black and white
As quite a few people know I am changing the format of my workshops in 2018 so if anyone wants to take part in the present format, please choose one of my Street Photography Workshops from the list below.
This is the format for 2017.
The workshops will encourage debate about Street Photography and help the participants to be more critical about their work.
The workshops are suitable for professional and amateur photographers of all levels. We ask you to familiarise yourself with using your camera and learn how to change settings quickly before attending the day, this will enable you to enjoy the experience fully.
The day will start at 10.30am and conclude at 16.30pm with a break for lunch and plenty of comfort breaks throughout the day, most of the day will be out on the streets. There is a lot of walking during the day and the event may take place in inclement weather so come prepared.
You will spend the day with myself exploring the streets picking up tricks and tips on my style of Street Photography throughout the day. My Street photography workshops and courses are fun, informative and relaxed. They are both challenging and highly enjoyable and designed to stretch your imagination.
I uses the Fuji X100F and XPro2 with a 35mm or 16mm Prime lens.
You can bring any DSLR or mirrorless camera on this course; fixed lens compacts are also welcome. If you are wondering what lenses to bring 50mm is ideal for full frame and 35mm film uses. APSC size sensors 35mm is ideal or lenses around the normal focal length.
The day normally starts at 10.30am with a coffee introductions and a discussion about the day. We will touch on the ethics and law and how to deal with challenges in this area.
Next we will discuss camera set up for the day and the best set up for street photography with a practical demonstration of street camera technique.
Matt will cover what Street Photography is, and show you some of his favourite Street Photographers images. He will also show you the best way to approach his style of Street photography.
We normally spend around two hours covering these subjects then around 12.30am we head straight out on to the streets where you can watch the way Matt works and try out some of the tips and tricks that he shares with you.
We break for lunch around 1.30pm where we can find a quiet place for a snack to discuss the mornings work and share our experiences.
We then go back out on the streets to practice your new street techniques and try and find your street rhythm and look for some interesting characters or great light!
We stay out shooting until about 4pm, we then find a quiet place to sit as a group to discuss the day and this will include lessons learnt. Matt will share his processing techniques and preferred software. Matt will give you his views on Critique and show you how to review your own work.
I know the majority of you guys that read my blogs and attend my workshops are Fujifilm users but for all you that have other brands of camera please feel free to book on any of these workshops as all camera brands are more than welcome.
Here are the available dates left this year, please click on the dates for availability:
These will be the last Street Photography Workshops in this format at this price.
I have some interesting ideas for Locations and Styles of Workshops for next year, these workshops will be a little more complex so require a lot more planning.
I will advertise the 2018 Workshops around about October time.
I will be leading the Fujiholics Photowalks in London, Edinburgh and Bristol this year so make sure you sign up before all the places are gone. We have over 350 people signed up for London already.
Hope to see some of you on a Free Walk or Workshop and if you are a Fujifilm shooter then our new Facebook group might be for you here.
My Fujifilm journey started back in 2011 but it was hit and miss. I was a Nikon shooter and had been for over 40 years. In 2011 I found myself looking for a camera system that was smaller and lighter than my Professional Nikon system. I looked at Sony and Panasonic but wanted great glass and realised that only the top players in the camera market could offer this. I picked up a Fuji X10 and had a love hate relationship with it so in the end sold it. I read all the reviews and was put off the X100 but in the end found one for a good price on ebay and purchased a really nice camera.
The image above was one of the first images I shot with the X100 and I was hooked. This amazing little camera was producing images far cleaner than my Nikon D3s and for a fraction of the cost. Yes focus was slow and it only had one lense but it was the way it made me feel that shocked me, this camera had set me free.
It was not long before I walked in to Cambrian Photography and took a massive leap of faith. I bought the Xpro1 along with the 18mm, 60mm and the 18-55mm Kit lens and decided to give it a go on my trip to Venice. I had made up my mind that if it worked for me I would come home and sell all my professional Nikon Gear.
Before I went I was almost convinced this would not happen, how could this Xpro1 replace my D3s and Pro glass as it was so slow to focus and so awkward to use !
I came back from Venice and the decision had been made this XPro1 was perfect for me. I was convinced that stepping away from mainstream DSLR’s and choosing a camera that slowed me down and made me think out of the box again was the way forward. So I took the leap and sold all my Nikon gear. I said to myself that if I needed a Pro DSLR for a job I would just hire one. That was four years ago and I have not needed to use a DSLR and will never look back.
