photography

X X Photograper

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Today I made the decision to hand back my X and become an X X Photographer !

This was not an easy decision but the timing was about right for me and my business moving forward.

So what camera system will I be moving to you might all ask ! Well the truth is I am not going to be moving to any other system, I love the Fujifilm X System and the GFX and this will remain my brand of choice.

I never ever got paid by Fujifilm to say that the X System was great and always said I only said it was great because that was the way I felt about it. But there are plenty of people that did not believe me.  I can honestly say now that Fujifilm have never paid me to say the X system is great and from now on I will still be using what I feel is the right system for my workflow. I loved the X100 the day it was released and I have loved all the X Series cameras that I have used. Going back to basics when I moved over from Nikon and got the first X100 and XPro1 made me slow down and think and the sensors have always blown me away.  The XPro1 was and still is as much a game changer back then as the GFX is the game changer today. The fact that the exposure triangle is where you need it and the cameras just feel right in your hands will never change and the work I have produced with the X Series cameras speaks for itself. I can’t wait to see what Fujifilm bring us in the future.

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Watching all the griping and moaning about the new XH1 from all the Nikon and Canon users on social media has made me laugh over the last couple of weeks. Fujifilm have come up with a camera that you all asked for ! So why all the moaning that its too big or the grip is not right or this and that ! It’s hard to read and pathetic at times. Photography is about the image and creating amazing images with the 6 inches behind the camera not the tech that goes in to it. Video is a whole new ballgame and Fujifilm are now improving in that field as well and in time I am sure will bring us an amazing camera for Video. I really do wish people would get on with creating great content with stills or video and be proud of the work they produce and get off social media moaning and running people and companies down.

I only own one camera that is not a Fujifilm camera and its a Canon 200D and this is my Vlogging camera and will remain my Vlogging camera until Fujifilm make a camera with an articulated screen that I can use to Vlog with.  I would use my X-T20 all the time for Video and Vlogging but its just takes me to long to set up, even though I prefer the images out of the X-T20 I love the ease of use of the 200D. I did use my X-70 for a while but the Rode Mic would get in the way of the flip up screen. I have used the X-T20 and the 200D side by side on some workshops and can say that the X-T20 images are always better, but the 200D is just a breeze to work with when filming yourself. Fingers crossed in the future Fujifilm with bring us a decent articulated screen and all my dreams will come true.

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I have been so busy over the last few years I have hardly had any time to stop and think and even worse I have not been able to give the time I need to develop Fujiholics.  I sat down at the end of 2017 and decided I needed to make changes to my business plan to give more time to Fujiholics in 2018 / 2019 and also to concentrate on my own business and get back to making images I like and not images that people expect me to make.

I have three projects on the go this year and also need the time to concentrate on my own personal work.  The fear has always been that I would start to hate photography because I  would spend more time in the office and less time out taking photos and last year was very much 90% hard graft marketing and I hardly shot a thing.  So it’s time for change. I still love the photowalks and getting out and meeting people and I really do love all the Fujiholics what a great bunch of people and the community I believe is one of the best in the industry.

I have absolutely loved all my time with the Fujifilm UK team and the Fujifilm team around the world it’s honestly been some of the best moments of my Photography career.  I have never met such a passionate bunch of people in all my life, the team really do believe in the  X Series as much as we the users do and that makes them very special team.

I have lots and lots of plans for Fujiholics in the future and with the help of Richard Waine and my new Business Partner who will be revealed very soon I hope to bring all the Fujiholics some great new content and a few surprises.

So thank you to all the guys at Fujifilm you all know who you are and here is to an even more exciting future.

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GFX50s C mode.

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GFX50s GF23mm ISO100 1/13sec f/16 Lee 0.9 Med Grad

I guess I have fallen in love with this camera, it blows me away every time I use it and to think I left it so long before I invested ! I have always secretly wanted to get a medium format camera but I never really had the need for it or a business case to buy it, as I said in my previous post about the GFX I just decided to buy it as an early retirement present to myself, not that photographers ever really retire.

