t once you realise your camera’s limits you can compensate yourself. I used to carry 3 batteries for my X100T and for the X100F I carry two.
I do like the way all Fujifilm cameras handle colour and black and white. I used to shoot Nikon and it was a real pain in the bum trying to get Nikon RAW files to look the way I wanted in colour and the Jpegs were worse. The images in this blog are all Jpegs and only had Lightroom cc edits and most of them have had only slight changes with a crop or minor contrast of clarity changes. I can’t bring myself yet to just use out of camera jpegs due to the fact I need a colour style and that is what 2017 is all about. I do however think if you just take images for you and you dont need a style then you could just set the camera up to shoot Jpeg and with a few changes in the settings you would not need to process the images and you could just use the Jpegs with no editing and this is amazing ! In the days of social media you can just wifi the Jpegs from camera on the fly and you are done. The X100F is just perfect to carry in your pocket everywhere you go and makes a great street travel camera.
With its fixed lens you have no worries about sensor cleaning and if you wanted to, you could add the conversion lenses to your collection and still not have sensor dust issues.
With the addition of the Digital Zoom this is a serious amount of reach for a pocket camera, the TCL-X100 Converter will give you 50mm, 72mm, and 100mm reach.
All my Street Photography workshops apart from Liverpool are with Calumet Photographic this year.
I have already been to Birmingham and London and this weekend I will be back in Edinburgh on Friday and Glasgow on Saturday. If you are starting to get into Street Photography or have been doing it for a while and have lost your way or your mojo then this workshop with give you all you need to take your Candid Street Photography to the next level. The workshops are tailored to enable you to think out of the box and show you all the skills you need to handle your camera in a discreet way so as not to upset your subjects.
The images in this blog where all shot in Glasgow or Edinburgh on Fujifilm cameras, but even though I am a Fujifilm Ambassador you do not need to bring a Fujifilm camera on these workshops. Any make of camera will be good and that includes a smart phone if that is all you have.
I am still running my own Liverpool workshops and these can be found on my Eventbrite page HERE. In 2018, I hope to be running some joint Street workshops with some of the great Street Photographers though Fujiholics and you can find all the future dates for the Fujiholics Workshops HERE.
The workshops in Edinburgh and Glasgow this weekend will start with a brief on What is Street Photography? which will last 2 hours. We will also look at some of the great Street Photographers past and present images.
I will be offering a practical approach to candid street photography with camera handling techniques.
I only shoot Candid street photography but we will have an open discussion on other styles, with the way other people view this approach.
I will give you an insight into the importance of projects and themes in Street photography to help you grow and develop.
My workshops are for anyone interested in Street Photography to bring like minded people together so you not only learn from my style but you can also learn from each other. It always amazes me when you bring like minded people together how much you can learn and be inspired by each other ! I love to share my passion of Photography and Street with you all and I get a great deal of pleasure in watching you learn and grow following a workshop.
A large percentage of Street Photography is learning to see and studying the masters, and my workshops give you all the tools you need to follow the path. Many of the people who have been on my workshops have developed their Street Photography and taken it to new levels. I have seen some amazing images in Black and White Street and Streets in Colour on FaceBook, shot by some of my workshop attendees, and this always brings a big smile to my face. Its always great to see their work getting selected for the main gallery.
I look forward to seeing you guys on one of my workshops in the future and if you need any advice on other Street Workshops in the UK worth attending then please let me know.
I would also recommend a great book by David Gibson The Street Photographer’s Manual
Wow what a great six days ! 124,000 steps around some amazing cities with the amazing Fujifilm X100F.
We Started in Leeds and ended in Liverpool. We went to Dale Photographic, Calumet, Wilkinsons,Cambrian and LCE. We carried 8 X100F bodies and a small team from Fujifilm UK Richard, Pete and the amazing John Dallas.
We ran three walks a day with three groups of up to 8 people on each session over six days and covered some serious miles.
The feedback on the X100F has been very positive and that has reflected in the amazing amount of Pre Orders.
Most of the guys that came on the walks loved the X100F and think its a good move to sell their X100 X100S of X100T’s to move up to the Fourth Generation camera. Just incase you did not know the F in X100F stands for Fourth. A few of the guys were undecided about the X100F but were very interested in the X-T20 or the X-T2 one of the guys was desperate for the GFX50S.
