Here we are four months in to my Year of Colour and I am struggling !
I always thought it would be hard thats why I chose to take it on as a project, but this has been so much harder than I thought but mainly because I have been so busy. I have hardly been able to get out and shoot any personal work so have just had to grab a few shots on my workshops and walks.
I have found out as expected colour is complicated! I have always realised that and found it very difficult to match the colour to my mood and style. I think it was a lot easier back in the film days you chose a film for your style or job and just went out and created. Well I did, because I chose colour transparency film so did not have much say in the initial process. I guess that’s another reason I went black and white in the early days.
With digital you have so many choices from camera to software it’s just a minefield but I think I made a small breakthrough yesterday on a workshop.
I started off this project with the XPro2 and the X100F as my main cameras and now I have decided to just use the X100F for the rest of the project as best I can.
I have been going between RAW and Jpeg and then changing my mind again but now I have decided to shoot Jpeg and Raw and start playing around with the Jpeg settings in camera on the X100F. This way hopefully I will have a few choices at the editing stage, I have struggled to get a Jpeg image to look how I want it to look and prefer RAW with a very simple Lightroom conversion but I still feel I am missing a trick with Jpegs.
So it’s time to start experimenting. I can’t do that chopping and changing between cameras, the X100F is going to get some serious use this year.
Consistency without pre sets is going to be my main bug bear as I have an amazing black and white workflow that just works. With colour it’s more dependent on the quality of light on the day and the colour temperature of the light so that has become a big issue for me. I have been falling out with colour in a big way over the last couple of months so much so that I was starting to hate it.
But then I shot the image above and started to look at colour in a whole new way. I realised I was thinking in terms of Digital and not Film and the closer I could get to the film or Cine look the better. I think colour trends change and people do like saturated mad colours but I dont think thats me. I have always liked the way RAW files looked except they are flat and lifeless but with a few tweaks they come alive.
So I need to explore if I can get the same feel in camera with Jpegs, I am not holding up much hope but by shooting Jpeg and Raw I have kept my options open.
Thank you Fujifim for Film Simulations, I am going to play with these over the next couple of months and see what happens. If it drives me nuts I have the RAW files to fall back on.
This image changed it yesterday. The colour of the shop front and the guys shirt were a close match so I wanted to capture this in RAW and make some simple changes to get the image to look how I wanted in Lightroom. I then set about getting the camera set up to look like this on the rear screen or as close as I could get it.
I then did the same with this image, it’s just a crazy experiment trying to edit a shot before you take it in camera but thought I would give it a go.
My dream is to not need to use Lightroom to edit so it’s about time I started playing around to achieve the end goal !
I was last in Venice with the Fujifilm XPro1 back in 2013 and have been missing it like crazy for the last four years. I have just got back from Venice with Paul to run a Fujiholics workshop. The weather was a mixed bag but Venice gets so busy it is always at its best out of season. My favorite times of the year are October, late February or early March.
I took with me the X100F, XPro2, XT2 and will write about the others when I get time after TPS and probably next month.
I decided to just use the X100F with Jpegs only as part of my 2017 Year of Colour, forcing myself to just use Jpegs with no RAW backup was the name of the game. So I set the camera to Image Quality Fine, Film Simulation Velvia, Dynamic Range 200, White Balance Auto, Highlight Tone -1 and Shadow Tone +1 to start off with.
I was editing the images out in Venice on the Ipad Pro with Snapseed and as part of this process in the end decided to set the Highlight and Shadow tones back to 0 for now and just make the changes in Snapseed. I have always wanted to be able to process very quickly so making changes in camera confuses me at times because I find myself undoing the changes I made in camera at the processing stage.
I must point out all the images in this blog are shot on a preproduction X100F.
Even though I am a Candid Street Photographer I have included a few other images here from my trip. Venice is an amazing place for photography. I have never seen so many cameras in all my life as I did on this trip but that was probably down to the fact the carnival was just finishing as the workshop started. There are some seriously big back packs around in those small alleys thats for sure !