It’s amazing how the reason you changed gets under your skin at times and the slow focus on the XPro1 drove me to buy the X-T1 and the X-T10. These cameras work perfectly for my event photography and due to the small size of the X-T10 I started to use two of these stunning little cameras back to back one with 27mm f/2 and one with 90mm f/2 lenses. It is quite amazing how small the X-T10 is with the 27mm lens it’s almost the same size as the X100T.
My plan was if I am totally honest was to wait for the X-T2 if there was one and use my X-T10s for Street and the X-T1 for Landscape and wet events and bring the X-T2 in to play.
But then BOOM Fuji asked me to test out the Xpro2 and it’s just changed my photography all over again. When I first picked it up my first thought was where is the tilting screen ? It’s hard to go out and test a camera that is not due out for three months when you are a Street photographer I can tell you.
I started using the Xpro2 and at first I was not blown away, but this was the same feeling I have had with all the Fuji X Cameras. They are like magic in your hands, the more you get to know the camera, the more they come alive in your hands. This camera is fast to focus, it surely has to be the fastest yet.
The shape of the camera is a vast improvement over the XPro1 and the inclusion of two fast card slots is going to make quite a few wedding shooters happy. The inclusion of the ISO dial in with the shutter speed dial, puts all the buttons and knobs back on the outside of the camera so you have the exposure triangle where you need it. There is a neat little joystick on the back of the camera and the buttons are all in the right place for me.
You all know I am not one for technical write ups as all the pixel stuff does not do anything for me and there are camera testers all over the UK that can test this camera to death for you all. But one word of caution, I was put off the X System for six months before I got the X100 because of all the reviews so be careful what you choose to read. This system is not all about pixels and super fast this and that, it is about changing your way of thinking.
So why do I love this camera ? It’s easy, I don’t have to edit any of my images any more. I have always been a RAW shooter converting in Lightroom and Silver Efex Pro 2 until now. This camera is a game changer for me and the file size is just about right. The XPro2 is going to change my photography for the better.
The design of the XPro2 compared to the Xpro1 is completely different making the XPro2 sit so nicely in your hand.
I am going to be shooting Jpeg with the XPro2 for the next year with the 35mm f/2 lens for a Street Project I am doing with a few friends on Flickr. I love a good project and this project will help me to learn how to setup and use the Xpro2 for Jpeg and never have to edit again. The time this is going to save me is life changing. At the moment I have the camera set up to black and white with green filter. I have Dynamic Range set to 200%, Highlight Tone -1, Shadow Tone +3, Sharpness +1, Noise Reduction off. I will be playing around with these settings a lot more over the coming months.
It’s been a pleasure testing this new camera for Fujifilm and it was also an honour to have one of my images that I shot on the XPro2 selected for the Exhibition in Japan with 100 other X Photographers from around the world.
I think Fujifilm have made a stunning camera and I would like to thank them for for listening to all the X Photographers and Fujiholics around the world and adding most of the requests and ideas to this little camera.
I can’t wait to see what the future holds and I am so glad I made that leap of faith nearly 5 years ago. The Xpro2 is a huge step forward I am quite sure the Fuji roadmap is going to be very exciting…
Here is a video I shot about the my Fujifilm journey including some XPro 2 images.
Today I decided to have a few hours in Liverpool out on the streets to see what I could find.
I went out with a pair of Fujifilm X-T10s, is the first time I have been out with a pair of matching cameras for quite a while. I had to decide on what lenses to take as I have had the 35mm f/1.4 bolted to my X-T1 for ages but I wanted to go wider. I did put the 16mm f/1.4 on to start with but I decided I wanted something smaller and lighter on the X-T10 so went for the 18mm f/2 for one body and the 60mm F/2.4 for the other body. I don’t think the 60mm has as much reach as I need so can’t wait to get my hands on the new 90mm f/2.
The weather forecast was for an over cast day with sunny intervals, so quite promising.
I jumped on the train and arrived in to Liverpool a little earlier than normal, it’s great to try different times of day but Liverpool does take its time to wake up. There were not too many people about and the light was flat never a great start.
The good news was the weight of two X-T1s around my neck was nothing compared to the days I used to shoot with a DSLR with the same quality glass.