There were a quite a few of the guys that did not like the placing of the Q button and the fact you could knock the joystick. This was mentioned by quite a few of the Fujifilm X Photographers when the camera was out on evaluation. We will feed back the Q button issue to Fujifilm and hope they can make the change on the next version. The Q button can be locked by pressing and holding the Menu OK button but this will lock all the function buttons. Some of the guys did not like the fact the joystick would rub against their clothing and get moved, however the Joystick can be turned off by pressing and holding it down for more than 3 sec.
Its been a long six days and I am worn out now and need a nice break so will be hiding out in my camper van this weekend somewhere quiet. One thing that always amazes me about the Fujifilm family is what an amazing group of people you Fujifilm users are, so friendly and positive about the brand.
Thanks for the great company over the last week all you lucky winners and I hope you enjoy your x100F when it is released on the 23rd of February. Thanks for traveling from as far as Oban and Birmingham to spend a couple of hours with the X100F in the North West and North Wales and making the last six days so much fun. You know who you are and thanks…..
I know what you are thinking, a Fujifilm UK Ambassador talking about Fuji but you need to take the time to get to know me before you make that judgement and also understand the way I have been brought up to know that I would not support a brand that I didn’t 100% believe in.
My star sign is Libra, so I naturally take my time to make a balanced decision on my purchases most of the time and don’t jump from one brand to the other.
I am 54 years old next year so come from a generation that did not throw things away and wanted purchases to last forever and give value for money. I saved up for two years to buy my very first self funded camera and that was a Nikon Fm2. The research time that went into that purchase was probably about three months before the saving started. I ended up with a pair of Nikon Fm2s and I still have one to this day. So my brand choices are based on a lot more than you think. After that initial purchase I was then with Nikon for over 40 years. My purchasing decisions on any item are based on quality and longevity.
You’d be surprised to hear then that contrary to everything I know, I have recently made an error in my recent purchase of mobile phone moving away from Apple to Samsung and it’s got to be the worst move I have ever made! A recent comment on Facebook when I mentioned this was “but you need to take the time to go into all the settings and change it to exactly how you want it and at least with Android you can do that”. Great comment but when I buy a front door for example, I want to go out and come back in, I want it to open and shut without having to spend hours adjusting it! Lets say I am struggling with this Samsung front door! One thing Apple have got right is that they make a premium product that just works. Why did I change my phone ? I changed because my iphone 6 got slower and slower with every ios upgrade. Thinking that the answer was to purchase a new phone, an iphone 7, I discovered that there was no 64 gig, I would have had to spend more money to get 128gig and that annoyed me so I was persuaded by the sales assistant to try the Samsung S7. The S7 is fast, has a good camera and has a few good functions but the apps that I use most and the way my email works just aren’t working for me on the S7. Hence I will be moving back to an iphone as soon as possible and losing a lot of money in the process. Note to self, do my own research and make an informed decision, don’t change a formula that to date has served me well.
I rarely make many rash, mood driven decisions like that they are normally well thought out over a period of time. The decision to change from Nikon to Fujifilm I have shared before but for those who don’t know this is my Fuji story.
I was getting fed up with the size of the DSLR system and also the massive price increases every year, I was shooting mostly with a pair of Nikon D3s bodies and a full selection of pro glass. These things are not small and to hold one in your hand all day takes it’s toll on your fingers and shoulders. I was hoping Nikon would eventually make something more suitable but as time went on I realised this would not happen. My research started and I looked around for an alternative, a new brand that would work for me and the way I shoot or a brand I could adapt myself to.
This was not easy, I am old school and to me Sony and Samsung just meant Music Systems and not quality photography equipment. I looked at the Sony NEX one of the first ever models and it was getting great reviews for the camera and sensor but the lenses were not receiving the same feedback. I used to shoot lot’s of Stock back then and had to use cameras that were on the recommended list, the Sony was not on the list. I did notice a X100 on the list but the reviews were not putting the X100 in a good light. I continued to do my research for about four months after the X100 was released. I was back and forth with Olympus, Panasonic, Fujifilm and all the time had my fingers crossed that Nikon would bring out a decent Mirrorless Camera.
In the end I found an X100 on ebay, it was going at a reasonable price and so I purchased it. I was blown away by the image quality and the way you could produce such amazing black and white images in only a few minutes in Lightroom. I then realised the reviews and reports on this camera were all written by people that had not really given this camera a chance. It was not the fastest camera in the world, it was no match for the Nikon D3s but it did stop me in my tracks and make me slow down and think. I did have an X10 about this time but this did not work for me, another ebay purchase but I was unlucky enough to get one with the orb problem so sold it on.
