As quite a few people know I am changing the format of my workshops in 2018 so if anyone wants to take part in the present format, please choose one of my Street Photography Workshops from the list below.
This is the format for 2017.
The workshops will encourage debate about Street Photography and help the participants to be more critical about their work.
The workshops are suitable for professional and amateur photographers of all levels. We ask you to familiarise yourself with using your camera and learn how to change settings quickly before attending the day, this will enable you to enjoy the experience fully.
The day will start at 10.30am and conclude at 16.30pm with a break for lunch and plenty of comfort breaks throughout the day, most of the day will be out on the streets. There is a lot of walking during the day and the event may take place in inclement weather so come prepared.
You will spend the day with myself exploring the streets picking up tricks and tips on my style of Street Photography throughout the day. My Street photography workshops and courses are fun, informative and relaxed. They are both challenging and highly enjoyable and designed to stretch your imagination.
I uses the Fuji X100F and XPro2 with a 35mm or 16mm Prime lens.
You can bring any DSLR or mirrorless camera on this course; fixed lens compacts are also welcome. If you are wondering what lenses to bring 50mm is ideal for full frame and 35mm film uses. APSC size sensors 35mm is ideal or lenses around the normal focal length.
The day normally starts at 10.30am with a coffee introductions and a discussion about the day. We will touch on the ethics and law and how to deal with challenges in this area.
Next we will discuss camera set up for the day and the best set up for street photography with a practical demonstration of street camera technique.
Matt will cover what Street Photography is, and show you some of his favourite Street Photographers images. He will also show you the best way to approach his style of Street photography.
We normally spend around two hours covering these subjects then around 12.30am we head straight out on to the streets where you can watch the way Matt works and try out some of the tips and tricks that he shares with you.
We break for lunch around 1.30pm where we can find a quiet place for a snack to discuss the mornings work and share our experiences.
We then go back out on the streets to practice your new street techniques and try and find your street rhythm and look for some interesting characters or great light!
We stay out shooting until about 4pm, we then find a quiet place to sit as a group to discuss the day and this will include lessons learnt. Matt will share his processing techniques and preferred software. Matt will give you his views on Critique and show you how to review your own work.
I know the majority of you guys that read my blogs and attend my workshops are Fujifilm users but for all you that have other brands of camera please feel free to book on any of these workshops as all camera brands are more than welcome.
Here are the available dates left this year, please click on the dates for availability:
These will be the last Street Photography Workshops in this format at this price.
I have some interesting ideas for Locations and Styles of Workshops for next year, these workshops will be a little more complex so require a lot more planning.
I will advertise the 2018 Workshops around about October time.
I will be leading the Fujiholics Photowalks in London, Edinburgh and Bristol this year so make sure you sign up before all the places are gone. We have over 350 people signed up for London already.
Hope to see some of you on a Free Walk or Workshop and if you are a Fujifilm shooter then our new Facebook group might be for you here.
Here we go again, another year of Photo Walks. This year I will be leading four Fujiholics Photowalks. The Liverpool walk has already taken place but Bristol, Edinburgh and London are still up for grabs.
I would like everyone to know that you can bring any make of camera with you and that includes smart phones. You can also come without a camera just for a day out. It’s all about like minded people getting together to have a great day out and to share ideas and meet new people.
The walks are free to sign up to, I only ask that if you sign up then change your mind, please follow the link from your Eventbrite confirmation email to remove yourself so other people can sign up as numbers are limited.
So far this year London is in the lead with 280 people signed up.
We would like to see more families and children on the walks and would like you all to know that kids are welcome as long as they are accompanied by an adult. Why not bring them to London and make a weekend of it. They can use their phones or even buy them a throw away camera.
Photowalks are great, I have met friends for life on the walks and also made some amazing business contacts. They are a great way to explore our cities on foot with a great bunch of people.