I used to shoot with a pair of Nikon Fm2’s and this brought back memories, one of the street performers even shouted out “hay mate, shooting film” Just goes to show it was not just me thinking how small they were.
Some days I like to cover a lot of ground when shooting Street others I like to find great spot or road and stick to one area, today I decided to cover lots of ground and see what I can see.
The flat light was very uninspiring today so covering lots of ground I could look out for something interesting, but as with quite a few Street days I was not having much luck. I guess Street photography is quite like fishing; you wait and wait just for that one moment. Not that I was waiting today I was on a mission.
Street Photography can be hard work on some days and this was one of those days, School holidays are always quite difficult times in Liverpool not many great characters about because the Uni’s are shut and lots of people shopping. I suppose when nothing is working, it’s looking for that one great image a year that keeps me going! Some Street Photographers shoot prolifically and then look for something special in the edit. I have lots of ideas in my head but also look for those special one in a million moments that happen in a fraction of a second. Some amazing things happen out on the street in the space of a few seconds and in an almost set sequence that will probably never happen in the same place ever again , it’s being there to capture that moment that is exciting. You can go for day’s, months or years and nothing great ever happens, I guess that’s why most of the great Street Photographers have had a lifetime of shooting.
One thing is for sure it clocks up your daily step count. I hit 10,000 steps in no time, three miles come and go and you forget to eat and drink, I might have to market this as the Street Diet.
I clocked up about 27,000 steps today and covered quite a bit of ground, but there was not a lot going on and the light was flat as a pancake. So I called it a day and got the train home.
Shooting with the 60mm and 18mm on a pair of X-T10s was a breeze, once I had them set up to my preferred settings, I could just concentrate on shooting without thinking. This did take a while as I was trying out the new Focus settings and in the end decided to set both cameras to Zone Focus large Square, I set them to Aperture Priority for the day with Auto ISO and moved the Aperture for my desired depth of field depending on my subject. Auto ISO settings I used Default Sensitivity 200 Max. Sensitivity 6400 and Min. Shutter Speed I set to 1/125 sec on the 18mm and 1/250 sec on the 60mm.
I am quite a calculated person when shooting and will let lots and lots of shots go if they have no set place in my workflow. I try to shoot to get in a rhythm so shoot more than I did with film but I still don’t shoot a lot of images when out. I guess one reason is I just don’t like to spend so much time looking through them all at the edit stage.
I think I am very calculated and have systems and processes in my head but I can also step out of the box if I need to. All of my images follow quite a strict process that starts in my head, I know at the time of capture if I have got the makings of a reasonable image. When I sit down to review my day’s work I can almost go straight to the keepers. Once I do sit down I then start to make more decisions about the keepers and also decide where I might use the images. It’s always funny when I post to social media and someone makes a comment like “I would have cropped that like this” or “I would have shot that person from that angle” well good for them! I did not crop it like that because I like it the way I posted it! I like the angel I shot the image or there was no other option to get the shot, like a wall or bin in the way. This sounds harsh but I don’t care what people think, I have never had a Professional Photographer give unwanted Critique and even wrote a blog post on Critique a while back. I don’t shoot to please people as such and besides half of what I shoot now won’t be relevant until 10 -20 years’ time! I share my work because images should never stay hidden under the bed for no one to see, what people think is irrelevant.
Some days I get home and delete all the images that I have shot, today feels like one of those days but I am going to share a few images. Normally these would have all been deleted, but I set out today to write my blog so will make an exception. Today was one of those days where the light was not working and you watch lots of situations build but they just come to nothing. I work the scene with my camera but when it’s not coming together I walk away, its great practice for when it does all drop in to place. Lucky for me today I needed to find create two more selfie’s for my project or I would have come away with nothing!
I just love to be out on the streets, not every day will bring me an image that I can use or even like and it might take me all my life to make a book of 20 great images, but that for me is the whole point.
I did go for a coffee with my good friend Steve from Street Frame and even though I don’t normally shoot portraits, I had to try out the X-T10 and the 60mm lens.
I have not been in to layers in my Street photography over the last forty years. I almost reserved the layers for landscape, so I don’t have a single great layer image. I guess its not as easy in Street as we would like to think.
My style of Street is all about being invisible and allowing the layers to hide me so then using layers takes a lot of thought.
When I am not teaching or talking I like to just go out and see what I can capture, the ever elusive decisive moment just slips away time after time if I am not in the correct state of mind so adding layers can be an added distraction.