My Fujifilm Journey had really started and it was with the X100. Change came and the images I was shooting with the X100 were getting noticed more and more on Social Media and also through my projects more so than all my other work. It really is all about the image, it always has been and for some reason the X100 was forcing me to slow down and see the world in a different way that I can’t quite put my finger on, thinking outside the box and producing more interesting work. I guess shooting Street as well it was such a small form factor camera that no one noticed it and this was a big bonus. I remember going out for two days in a row one with the D3s and one with the X100 and no one even looked at me with the X100, this was the breakthrough moment.
My Nikon gear had some faults and was in need of a Service so on a trip to Wales I popped in to Cambrian Photography to drop off all my Nikon Gear to be sent to Nikon for a service. I got talking to Sarah about the X100 and she had the XPro1 in stock which I purchased the with the 18mm and 35mm lenses. I decided that if I could make this camera work for me I would sell all my Nikon gear and change brand.
I was shooting at the Liverpool International Music Festival at the time and took the Xpro1 along to give it a try ! It was slow and not a DSLR, I was shooting with the Press pack and when I got back home all my images shot on the D3s were the same as the rest of theirs and the only difference was mine were black and white. But the few shots I got on the XPro1 that day had a little more thought go into them. That was it I decided to sell all my Nikon DSLR gear and move over to Fuji Mirrorless !
Selling my Nikon gear also funded a trip to Venice. Not only was it simple for Airport security but I actually found myself enjoying my photography again. The XPro1 was slow to focus and not that easy to get used to, it was almost like going back to film but I was producing better work than I had for a long time. I was falling in love with photography again.
It was through my images that Fujifilm UK started to take an interest in my work and I started to build relationships with some of the Fujifilm Team.
The Fuji X System being so new there was some serious gaps in the X System in terms of Cameras with a decent focus system for Wildlife and Sport and not a very large selection of lenses.
The team in Japan were few in number and had already been shocked by the support of the professional photographers around the world for their product. So much so that they actually listened to what we had to say. They actually took notes in meetings and made changes to the cameras and lenses based on what we had to say.
I was impressed with the whole way Fujifilm worked with its team and customers and one night came up with the the idea of Fujiholics, one big Fuji family of like minded people that wanted to get together and talk about their love of the Fujifilm Camera Systems.
As time went by I started buying more and more lenses and updating my camera bodies. I was then asked for more feedback by Fujifilm and eventually asked to be an X Ambassador and this was all down to my images and love of the brand. I had made a huge decision to move from Nikon to Fujifilm and also spent a lot of money changing over. I also had to play the waiting game for the X System to catch up with lenses and faster AF bodies.
It takes time for a big company like Fujifilm to notice you and even longer for you to build trust. I was asked to test and produce a set of images with the XPro2 before its launch and for this I would receive an XPro2 which came with my name on it! That was a proud moment for me. As a Fujifilm Ambassador I talk for Fujifilm and use exclusively Fujifilm cameras systems only. I am lucky enough to be able to borrow Fujifilm lenses and Cameras on short time loan and to be able to take their camera systems to events and talks.
Working hard is an understatement at times in this industry, my friends can vouch for that and my Fiancee Jane has got used to the amount of time we communicate by text or phone from hotel rooms.
I would not have it any other way, I love photography and I love my job it is the job I dreamed of as a little boy and Fujifilm have backed me all the way pushing me out of my comfort zone out on to the stages at The Photography Show and the support from the X Photographers has been outstanding these guys have become friends for life.
I do believe the Fujifilm XPro2 and now the X-T2 are both game changing camera systems and the new GF50s is also going to make the MF system more accessible for more pockets. I also love the Fuji Glass and still love to shoot with it and prefer it to my old Nikon pro glass. I believe Fujifilm offer me the image quality I need to get the job done. It’s a bonus that the Fujifilm Team around the world are an amazing bunch of hard working people who are dedicated to the brand and that all the X Photographers are amazing people too. On top of that the Fujiholics are also a fantastic bunch of people and through the photowalks I have made some friends for life. I cant wait to see what Fujifilm have up their sleeves for the future and just love being part of the family.
Why Fuji? Well it all started with the X100 I wonder where we will go next…….?