I have three projects to shoot with the GFX this year as well as getting back in to Landscape photography and this is the perfect tool for the job.

Three of the projects I am involved with will include really large prints and even though the other X Series cameras are capable of large prints they cant hold the detail as well as a bloody great images sensor in a medium format camera.

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GFX50S GF23mm ISO100 1/5 sec f/16 Lee 0.9 Med Grad

One amazing thing about the GFX is the ability to switch it to C Mode once the Lens is set to C and the ISO dial is set to C and the shutter speed dial is set to T the camera is in Command mode and the back and front Command dials act as a DSLRs command diles do and control the Speed and Aperture. Also if you push the front command dial you can then alter the ISO so this puts the Exposure Triangle at your fingertips.

The command mode gives you the control you need to dial in the exposure you require for LE Photography ( Long Exposure ).

The old way was to take and exposure and then calculate the filter factor with the current exposure time to give you the time it would take to make the exposure. Well that all just changed the GFX50s can’t do a timed exposure up to 60 minutes on its own.

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GFX50s GF23mm ISO100 12 sec f/8 Lee IRND 15 Stop Lee 0.9 Med Grad

Let me explain, you set up the shot focus the lens then set the lens to M to prevent it from re focusing when you press the shutter. Then you simply place the filter you require like the Lee 15 Stop in the holder and adjust the Aperture do the desired depth of field. Then you move the shutter speed all the way until the camera meters for the sceen through the filter. Once you set you then just set the self timer in the Q Menu to 2 seconds to prevent camera shake and make your exposure. You don’t even need a cable release so that’s one thing less to blow around in the wind.

This function alone as made my whole life so much easier and considering the GFX is about the same size as a D800 and my Landscape kit now consists of one camera and three lenses I am really happy. I use the GF23mm GF32-64mm and the GF110mm and this little lot is quite a light lighter than the Nikon D3s and pro lenses I used to carry and the images from the GFX are outstanding as it the dynamic range.

Right I best get back to wales and see what else this thing can do.

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GFX50s GF23mm ISO100 240 sec f/16 Lee 15 Stop Lee 0.6 Med Grad 

The New Trend in Unwanted Critique

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Happy New Year and let’s start with a bang !

The images in this post have nothing to do with the post but are just added to give you something to look at whilst reading my semi rant !

Back in 2014 I wrote a blog post about Critique and to save you all searching here it is 2014 Blog Post  I am not even going to read it before I write this post because I know roughly what it says and not a lot has changed since then, people with little or know skill or knowledge feel the need to Critique other people’s work for various diferent reasons.

To be honest Facebook and Social media is rife with opinion and critique and bullys.

I always said I have never ever seen a professional photographer ever give unwanted Critique online or in an open forum as they have better things to do and would not lower themselves to be that person.

I am talking about unwanted and negative Critique on images posted by individuals or companies on social media or the internet.  If someone posts an image in and open forum and asks for constructive Critique that is a completely different matter and I am not going to cover that today.

Yesterday that all changed, a company I work for posted one of my images on their social media page and two people decided to question why the company would post such an image and gave their reasons why they thought the image should not be posted !

The first guy fits right into the Pets and Fruit Category from my first blog post and even got his wife to like his comment. A very quick look as his facebook page revealed the obvious, completely poor imagery that was out of focus blurry and to a very low standard. So that just made me laugh as his knowledge of what makes a great image was limited, and he just fell into the category of Keyboard Warrior.

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However the second guy I had thrown out of a group before due to his constant unwanted Critique on other peoples images and his non stop bad behaviour another Keyboard Warrior but this time with a difference.

I had looked this guy up before and I think he had won an award at some point and was now a Professional Photographer who has worked for some big names in the industry and was able to name drop quite a lot on his website.

His facebook header image however had a wonky horizon and his images were mostly quite average. He did have some quite nice images but there was not much personality in his work with a large quantity of Landscapes were achievable by anybody with a decent camera and some time on there hands a few good books and the right locations and perfect weather conditions and a knowledge of composition, what I would call a template shot.