A route and map is emailed out to everyone that signs up approx 1 week before the event to download to your smartphone or gps device or you can print out the map. You don’t have to keep up with the guys at the front as we tweet our location throughout the day and use a unique hashtag for the day. You can stop for refreshments along the way or even a cold beer and then catch up a bit later by taking a shortcut using the tube.
In London this year we have the Fujiholics Team and a few other Pro Photographers as well as some retailers so hope to bring you a few offers for the day. There will be quite a few Fujifilm X Photographers and Ambassadors about as well. The Fujiholics Team really do make you all feel welcome.
I would love to see as many of you guys on one of the walks this year, the last three walks are spread out all over the UK so feel free to come and join us.
Here are the links to the walks..
If you want to buy cheap train tickets then here is a link to sign up to The Train Line ticket alert.
If you need to know any more details then feel free to contact us firstname.lastname@example.org or email@example.com
Hope to see you sometime in 2017…
All my Street Photography workshops apart from Liverpool are with Calumet Photographic this year.
I have already been to Birmingham and London and this weekend I will be back in Edinburgh on Friday and Glasgow on Saturday. If you are starting to get into Street Photography or have been doing it for a while and have lost your way or your mojo then this workshop with give you all you need to take your Candid Street Photography to the next level. The workshops are tailored to enable you to think out of the box and show you all the skills you need to handle your camera in a discreet way so as not to upset your subjects.
The images in this blog where all shot in Glasgow or Edinburgh on Fujifilm cameras, but even though I am a Fujifilm Ambassador you do not need to bring a Fujifilm camera on these workshops. Any make of camera will be good and that includes a smart phone if that is all you have.
I am still running my own Liverpool workshops and these can be found on my Eventbrite page HERE. In 2018, I hope to be running some joint Street workshops with some of the great Street Photographers though Fujiholics and you can find all the future dates for the Fujiholics Workshops HERE.
The workshops in Edinburgh and Glasgow this weekend will start with a brief on What is Street Photography? which will last 2 hours. We will also look at some of the great Street Photographers past and present images.
I will be offering a practical approach to candid street photography with camera handling techniques.
I only shoot Candid street photography but we will have an open discussion on other styles, with the way other people view this approach.
I will give you an insight into the importance of projects and themes in Street photography to help you grow and develop.
My workshops are for anyone interested in Street Photography to bring like minded people together so you not only learn from my style but you can also learn from each other. It always amazes me when you bring like minded people together how much you can learn and be inspired by each other ! I love to share my passion of Photography and Street with you all and I get a great deal of pleasure in watching you learn and grow following a workshop.
A large percentage of Street Photography is learning to see and studying the masters, and my workshops give you all the tools you need to follow the path. Many of the people who have been on my workshops have developed their Street Photography and taken it to new levels. I have seen some amazing images in Black and White Street and Streets in Colour on FaceBook, shot by some of my workshop attendees, and this always brings a big smile to my face. Its always great to see their work getting selected for the main gallery.
I look forward to seeing you guys on one of my workshops in the future and if you need any advice on other Street Workshops in the UK worth attending then please let me know.
I would also recommend a great book by David Gibson The Street Photographer’s Manual
Wow what a great six days ! 124,000 steps around some amazing cities with the amazing Fujifilm X100F.
We Started in Leeds and ended in Liverpool. We went to Dale Photographic, Calumet, Wilkinsons,Cambrian and LCE. We carried 8 X100F bodies and a small team from Fujifilm UK Richard, Pete and the amazing John Dallas.
We ran three walks a day with three groups of up to 8 people on each session over six days and covered some serious miles.
The feedback on the X100F has been very positive and that has reflected in the amazing amount of Pre Orders.
Most of the guys that came on the walks loved the X100F and think its a good move to sell their X100 X100S of X100T’s to move up to the Fourth Generation camera. Just incase you did not know the F in X100F stands for Fourth. A few of the guys were undecided about the X100F but were very interested in the X-T20 or the X-T2 one of the guys was desperate for the GFX50S.