It’s an area I need to work on and add back in to my Street style. I can work it into my events so just need to squeeze it into my Street.
Layers sounds so simple. All you have to do is include something that grabs the viewers attention in the front, middle and background, but its not as easy as it sounds. Too many subjects and you get confused, not enough and it just won’t work.
To start a layer you need a foreground subject that draws you into the frame. It could just be a hand, afoot or partly obscured face, something to anchor you to the front layer whilst your eyes start to search for the next anchor point. This is the hard part for a candid shooter because you have to wait, out on the streets for your subjects to align and this means stopping and standing still. My style is to keep moving! Some adjustments need to be made to my style to achieve better layers.
Some people like to layer with a huge depth of field, others like to layer with a thin depth of field and lots of out of focus areas. I think I am in the middle and my tastes change week in week out. I know the key is to use a wide depth of field to get lots of information onto the sensor or film but I just love narrow bands of focus. I think the way forward is to use at least three different subjects spread out in the frame from front to rear. Making great layers from our cluttered world is not easy but it can be done. Simple layering does not make it a great Street image it can just make it a layered image.
In a way the more subjects you have the better it is in layering unless you have some perfectly spaced single people groups of people which work very well. Perspective plays a big part with the person closest to you huge in the frame and the people in the distance very small. It’s all then down to spacing, shapes and symmetry.
This workers even better if the closest person in the frame complements some of the subjects throughout the frame or stands out like a sore thumb. Look for the unusual interesting subject, the person in a pink cowboy hat with a yellow thong or that odd pair of legs or arms sticking out at a strange angle or even better some element of humor.
I am always on the lookout for great layers and one of the best tips I can give is to gain some height and shoot down or get low and shoot up. This creates different levels making the layers stand out. People at different levels also work well.
It’s something I must think about more in my own work and if you are out shooting layers why not enter them in the second stage of the Clifton Cameras #streetlife competition and win yourself a Fujifilm X100T and possibly even a day trip to Paris with me.
I started out with a pair of Nikon Fm2 Film Body’s shooting with a 20mm or 50mm lens and a 135mm lens.These were great for Street Photography and Travel Photography. Some of the great photographers of the past used the same combination as these lenses would cover most situations. The 135mm was a great portrait lens and I have missed this lens ever since I went digital.
I have been looking for the equivalent combination for my Street Photography so I can shoot with two decent prime lenses and matched bodies. Well the day has come, the perfect lens and body combination has landed ! I can now shoot my X-T1 with 35mm or 16mm with an X-T10 and 90mm f2 on my X-T1.
I am very excited about these two great Fuji products being launched at the same time as I think they are made for each other !
The X-T10 features an APS-C X-TransTM*3 CMOS II sensor with built-in phase detection AF. Coupled with a high-performance image processing engine and FUJINON lenses, the camera delivers excellent resolution and outstanding image quality, backed by unique colour reproduction technology. The X-T10 uses a new AF system. This offers Fujifilm’s conventional 49-point AF mode for high speed and precision focusing, as well as new Zone and Wide/Tracking modes that track subject movement across a larger 77-point area, substantially improving the camera’s ability to capture moving subjects. Combined with the AF-C capability and the continuous shooting speed of up to 8.0fps*4, the camera delivers the high quality images that have become synonymous with the X Series, across a broader range of photographic situations.
Key features of the Fujifilm X-T10
(1) All-new design packs X Series’ operability into a compact and lightweight body
The design of the compact and lightweight body bears all the hallmarks of an X Series camera. Both top and base plates are made of a lightweight, but highly rigid, die-cast magnesium. The top plate features three precision-milled aluminium dials which give the X-T10 a premium feel and allow users to intuitively adjust the combination of aperture, shutter speed and shooting functions while concentrating on picture taking.
Additionally, the back panel has a 3-inch 920K-dot tilting LCD monitor suitable for both above head and close to the ground shooting. Two colour options will be available: Black and Silver.
- It is equipped with an Auto Mode Switch lever for selecting the fully-automatic Advanced SR Auto mode. In this mode, the camera automatically chooses the optimum settings for a given scene to make shooting effortless.
- Each of the two command dials and seven function buttons featured can be customized so that you can tailor the camera to your needs.
- The body also features an integral pop-up flash,positioned in the center of the top plate.The built-in Super Intelligent Flash automatically adjusts light output according to the scene type.