He was however in the past a teacher ( in another field) so has been teaching photography for for the last few years.

So why does this guy feel the need to run other people down and also run down my images on a corporate facebook page ?

Well I challenged him on the page and in the end he deleted his comments and so did the other Keyboard Worrier ! I guess it’s easy to drop a comment in to a thread so its seen by the audience and then run away when challenged  !

What was said in the thread was really irrelevant, but it got me talking to my friends and this always comes back to one thing. A lot of people say it’s just jealousy ! I don’t think it is I think there is far much more to it than that these days, I think these people are trying to play games with the big brands and cause some controversy or try to get elevate their profiles, or just get noticed for being a complete negative arse in an open foram. Over the course of 2017 there have been so many people bad mouthing each other and bad mouthing big brands to get themselves noticed it’s becoming a thing.

I was brought up with this saying ringing in my ears ” if you can’t say anything nice don’t say anything at all” as I got older I just added this  “if you do speak be constructive and offer real world solutions and dont be negative”.

I teach workshops on learning to see in Photography and everyone comes away with their eyes opened to where they are in their photography journy and can go off to produce better work and get stuck in to a project. I don’t get them in a classroom and tear their work apart. Teaching people what makes a great image and learning to see a great image is not always possible, as with anything in life we all have certain gifts or skills but one thing is for sure people need to learn from professionals not Mr Pets and Fruit or Mr I dont want them to be better than me.

The internet has become a place where everyone feels the need to say what’s in their head without thinking most of the time. I fear there is now a new bread of people that feel the only way to get anywhere in life is to run the people around them down  to make themselves look good or highlight themselves. The photography industry has always been a bit bitchy for some reason but some of these people are taking things to a whole new level. I think its because it’s quite a small industry and as the years go by there are less and less opportunities out there but more and more people with a camera !

The worst part of this behavior from Keyboard warriors is they scare people off from taking pictures or teach them the wrong way to review and look at their work and that’s quite sad.

As for this profesional who made the comments about my image ! Well he is not alone I see on twitter there have been some quite nasty comments towards rising stars in the industry and they really do make themselves look like a bunch of jelous arseholes ! The other week there was a whole bunch of Landscape Photographers bitching and backstabbing about  Thomas Heaton most of them teach workshops and have also won 1 competition at some point ! It did bring back memories to my own journey, I had plenty of that behavior and still get a bit as yesterday showed, luckily I was warned it would happen !  Thomas even made a youtube video about some of his Trolls.

The point is its not big and it’s not clever as a Professional to behave like a jealous child. Thomas puts a lot of time and effort in to his youtube channel and I for one find it quite refreshing and wish him all the best as I do all the new talent in the industry.

I have been around long enough not to really care about these people but I will always have my say when they rear their ugley heads because I believe I should put them back in their box.

My advice to anyone out there that gets unwanted Critique feel free to copy and paste the link to my original post in a comment thread or even this one. Ignore any unwanted critique as no one that gives unwanted critique is doing it for the right reasons they are just doing it for some strange power trip or to cause upset or some other strange  reason or to big themselves up and draw attention to themselves ! Trust me people in the industry see them for what they are so it does them no good. The odd one slips through the net but its rare.

Always remember its is always about the Image a great image is always what makes a photographer and so is a great body of work so ignore the noise and get out their and shoot.

Happy New Year to you all….

 

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GFXs 23mm

 

 

 

2017 Year of Colour

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GFX50s 32-64mm at 32mm 1/90 sec f/11 ISO100 

What a year ! Its now December and my Year of Colour project is nearly over and I am glad. Its been a very busy year for me and the project has been dragging along behind me instead of inspiring me to get out and shoot ! I always thought it would be hard but it was a lot harder than I expected. I have never been a fan of colour so I already set myself up for failure before I started.