There were a quite a few of the guys that did not like the placing of the Q button and the fact you could knock the joystick. This was mentioned by quite a few of the Fujifilm X Photographers when the camera was out on evaluation. We will feed back the Q button issue to Fujifilm and hope they can make the change on the next version. The Q button can be locked by pressing and holding the Menu OK button but this will lock all the function buttons. Some of the guys did not like the fact the joystick would rub against their clothing and get moved, however the Joystick can be turned off by pressing and holding it down for more than 3 sec.
Its been a long six days and I am worn out now and need a nice break so will be hiding out in my camper van this weekend somewhere quiet. One thing that always amazes me about the Fujifilm family is what an amazing group of people you Fujifilm users are, so friendly and positive about the brand.
Thanks for the great company over the last week all you lucky winners and I hope you enjoy your x100F when it is released on the 23rd of February. Thanks for traveling from as far as Oban and Birmingham to spend a couple of hours with the X100F in the North West and North Wales and making the last six days so much fun. You know who you are and thanks…..
I have had quite a few emails from people asking how they can find out where I am and what I am up to.
I have to confess I thought I had that covered this with my website and the Fujiholics site and social media. But I realise this is not as I thought, so from now on I will do my best to keep up my blog so people can find out where I am from here.
I was at the HIP Festival in Hull a couple of weeks back and they have invited me back next year to show my work in their gallery at the City of Culture HIP Event as well as talk on the opening evening etc So I will come back to you all on the date for that one.
I am in Bristol this weekend hosting the Fujihoilcs Bristol Photowalk #FujiholicsBRIS16 this is one of the many free events held by the Fujiholics in the UK to bring like minded people together in the fresh air to share their passion for Photography. To network and share ideas.
I will then be in Glencoe with Paul Sanders and Fujifilm UK on the 21st to the 25th November for the Fujiholics Landscape Workshop There only 4 places left for this workshop and it will be the last Autumn or Winter Glancoe workshop we do as the next few years are just too busy.
I wont bog you all down with to much all in one go but I will just mention the Venice workshop next year again with Paul Sanders there a still a couple of places left for this amazing workshop exploring Landscape and Street.
I will update you all on future events from now on on Social media and by this blog.
When Clifton Cameras do a promotion, they certainly don’t do it by halves – The #StreetLife competition was no exception to the rule! Spanning many months and encompassing a variety of different events and competitions, the StreetLife promotion was HUGE! It’s also rather in-depth, so bare with me while I try to explain.
One of the most exciting parts of the #StreetLife promo was the competitions. There were three different street photography competitions, each with a different theme and the chance to win an awesome FujiFilm X100T! There was also a prize for the overall winner, which was an all expenses paid trip to a European city to shoot street photography with yours truly.
The first competition ran from March – May and the theme was shadows. This proved to be a really popular section and there were thousands of entries in total. After some debate, the panels of judges, myself included picked this fantastic shot taken by Jim Moody.
(Image by Jim Moody)
“This was the strongest image for many reasons, being shot from above made this image stand out from the crowd, the strong angles of the buildings added to the great composition of the shot, the arrow shaped shadow pointing into the darkness makes you think, but at the same time you want to know more about the woman standing with her arms folded, making this a great Street image.”
Skip forward a few short weeks, and it’s time for section two competition which ran from early June through to mid August. This time, it’s the more difficult theme of Layers. Now, we don’t mean lengthy photoshop composition, instead we were looking for multiple things occurring in a single frame – David Goold delivered just that. A image titled “Hostage.Crisis” was picked as the winner of that round and won himself a Fujifilm X100T.
(Image by David Goold)
End of August through to start of November was the third and final section of the competition. The theme – Red. A simple one, but we gave specific instructions that the images must be kept real and red was a crucial part of the overall composition. After much deliberation, us judges agreed on Vasile Buzdugan’s entry entitled “Nuns.”