The only downside to this time of year is the ever changing light, even though the colours don’t have quite the same depth and beauty in the shade or shadow, I do like the way the X100F handles the fast changes with the Auto ISO, I know most people are scared to ramp up the ISO but I haven’t ever worried about this and set mine to Auto with the base at 200 ISO and the Max at 6400 ISO. I know you can ramp it up to 12800 but there was no need during the day. I do prefer what you see is what you get and if it’s dull its dull, you can’t have great weather and images all the time. This is the down side to colour photography and this is a great learning curve for me on my Year of Colour.
I used to shoot manual all the time but for Street I prefer aperture priority. That way I can just get on and shoot and not have to worry too much about the camera settings. I do switch back to manual when I have more time on my hands to think and compose.
I do quite like breaking the rules and playing around with camera settings when I get a new camera. It is always interesting to see how the combinations of ISO and shutter speed affect the tones in the images. I have to know what I can get away with in what light and at what speed.
Venice is an amazing place and feels so safe to wonder about day or night, so it’s a great place to walk around with your camera. I caught the last few days of the carnival so managed to capture a few of the interesting characters. I have to say I love the X100F, it’s a great upgrade from the X100T and the sensor is stunning. The lens is a little soft at f/2 as it was on the X100T but I shoot most of my work around f/4 anyway these days so its not a big issue for me. Its great to now have a battery that lasts most of the day, but that was also not much of an issue for me on the X100t once you realise your camera’s limits you can compensate yourself. I used to carry 3 batteries for my X100T and for the X100F I carry two.
I do like the way all Fujifilm cameras handle colour and black and white. I used to shoot Nikon and it was a real pain in the bum trying to get Nikon RAW files to look the way I wanted in colour and the Jpegs were worse. The images in this blog are all Jpegs and only had Lightroom cc edits and most of them have had only slight changes with a crop or minor contrast of clarity changes. I can’t bring myself yet to just use out of camera jpegs due to the fact I need a colour style and that is what 2017 is all about. I do however think if you just take images for you and you dont need a style then you could just set the camera up to shoot Jpeg and with a few changes in the settings you would not need to process the images and you could just use the Jpegs with no editing and this is amazing ! In the days of social media you can just wifi the Jpegs from camera on the fly and you are done. The X100F is just perfect to carry in your pocket everywhere you go and makes a great street travel camera.
With its fixed lens you have no worries about sensor cleaning and if you wanted to, you could add the conversion lenses to your collection and still not have sensor dust issues.
With the addition of the Digital Zoom this is a serious amount of reach for a pocket camera, the TCL-X100 Converter will give you 50mm, 72mm, and 100mm reach.
All my Street Photography workshops apart from Liverpool are with Calumet Photographic this year.
I have already been to Birmingham and London and this weekend I will be back in Edinburgh on Friday and Glasgow on Saturday. If you are starting to get into Street Photography or have been doing it for a while and have lost your way or your mojo then this workshop with give you all you need to take your Candid Street Photography to the next level. The workshops are tailored to enable you to think out of the box and show you all the skills you need to handle your camera in a discreet way so as not to upset your subjects.
The images in this blog where all shot in Glasgow or Edinburgh on Fujifilm cameras, but even though I am a Fujifilm Ambassador you do not need to bring a Fujifilm camera on these workshops. Any make of camera will be good and that includes a smart phone if that is all you have.
I am still running my own Liverpool workshops and these can be found on my Eventbrite page HERE. In 2018, I hope to be running some joint Street workshops with some of the great Street Photographers though Fujiholics and you can find all the future dates for the Fujiholics Workshops HERE.
The workshops in Edinburgh and Glasgow this weekend will start with a brief on What is Street Photography? which will last 2 hours. We will also look at some of the great Street Photographers past and present images.
I will be offering a practical approach to candid street photography with camera handling techniques.
I only shoot Candid street photography but we will have an open discussion on other styles, with the way other people view this approach.
I will give you an insight into the importance of projects and themes in Street photography to help you grow and develop.
My workshops are for anyone interested in Street Photography to bring like minded people together so you not only learn from my style but you can also learn from each other. It always amazes me when you bring like minded people together how much you can learn and be inspired by each other ! I love to share my passion of Photography and Street with you all and I get a great deal of pleasure in watching you learn and grow following a workshop.
A large percentage of Street Photography is learning to see and studying the masters, and my workshops give you all the tools you need to follow the path. Many of the people who have been on my workshops have developed their Street Photography and taken it to new levels. I have seen some amazing images in Black and White Street and Streets in Colour on FaceBook, shot by some of my workshop attendees, and this always brings a big smile to my face. Its always great to see their work getting selected for the main gallery.