Colour for me growing up in a black and white world with black and white TVs in the house and all my film cameras loaded with black and white film 99% of the time was never going to be easy. I think after learning to see in black and white colour just does not do it for me. I very nearly gave up on several occasions but I am glad I stuck with it. I think black and white is my escape from the real world, the fantasy land of TV as a child.

The project does not really finish until the 31st of December but I have had some back problems and whilst trying to get that under control I really am not inspired or motivated to get out and create anything remotely interesting.

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GFX50s 32-64mm 1/160sec at f/8 ISO200 

I wanted to force myself to shoot Colour for a year to see if I could fall in love with it and get some form of continuity in my work and develop a colour style. I soon found out Colour does not work like that, to have continuity you need continuity in lighting every day and that is the hardest part. Its easy to set up in a studio and have the same lights and white balance but out in the real world the light is diferent every day so the only way to get a consistency would be to light the subject the same no matter what the weather conditions or time of day. In bright light the colours pop and we are cooking on gas. When there is no light or poor light we have dull washed out colours and these images require a lot more work. In a very short space of time at the start of the year I got fed up with the issue of continuity.

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I did however start to look at and play around with film simulation modes on the Fujifilm cameras and even though you could not quite get the continuity you could get a consistent body of work that looked the same. I also looked in to colour grading as they do when they make films but this started to get very complicated. I am in the process of learning to edit film and thought it would all come in handy and it did. I shoot my video in colour so I guess my year has not been wasted as I am putting some of the things I have learnt about colour to good use in camera for my blogs.

I started out hating colour and to be honest for still images I am still a Black and White lover, in all honesty I prefer black and white films as well. I guess colour is so very distracting that it confuses me. My black and white has a consistency and style that works for me. Black and White is a story telling media and colour sometimes can distract you from the story if you get it wrong or are super critical of the way colour works in a scene. I dont hate colour as much as I did and I have a newfound respect for anyone who can keep their outdoor work consistent in every lighting condition without elaborate lighting set ups. I want to do more exhibitions in the future and this is where I need continuity.

Iso also has a big to play in this situation the higher the ISO the darker the image and the more noise is introduced, this looks fine in black and white and even better when printed but really does darken your colour images down. The other issue with colour is my mood ! In black and white you can see my mood changes in my work and this is shown as you would expect in dark moody images with lots of black. In colour they just look more dull and boring ! Primary colours can also be so very distracting in colour images form the story or from the main subject so this to can be very frustrating.

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X-T2 90mm 1/680sec f/2.2 ISO400

I used quite a few Fujifilm cameras during my project and have to say that helped me to decide on what cameras to keep and what to sell. With black and white there is always a small difference in how you process between sensor upgrades but with colour this is huge. I soon discovered that as long as you keep to the same sensor across the board when editing then the files are the same across the editing range, but as soon as you work on say and X-T1 file and an X-T2 file they are worlds apart. As you all know I am not a bit fan of editing so I need a simple workflow that does not take up much of my time.

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X-T2 90mm 1/2200sec f/4 ISO400 

When I did my year of black and white I did change cameras because of the project and the same has happend this time. I sold all my older X Series cameras and updated to the newer versions to keep sensor continuity across the range. So now I have X100F, XPro2, X-T20 as my main X series work horses. I did however buy a second had X70 to stick in my pocket and take everywhere.  I also splashed out on the GFX but that’s more for some projects I have in 2018/2019. I also sold quite a few lenses to lighten my load but that was more due to lack of use. I always do regular lightroom searches to see how much use a lens is getting and if its not getting used it’s not earning its keep so needs to go.

Projects help me to make these camera and lens decisions as well as other work I do, because I might use a diferent lens for a project than I do for my street or client work.

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X100F 6 shot pano

The year of colour was not a complete waste of time I did learn a lot and I did have a good play around with film simulation because I did quite a few edits on my ipad and not on my macbook so I found taking a Jpeg in to SnapSeed or Lightroom Mobile was a lot more simple if I had already applied a preset and got it to as close as I would like in camera first. Most of the time it just needed a slight crop or straighten before posting the image. I am not a fan of editing on Tablets and that I think is just down to my eyesight. I prefer 27″ monitors so that I know there is no dust on the sensor or other issues.