(Image by Vasile)
Alongside the Street Life competition, I ran a series of free photos walks open to anyone on the behalf of Clifton Cameras. To give everyone a chance to attend these were thrown up and down the country. The first one was on the 4th July in Bristol, the second was 5th September in my hometown of Liverpool and the third and final one was on the 1st November in London.
This is where the story gets a bit complicated. The day comes to announce the winner, after much deliberation, us judges picked David Goold’s image titled “Hostage Situation” as the winner overall. We’d all had that image in our shortlist and came to the conclusion, this superb image deserved to take 1st place.
The winner was due to be announced mid-november across social media and on the Clifton Cameras website. However, just days before, the unthinkable happened – The Paris Terror attacks. It was a huge shock to everyone and due to the nature of the image and the timing, we thought we would delay the announcement out of respect for the tragic event. We had also decided upon the european city we were going to visit, which coincidentally was Paris.
One night in Paris.
Skip forward to September 2016 and it’s time for David Goold to get his prize – An all expenses paid 1 on 1 street photography weekend in Paris.
After leaving my home in Liverpool I headed for the Eurostar where I met David. We spent the journey chatting all things photography, the plan for the next two days and putting the world to rights. Interestingly, we both agreed upon the Fujifilm Fujinon XF 27mm f/2.8 lens was our favourite for Street Photography. Oh, and we both wished for an even faster version to come from Fujifilm in the future. Running through our kit, I had opted to use my FujiFilm XPro2 armed with the Fujinon XF 16mm f1.4 WR and a FujiFilm X-T1 coupled with the Fujinon XF 35mm f/2 lens. Meanwhile, David’s main set-up was the Fujifim X-T10 with the Fujifilm 18-55mm f/3.5-5.6 OIS MKII.
It was about 1pm before the Taxi reached the hotel and we spent the journey with the windows open desperately thankful for the breeze. Once we were all checked in and sorted our first stop was that really tall building that looks a bit like the Blackpool Tower – I forget it’s name.
We set a route from the Eiffel Tower down to Champs-Elysees, then towards Arc de Triomphe followed by a walk The Louvre and we finished our 14 miles trek in a beautiful area around Folie-Mericourt. By that time sun had started to set, so we ended up going back towards The Louvre for a bit of grub and a well deserved sit down!
In those tourist areas it was really difficult to find quick pit stops to grab something small to eat and drink. Most of the places we stumbled across were subscribed to the laid back, French dining experience. We love that style on the right occasion but we had pictures to take and just needed some quick in and out sustenance. It was so hot and the streets were packed with tourists which meant most places had completely sold out of cold drinks. Thankfully though, we stumbled across a Starbucks along the way and was able to get some kind of delicious orange frappe creation.
After a day of shooting some fantastic street photography and seeing a bunch of Paris’s finest landmarks, it seemed like a natural progression to head to a local french place for dinner. However, where we were, we couldn’t find a little bistro in sight. We ended up settling for an Italian, well, at least it borders France right? It turns out, the reason we couldn’t find any French places was because we were in fact in the ChinaTown, which explains a lot really.
A lot of street photographers have strong preferences for certain conditions in order to give them that perfect light. For me though, I don’t feel that strongly about it – I like to work with whatever I have. Of course, harsh sunlight can be quite awkward to work with but I think that it sets the scene and allows us photographer to create a different ambience with the light we use in our pictures. Paris has something about it, although the sunshine was constantly bright, it was much more forgiving than I once though. I was expecting a lot of areas of blown out highlight detail and deep dark shadows, but the light on the street as a lot kinder than I anticipated. Perhaps it was the buildings, the positioning of the sun or just having a bit more dynamic range from the X-PRO2 sensor, it just worked out quite nicely.
With all this said, the real recipe for a great street shots is decent light, a decent composition and a moment. Even in a great city like Paris, the moment is the hardest bit. There are colourful characters, interesting objects but it’s all down to that split second where everything comes good.