(2) Real Time Viewfinder
With a magnification of 0.62x and a display lag time of just 0.005sec, the X-T10 has a large, fast viewfinder. It offers a clear; high-definition live view thanks to the new 2.36million dot organic EL electronic viewfinder, plus visibility has been improved by automatically controlling finder brightness according to the ambient light levels. The live view display can also be set to the “Preview Pic. Effect” option to reflect the shooting conditions and offer a natural view close to that of the naked eye. The viewfinder’s eye sensor will also automatically orientate the information when the camera is positioned vertically; something that’s not possible on models with optical viewfinders.
(3) The X-TransTM CMOS II Sensor and EXR Processor II engine combine to deliver outstanding image quality and high speed performance
The camera features Fujifilm’s APS-C 16.3 megapixel X-Trans™ CMOS II sensor. Its unique, random colour filter array reduces moiré and false colours without having to use an optical low pass filter. The elimination of the low pass filter, which compromises image quality, means a greater amount of light reaches the sensor. Combined with the EXR Processor II image processor, this means the sensor delivers outstanding resolution and low noise.
- Fujifilm combined the processor’s noise reduction function with the technology for mounting circuit boards to reduce noise in high sensitivity images. This has enabled the ISO setting of up to 51200*5. Even at an ultra-high sensitivity, the camera produces low noise and strong blacks, thereby broadening photographic potential in low light conditions.
- The camera features the unique Lens Modulation Optimizer (LMO) *6 image processing technology to deliver the best possible image quality. Using optical performance and other characteristics of each lens, LMO corrects optical defects such as diffraction*7 to achieve edge-to-edge sharpness and a realistic three-dimensional effect.
- The unique on-sensor phase detection AF system focuses in an ultra-fast 0.06 sec*8. With the high-speed EXR Processor II image processor, the camera starts up in just 0.5sec*9, has a shutter time lag of 0.05sec and shooting interval of 0.5sec*10.
(4) New AF system with Zone and Wide/Tracking modes for effortless capture of moving subjects
- The new AF system offers Fujifilm’s standard 49-point Single Point mode for high speed and precision focusing, as well as the new Zone and Wide/Tracking modes that use a larger 77-point area to capture moving subjects.
- Zone mode allows users to select a 3×3, 5×3 or 5×5 zone out of the 77-point AF area. During AF-C focus, the camera continually tracks a subject, positioned at the centre of the zone. The centrally positioned 3×3 and 5×3 zones, in particular, delivers fast focusing thanks to the on-sensor phase detection AF.
The Wide/Tracking mode is a combination of the Wide mode (during AF-S), in which the camera automatically identifies and tracks the area in focus across the 77-point AF area, and
- the predictive Tracking mode (during AF-C), which uses the entire 77-point area to continue tracking a subject. This feature enables continuous focusing on a subject that is moving up and down, left and right or towards and away from the camera.
- The Single Point mode divides the focus area into smaller sections to accurately determine the distance to the subject for greater focusing precision. The working range of the on-sensor phase detection AF has been improved from 2.5EV to 0.5EV so phase detection AF works at high speed even in low light conditions or on a low contrast subject.
- The camera features Eye Detection AF, which automatically detects and focuses on human eyes. The function allows you to easily focus on the eyes even in difficult conditions – when shooting a portrait with a very wide aperture to obtain strong bokeh effects, for example.
- The Auto Macro function automatically activates the Macro mode while maintaining AF speed, eliminating any need to press the Macro button to capture a close-up. This allows you to re-assign the Macro button to a different function.
- The optimised algorithm delivers a smoother and more natural AF action during video recording.
- With the combination of the phase detection AF data and subject motion predictive AF, the camera is capable of continuous shooting with AF-C at up to approx. 8.0fps.
(5) 18 high-performance FUJINON X-mount lenses that deliver premium image quality and expand the scope of photography
The very latest digital technologies have been used to develop X-mount lenses, which offer high-precision optical designs to deliver the highest possible image quality. When designing the lens range, the aim was to achieve edge-to-edge definition for high-resolution imagery across the entire frame and offer the brightest possible maximum aperture for maximum creativity, while maintaining a compact and portable size. The current line-up of 18 lenses ranges from ultra wide-angle to telephoto, including five fast aperture prime lenses. These lenses bring out the very best image quality from the X-T10. Optional accessories such as mount adapters and macro extension tubes further broaden photographic potential.