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X-T2 90mm 1/280sec f/2 ISO400 

I set my X70 on Jpeg and RAW on classic chrome and in 2018 I will change this to Acros and green filter. I use my X70 as an extension of my iphone for blogging etc I know the XE3 is now out and far better but I prefer the screen on the X70 as it’s so much more versatile. Hopefully one day Fujifilm will make an X80.

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GFX50S 110mm 1/30sec f/10 ISO100 

I think we all see colour in a slightly diferent way and I know I have a few friends who are colourblind. I also think we all like to view other peoples work not just for the subject matter but for the colour style they have. I think in time I could find a colour style that would suit me but I really do just prefer black and white.   It’s been an interesting experiment. Its not been as interesting for me as my year of black and white way back in 2013 but I have decided to go back to 90% black and white for 2018 and have a play around with colour when the mood takes me.

I have some new projects in place for 2018 / 2019 and these are all secret projects. One I am doing with a few friends and two by myself but they all work quite well together. Hopefully all the projects will come together as a book and also at least two exhibitions. I normally do a book at the end of every project but this year I don’t feel the images from my year of colour are strong enough for a book so will skip 2017.

I am going to take some time off over December and January to give my back a chance to sort itself out. I have had two quite serious accidents in the past one that broke my back and it appears this is all coming back to haunt me. Taking time off to heal and to put some thought into my projects.

I still have a couple of workshops left in 2018 as Matthew Hart Photography but will be putting a lot more time in to Fujiholics.

I hope you all have a great Christmas see you all in 2018.

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X70 1/250sec f/2.8 ISO 1600

GXF50s days 4,5,6…

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GFX days 4,5,6 are all a bit of a blur, it was such a great weekend with great friends and went far to fast.

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It was Fujiholics Wales Weekend. This year a small group of Fujiholics met up in Beddgelert for the weekend with no real plan. Well there was a plan, take a few photos drink some beer have a few coffees and some cake ! Share some stories and catch up with friends old and new.

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We all met up on Cae Du Campsite on Friday night and had a few beers and discussed the plan for Saturday ! This was a complete waste of time as we changed our minds in the morning.   We decided to take the Steam Train from Beddgelert to Porthmadog on the Welsh Highland Railway.   The original plan was to do a Circular Walk.

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It was a fantastic little journey and Jane was just a little bit excited !  She even got to drive a Steam Train at Porthmadog station with some of the girls in the group.

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We went in to an amazing cafe called Jennys for breakfast in Porthmadog, they had some of the best home cooked cakes we had seen for quite a while ! The Lemon meringue pies were to dies for and we brought two for the journey home !!

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We had a great journey back and ate most of the lemon meringue and finished the evening off in the village in Saracens Head with a very nice meal and a few pints.

We all made our own way home on Sunday as North Wales was quite busy and there were not to many places to park for a Fujiholics tour…

I shot all the images from the weekend on the GFX in a variety of lighting conditions and processed the black and white images with Silver Efex Pro and the colour images are all just a very quick lightroom edit.

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I carried the GFX around all weekend and I have to say it was not as heavy as I expected but its still on the heavy side. You know you have it round your neck after a days walking thats for sure. The point is though does it matter ? The answer is yes and no ! Its heavy and if it was a DSLR there would be no point in the extra weight when you have the X-T2 or XPro2 but this thing is so good you dont care ! I again only went out with the 32-64mm lens just to save carrying the other lenses with me and found it just perfect a very versatile lens indeed.

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I am shooting a film in the morning and will be taking the GFX and might try one of primes just to change things up abit.

I will try and get you some images online tomorow night when we finish shooting the video but if I get in late I will skip it until Wednesday night.

So far I am loving the GFX and so much so I have just hired it again for another project in November. I have hired a some diferent lenses for November so will be able to show you the a few images shot on those then. I still have to use the 63mm and the and the 120mm and hope to do that this week at some point.