I look forward to seeing you guys on one of my workshops in the future and if you need any advice on other Street Workshops in the UK worth attending then please let me know.
I would also recommend a great book by David Gibson The Street Photographer’s Manual
Wow what a great six days ! 124,000 steps around some amazing cities with the amazing Fujifilm X100F.
We Started in Leeds and ended in Liverpool. We went to Dale Photographic, Calumet, Wilkinsons,Cambrian and LCE. We carried 8 X100F bodies and a small team from Fujifilm UK Richard, Pete and the amazing John Dallas.
We ran three walks a day with three groups of up to 8 people on each session over six days and covered some serious miles.
The feedback on the X100F has been very positive and that has reflected in the amazing amount of Pre Orders.
Most of the guys that came on the walks loved the X100F and think its a good move to sell their X100 X100S of X100T’s to move up to the Fourth Generation camera. Just incase you did not know the F in X100F stands for Fourth. A few of the guys were undecided about the X100F but were very interested in the X-T20 or the X-T2 one of the guys was desperate for the GFX50S.
There were a quite a few of the guys that did not like the placing of the Q button and the fact you could knock the joystick. This was mentioned by quite a few of the Fujifilm X Photographers when the camera was out on evaluation. We will feed back the Q button issue to Fujifilm and hope they can make the change on the next version. The Q button can be locked by pressing and holding the Menu OK button but this will lock all the function buttons. Some of the guys did not like the fact the joystick would rub against their clothing and get moved, however the Joystick can be turned off by pressing and holding it down for more than 3 sec.
Its been a long six days and I am worn out now and need a nice break so will be hiding out in my camper van this weekend somewhere quiet. One thing that always amazes me about the Fujifilm family is what an amazing group of people you Fujifilm users are, so friendly and positive about the brand.
Thanks for the great company over the last week all you lucky winners and I hope you enjoy your x100F when it is released on the 23rd of February. Thanks for traveling from as far as Oban and Birmingham to spend a couple of hours with the X100F in the North West and North Wales and making the last six days so much fun. You know who you are and thanks…..
I can’t believe its February already ! Not even sure where January went.
It’s been a busy month and it’s all a bit of a blur. I can remember doing my first two Street Photography Workshops for Calumet UK in London and Birmingham, I loved both of these workshops and cant wait to visit the rest of the Calumet stores this year and deliver the same workshop. It’s a slightly different format from my own workshops and each branch of Calumet is a great base to start from. The only Street Photography workshops I am going to do for myself this year will be the Liverpool ones, the rest will be with Calumet UK in 2017. You can see a complete list here Calumet Street Workshops.
I also recorded a Black and White editing video in January that should be out sometime this month to purchase. We have set the price to half the price of attending my Black and White editing workshop as I have stopped my Black and White workshops this year because I will be concentrating on my colour project.
My Colour project has taken a back seat in January and the only image I have shot is the one on this page ! Just goes to show even a professional photographer does not always have the time to get out and shoot for himself.
I had an amazing trip to Glencoe with the Fujiholics and hope to do a lot more collaboration workshops in the future. Fujiholics takes up quite a chunk of my time and was quite a juggling act last year. Hopefully going forward we should bring some great walks and workshops to everyone.
When I got home from Glencoe I had my first delivery of Custom Flash Drives from USB Memory Direct delivered. I have to say they provide a great service and the printing is just how we wanted it. You can have a look for yourselves USB Memory Direct so many choices.
I thought I would get a rest in January and February but I have never been so busy. I am just about to take over from Kevin Mullins and go on a short road trip around the North West and Wales with the Fujifilm X100F and Fujifilm UK taking the lucky winners of the Fujifilm X100F ‘touch and try’ competition out into whatever the British weather throws at us to show the winners how I use this amazing new addition to the Fujifilm X Series. I can’t wait to show the winners what an amazing little upgrade this is. I will be going to Dale Photographic, Calumet Manchester, LCE Manchester, Cambrian Photography and Wilkinson camera over the next six days and cant wait to catch up with the Fujifilm UK Team and the lucky winners.