(6) Perfect your photos with Film Simulation modes and other creative features
Fujifilm’s unprecedented image quality has been created through 80 years of development of photographic films. This technology helps the camera to reproduce warm skin tones, bright blue skies and rich green trees, just as photographers remember the scene. The X-T10 features the latest CLASSIC CHROME Film Simulation mode, which delivers muted tones and deep colours. Users can choose from ten other modes that simulate the effects of traditional Fujifilm films. These include colour reversal film effects (VELVIA/PROVIA/ASTIA), professional colour negative film (PRO Neg.Std / PRO Neg.Hi), monochrome filters (MONOCHROME, Ye filter, R filter and G filter) and SEPIA.
Advanced Filter functions are also available on the X-T10. Users can choose from eight different artistic effects:
Pop Colour – Emphasizes contrast and colour saturation.
Toy Camera – Creates shaded borders as if you were taking a photo on a toy camera.
Miniature – Adds top and bottom blur for a diorama or miniature effect.
Dynamic Tone – Creates a fantasy effect by boosting tones.
Partial Colour – Retains one selected original colour and changes the rest of the photo black & white. Colours can be selected from red, orange, yellow, green, blue and purple.
High Key – Enhances brightness and reduces contrast to lighten tonal reproduction.
Low Key – Creates uniformly dark tones with few highlight areas.
Soft Focus – Creates a look that is soft throughout the whole image.
- The Multiple Exposure function offers users the chance to combine two separate subjects into one photo, perfect for adding people into photos.
- The camera’s aspect ratio can be selected from 3:2, 16:9, and 1:1 (square) to accommodate a wide range of photographic styles.
- The camera also features an ADVANCED SR AUTO mode, which recognizes faces and every scene type to automatically optimise the focus, exposure, ISO and other settings.
- Interval timer shooting for time lapse photography is available with intervals of one second to 24 hours and up to 999 frames.
- A completely silent electronic shutter that is capable of exposures up to 1/32000sec. has been added. Photos with a shallow depth-of-field can now be shot with the aperture wide open on snowy fields or the beach under clear skies. As there are no mechanically operated parts, candid shots of animals and sleeping babies can be captured more easily than ever before.
Other features include the Digital Split Image for precise manual focusing, and Focus Peaking, which highlights high-contrast areas of the subject’s outlines. These areas can be highlighted in white, red or blue, providing a focusing guide even when photographing a scene that’s tricky to focus on.
(7) Full HD video with the X-TransTM CMOS II sensor
- 60fps smooth Full HD movies can be shot with the X-T10. 50fps, 30fps, 25fps and 24fps frame rates are also available.
- Film Simulation modes, including the latest CLASSIC CHROME, and detailed white balance setting is also possible.
- Manual exposure can also be set during movie shooting. Aperture, shutter speed*11 and ISO sensitivity can be changed enabling movies to be shot using an exposure of the user’s preference.
- High-speed, high-precision focusing is made possible by activating Intelligent Hybrid AF, which switches between phase-detection AF and contrast AF according to the scene, even during movie shooting. Manual focus is also possible.
- Six types of scene recognition functions can be used, or it can be left up to the camera to capture beautiful movies.
- A high bit rate of 36Mbps enables high definition capture of delicate movements.
(8) Built in Wi-Fi for shooting from your smartphone or tablet devices*12.
- By downloading the free FUJIFILM Camera Remote app to your smartphone or tablet device, users can use the Remote Control function, which allows a wealth of control, even from a distance. This functionality is great for a wide variety of shots, including group photos, self-portraits and animals in their natural habitat.
- Photos and videos can be sent to devices such as your smartphone with an easy one-touch operation. Pictures and videos on the camera can be browsed, selected, and imported using your smartphone, all without the hassle of inputting an ID or password. It is also possible to add location information acquired by the smartphone or tablet to the image.
- Photos can be sent directly from the camera to the Instax SHARE Smartphone Printer for instant Instax prints.
- Wi-Fi® Transfer*13 is supported, enabling wireless backup of the data to a computer*14.
(9) Premium accessory line-up
- Leather Case BLC-XT10
A stylish authentic leather case that has a wonderfully tactile feel and perfectly suits the X-T10’s classic design. With the X-T10 snugly protected, you can even change batteries without removing the camera. A matching leather shoulder strap and protective cloth are included.