I cant wait to get up to Scotland to shoot some Landscape with this amazing bit of kit.

One thing is for sure I will be sad to see the GFX go back at the end of the hire its got to be the best camera I have ever used in my life and the files are just so easy to edit ! They are a breeze in Lightroom, I am for the first time just starting to fall a little in love with Colour !!! Yes on my year of colour I am starting to work out what I like about colour and thats all down to the GFX.

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X100F v XPro2

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I get asked quite a lot “what is best the X100F or the Xpro2 ?” I always find this an interesting question because I don’t quite know why I am being asked the question !

I dont think people want to know what camera I prefer, I think they want to know what one I would recommend they buy ! To find out what would be the best camera for the other person I would need to know so much more about them and their photography. So I will answer this question as if it was directed to me.

I am not that worried about the bells and whistles that are thrown at modern cameras I just want the exposure triangle on the outside of the camera and I want to be able to use it quickly without putting too much thought in to it or digging into the menus.

I do love the rangefinder style because I am a right eye shooter, so with the rangefinder my nose is not squashed on the back of the camera and 9 times out of 10 no one knows where you are pointing a rangefinder !

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I am also not that worried about the viewfinder or the rear screen as I need glasses these days for close up work so don’t spend a lot of time using either. If I do use the viewfinder or rear screen it’s just to compose the image so it can be all blurry as long as I can see the composition.

The main difference between the X100F and the XPro2 is the fact it has interchangeable lenses and in all honesty this is the one deciding factor the rest is almost irrelevant.

But I am lucky as I have both cameras.

One thing I must point out is that for Event work I also use the Fujifilm X-T2 and the main reason is for balance  the Fujifilm 50-140mm f/2.8 and battery grip with extra battery capacity for a long day shooting is just perfect. I will still use the X100F and XPro2 on the day just to have a variety of lenses with me at all times within easy reach.

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At the moment when I am teaching Street photography I just use the X100F.

When I am out shooting in the UK on my own at the moment I use two X100F bodies, one with the fixed 23mm and one with the Fujifilm WCL-X100 Wide conversion lens.

The XPro2 stays at home, so in a way I have answered the question.

I moved away from Nikon to be able to lighten my load and enjoy my day out shooting and over the last 6 years I have only used the Fujifilm system and got to know it very well. In that time the X100 has come a long way and the X100F is now everything I need in an everyday camera for shooting Street, its got a great sensor and exposure triangle on top and the autofocus is now as fast as I need it to be. I used to Zone focus the X100 and X100s and even the X100T to get the results I needed but the X100F has such a great AF system I dont need to use Zone focus for anything anymore. I guess the only time would be in low light or awkward situations and in that case I would just switch to M and back button focus.

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When out shooting Street my only consideration now is, is it moving if so switch to C (continuous AF) is is stationary switch to S (single AF)

I like the camera to do all the work for me so I set the camera in to Auto ISO with the following settings – Default Sensitivity 200, Max.Sensitivity 6400, Min. Shutter Speed 1/250 sec.

This set up is basically the same for the X100F and the XPro2 except I alter the Min Shutter speed to suit the lens I have on the camera for the XPro2.

For me the X100F is my Desert Island camera, and this camera now goes with me everywhere I go its the first camera I pack for any trip. One great thing about a fixed lens camera is the fact there is no sensor cleaning so that is a big bonus.

I have adapted the way I shoot to suit the X100F and I think this is important, I see so many people moaning online about the fact a camera has not go this or it has not got that and the biggest moan about the X100F is the fact it does not have a tilting screen ! When it first came out I even thought thats a shame, after using the X70 and all the others with tilting screens I did wonder but now I get it. Why do we keep wanting more and more and more this is why the DSLR’s got so big ! besides the XPro2 does not have a tilting screen.

I love the freedom of the X100F and if I have to pick one camera from the Fujifilm range this would be it.