When I get back from my little trip with Fujifilm I will be off to Venice with Paul Sanders to teach a Landscape and Street Workshop. There are still a few places left so grab a space whilst the euro still has some value. Venice Trip
Once back from Venice it won’t be long before I am at The Photography Show in Birmingham. I will be on the Fujifilm Stand most days and in the Behind the Lens Theater on the last day of the show, so make sure you get your tickets, here is a discount code to save you a few pounds SPKTPS17 if you book online.
It’s a very busy year and if you want to book on any of the Fujiholics workshops or my own workshops or Photowalks here are the links.
Look forward to seeing you all at some point this year…
Well it’s here ! The X100F is finally announced and that means I can talk about it at last. One of the downsides to camera testing is shooting lots of images over a few months with a pre production X100F but not being able to share the image with the world. It’s like being tied up and gagged but not quite as dramatic.
The X100 was the Fujifilm X Series camera that started me off on this amazing Fujifilm journey and the X100T has been in my pocket ever since it came out. Now we have the X100F and this camera has earned itself a place in my pocket too, I might need to get bigger pockets. Fujifilm launched the first X100 in 2011 with the APSC sensor and Hybrid Viewfinder that could be switched between optical and electronic. In February 2013 the second-generation model the X100S was released with the newly-developed Sensor and image processing engine. Then in September 2014 the Fujifilm X100T was launched with the world’s first electronic rangefinder function.
The fourth-generation X100F features the latest image sensor and high-speed image processing engine to deliver the highest level of image quality. The X100F features the 24.3MP X-Trans CMOS III APS-C sensor with no low-pass filter. This sensor and processor are designed to deliver outstanding colour reproduction and graduation of tones, high ISO sensitivity and low noise.
I am not going to tire you with the technical side of the new X100F, I am just going to share a few images I have made with this stunning little camera over the last few months and share one of the new features I like and have been asking for for a while. For a more technical review you can check out my good friend Kevin Mullins Review.
The images should speak for themselves and over the last three months this camera has been through some serious weather extremes and not missed a beat however, it is not weather sealed. This little camera was in Glencoe with me on the last Fujiholics trip and was in my hands at -16. I got the X100F back in November just as the winter light was at its gloomiest so most of these images are shot at quite high ISO and I love the way this camera has performed for me. Here is a short video. The joystick is a welcome extra and so easy to flick the focus point to where you want it without looking. I find setting to the 91 focus points makes this process so much quicker as it adds less and you move across the screen so much faster. I just count to 3, to move the focus point to the left or right and press the joystick in to re centre and that way I can compose really quickly.
This camera is not much bigger than the X100T but it feels better in the hand and some of the buttons and dials are a much better design for my fat sausage fingers! The addition of the NPW126 battery gives you the extra power you need and gives the finger grip a more positive feel on the outside of the body.
All the images in this post were shot on Jpeg standard setting and processed in Lightroom, the black and white images in Silver Efex Pro2 and the Colour images in Viveza 2. There was no RAW file converter available for Lightroom at the time so instead of using the well known workaround I just decided to have a go with the Jpegs and have been really impressed. I thought I would have a play around due to the fact I do like a change and because I will be shooting my year of colour this year, so need to explore all the processing options.
One of the new sections in the menu is in Spanner Menu under Save Date Set-up. You not only have the option to Edit File Name like before but you now have Copyright Info. I used to shoot lots of stock and always found this option on my previous cameras very helpful as it saved me lots of time in key wording. The copyright section is great even though I shoot less stock these days I still have clients request copyright info to be added and file info to be changed to my name or initials. Even if you dont need this commercially it’s a great way to personalise and copyright your work.
2017 is going to be my year of colour and the X100F has inspired me to get my head down and start exploring colour like never before. Fujifilm have a beautiful RAF file and with this 24.3 MP sensor is in the X100F I can use the Xpro2 and the X-T2 with the X100F and keep some consistency in my year of colour. I have not really had any decent light when I have been out testing the X100F so can’t wait for the Spring to see how amazing this little camera will be. I love the simplicity of a fixed lens camera and all the X100 series cameras give you that amazing feeling of freedom.
Now to pack my bags for another trip to Glencoe where I hope to take a few more shots this time without the worry of getting caught with the secret X100F in my hands.