HOT HOT HOT! Day two was yet another scorcher hitting highs of 38ºC at mid-day. We hatched a plan over breakfast and decided to take a Taxi to the Moulin Rouge followed by an exploration of the area. Climbing the stairs to Montmartre and wandering around the square along the beautiful cobbled streets was rather pleasant. I can imagine if there was a bit of rain the day before the reflections and the texture you would get from those cobbles would have been incredible, but of course, there was no chance of rain on this particular day. We searched the streets for a nearby Starbucks but came away unsuccessful as they didn’t do any icy frappe things. With that terrible news, we headed back towards the hotel to get our bags and also grabbed a light lunch in a local french place followed by a cold beer. For some reason, cold beer was all we could find. Judging by the general lack of cold beverages available, anyone would think that summer had come out of nowhere and suddenly surprised the shopkeepers of Paris.
Our train back to the UK was our next stop and was leaving at 6:30pm, so we opted to head towards the train station after lunch picking a great location to concentrate your efforts before heading home. The area is known for it’s colourful characters and it the location is easy on the eye – or should what be sensor?
Well, there’s not much else to say here other than to express my thanks to everyone involved with this exciting project.
We reached out to David Goold for his take on the trip – Here’s what he had to say.
Audrey Hepburn said that “Paris is always a good idea” – but in thirty-eight degrees Celsius?! It had been forecast for a week but the reality of a high summer heatwave in France’s capital was suddenly with us. “Welcome to Hell!” was the greeting from the African taxi driver at Paris Gare du Nord as we began our Big Adventure. Fortunately, I had decided to travel light from Scotland; I brought with me just the X-T10 and the 18-55mm zoom for my photo workshop with Fujifilm Ambassador and pro street photographer (and now good friend), Matt Hart.
Two full days shooting ‘street’ in that city – in that heat – needed serious and careful attention to health and safety. Drenched in Factor 50, we paced ourselves from the start and must have each consumed a litre of water every two hours whilst pounding the pavements during our two-day stay.
But that city rewarded us with golden sunlight and inky black shadows, such elegant architecture and characterful citizens and visitors. In that special light, haute couture red dresses and heels had us, if not running, then staggering briskly to capture the decisive moment at those distinctive, striped street crossings in Le Marais.
I suppose we each develop our own technique, learning from our mistakes, but I had never experienced the technique of a professional street ‘tog. It was a revelation to watch Matt in action… to watch his pace change as he spotted an opportunity and to keep out of his way while he ruthlessly sought the decisive moment. And I hope I caught a few of those myself whilst learning to sharpen my eye. I suspect Matt features in many of them and I’m very happy about that – some wonderful memories of our journey to Hell and back.
For making it all happen, big thanks to Clifton Cameras, Fujifilm UK but most of all to Matt. We had such a blast. Let’s do it again soon! But perhaps in December this time, please?
(Images by David Goold)
We met up at 17:00 hours in Victoria Square and a Fujifilm X30 was given away as a prize.
We then set of to Royal Mail Street and made our way to the Old Line Birmingham Canal after a brief Street camera demo from myself and a quick Q & A by Damien Lovegrove.
Damien was soon to live up to his new name and the Love Gloves came off for the above shot. The Loveglove name came from a Japanease translation of Lovegrove a few weeks back when Damien was representing FujiFilm UK in Japan as one of the FujiFilm X Photographers.
Most of the images from the evening were posted on Twitter under the #FujiTPSWalk and are well worth a look. I managed to grab a few images between chatting and demonstrating a few street photography techniques. We then made our way to a local pub for a quiet drink before ending the evening. So, if you are at The Photography Show next year look out for a Street Walk, one of the best ways to see a city and make new friends.
If you don’t want to wait till then, have a go at this great competition by Clifton Cameras and FujiFilm UK and try to win one of three Fuji X100T’s and possibly a trip to Paris.
You can also come on one of the free Photowalks planned over the next 6 months, see web site for details http://www.techtoyreviews.com/fujifilm-xt10-rumors-sensor-fuji-xt1-price/