So what about the Xpro2 ? Its water resistant and it is slightly faster on  AF and it has interchangeable lenses, so it’s far better than the X100F and if I travel anywhere out of the UK it comes with me, also for assignments I use the X100F and the XPro2 with a longer lens on to give me something wide and something long to be able to capture the moment no matter where it happens.

I love my XPro2 and in the Fujifilm range it comes up as my favorite camera but it also annoys me because it gives me lens choice ! The Fujifilm lenses are all so good you then end up taking the XPro2 and 3 or 4 lenses with you and you only ever use one ! So it puts more weight in your bag is counter productive.

The XPro2 is perfect for travel and perfect for assignments and just about anything but when it comes down what one I prefer based on weight, size, portability etc the X100F wins hands down.

We all want diferent things from our cameras and Fujifilm have an amazing range of bodies and lenses now and I love to use them all but the X100F is still my desert Island Camera.

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Workshops Update

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As quite a few people know  I am changing the format of my workshops in 2018 so if anyone wants to take part in the present format, please choose one of my Street Photography Workshops from the list below.

This is the format for 2017.

The workshops will encourage debate about Street Photography and help the participants to be more critical about their work.

The workshops are suitable for professional and amateur photographers of all levels. We ask you to familiarise yourself with using your camera and learn how to change settings quickly before attending the day, this will enable you to enjoy the experience fully.

The day will start at 10.30am and conclude at 16.30pm with a break for lunch and plenty of comfort breaks throughout the day, most of the day will be out on the streets. There is a lot of walking during the day and the event may take place in inclement weather so come prepared.

You will spend the day with myself exploring the streets picking up tricks and tips on my style of Street Photography throughout the day. My Street photography workshops and courses are fun, informative and relaxed. They are both challenging and highly enjoyable and designed to stretch your imagination.

I uses the Fuji X100F and XPro2 with a 35mm or 16mm Prime lens.

You can bring any DSLR or mirrorless camera on this course; fixed lens compacts are also welcome. If you are wondering what lenses to bring 50mm is ideal for full frame and 35mm film uses. APSC size sensors 35mm is ideal or lenses around the normal focal length.

The day normally starts at 10.30am with a coffee introductions and a discussion about the day. We will touch on the ethics and law and how to deal with challenges in this area.

Next we will discuss camera set up for the day and the best set up for street photography with a practical demonstration of street camera technique.

Matt will cover what Street Photography is, and show you some of his favourite Street Photographers images. He will also show you the best way to approach his style of Street photography.

We normally spend around two hours covering these subjects then around 12.30am we head straight out on to the streets where you can watch the way Matt works and try out some of the tips and tricks that he shares with you.

We break for lunch around 1.30pm where we can find a quiet place for a snack to discuss the mornings work and share our experiences.

We then go back out on the streets to practice your new street techniques and try and find your street rhythm and look for some interesting characters or great light!

We stay out shooting until about 4pm, we then find a quiet place to sit as a group to discuss the day and this will include lessons learnt. Matt will share his processing techniques and preferred software. Matt will give you his views on Critique and show you how to review your own work.

 

I know the majority of you guys that read my blogs and attend my workshops are Fujifilm users but for all you that have other brands of camera please feel free to book on any of these workshops as all camera brands are more than welcome.

Here are the available dates left this year, please click on the dates for availability:

Edinburgh 3rd June

Manchester 9th June

Birmingham 1st July

London 7th July

London 8th July

Bristol 21st July

Liverpool 26th August

Liverpool 24th Sept

Liverpool 14th October

Manchester 25th Nov 

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These will be the last Street Photography Workshops in this format at this price.

I have some interesting ideas for Locations and Styles of Workshops for next year, these workshops will be a little more complex so require a lot more planning.

I will advertise the 2018 Workshops around about October time.

I will be leading the Fujiholics Photowalks in London, Edinburgh and Bristol this year so make sure you sign up before all the places are gone. We have over 350 people signed up for London already.

Fujiholics Bristol

Fujiholics Edinburgh

Fujiholics London

Hope to see some of you on a Free Walk or Workshop and if you are a Fujifilm shooter then our new Facebook group might be for you here.

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