- Hand Grip MHG-XT10
To increase the camera’s grip. Both battery and memory card can be swapped with the grip in place. Additionally, a tripod screw hole can be placed in centre of the optical axis and the base parts are equipped with a 38mm width dovetail protrusion plate, allowing use as a quick shoe mount when using a dovetail groove tripod pedestal.
- M Mount Adapter for additional lens compatibility
- Macro Extension Tube MCEX-16/MCEX-11
Two tubes (16mm and 11mm) are available for fitting between the camera body and an interchangeable lens to enable high magnification macro photography.
- Shoe Mount Flash
There are three types of FUJIFILM external flash, all of which are capable of high-precision TTL auto flash control. The EF-20 and EF-X20 both have a guide number of 20, while EF-42 has a guide number of 42.
- External Stereo Microphone MIC-ST1
Make realistic voice recordings for your high-quality Full HD videos.
- Protector Filters (PRF-39, PRF-52, PRF-58, PRF-62, PRF-67, PRF-72 and PRF-77)
- DC coupler CP-W126
- AC adapter AC-9V
- Remote Release RR-90
*1: Market leading viewfinder magnification ratio. Approx. 0.62x magnification 50mm (35mm format equivalent) at infinity and diopter set to -1.0 m-1.
*2: Fujifilm research as of April 2015.
*3: X-Trans is a trademark or registered trademark of FUJIFILM Corporation.
*4 In CH mode, focus area is limited inside of central 3×3 in Single point and 5×3 in Zone and Wide/Tracking.
*5: Extended output sensitivity.
*6: Unique signal processing technology that reproduces the sharpness of images blurred by diffraction, etc.
*7: When a fine image that should be sharp is blurred when using a stopped down the aperture.
*8: Fujifilm research based on CIPA guidelines using the X-T10 equipped with XF16-55mmF2.8 R LM WR lens in High Performance mode as of April 2015.
*9: Equipped with XF27mmF2.8 lens in High Performance mode.
*10: MF mode.
*11: Aperture and shutter speed can be changed during shooting. Only shutter speeds faster than the set frame rate can be set.
*12 Android™, smartphone and table devices, iPhone / iPad.
*13 Wi-Fi® is a registered trademark of the Wi-Fi Alliance®.
*14 Requires advanced installation of the free dedicated software FUJIFILM PC AutoSave to your computer.
The FUJINON XF90mmF2 R LM WR is a fast-aperture prime lens that delivers ultra-sharp images with rich bokeh even at the maximum aperture setting. The optical construction of 11 elements in 8 groups (including three ED glass elements) minimises vignetting and creates beautiful bokeh thanks to the rounded diaphragm, which makes it perfect for portraiture as well as other applications.
Despite having a large maximum aperture, the FUJINON XF90mmF2 R LM WR is both compact and, at 540g, lightweight while the minimum working distance of 60cm delivers a wide shooting range. A newly-developed Quad Linear Motor delivers fast, accurate autofocus, plus the lens also features a weather- and dust-resistant structure that can work in temperatures down to -10°C.
Along with the popular XF56mmF1.2 R, this is a must-have lens for portrait photography fans that favour fast aperture prime lenses. The focal length allows you to shoot at a distance that won’t intimidate subjects, leading to more natural, candid results.
*1 35mm format equivalent
(1) Ultra-sharp images even at the maximum aperture
The optical construction comprises 11 elements in 8 groups, including three ED (extra low-dispersion) elements, which reduces chromatic aberrations to deliver sharp, rich images even at the widest aperture of F2.0.
(2) Beautiful bokeh
The rounded aperture blades combined with an optical construction designed to minimise vignetting creates beautiful circular bokeh right to the edge of the image. In addition, stunning depth is possible in images thanks to the differentiation between the razor-sharp subject and the bokeh in front and behind it.
(3) High-speed autofocus as fast as 0.14sec*2 thanks to a newly-developed Quad Linear Motor
A linear motor is fast, quiet and accurate, but here four magnets are used for higher torque. The high-speed autofocus provides a more versatile shooting experience, allowing users to quickly react to subtle changes in a subject’s facial expression.
*2 Complies with CIPA (Camera & Imaging Products Association) guidelines, internal measurement, during high performance mode.
(4) Close focusing to 60cm and 0.3x magnification (35mm format equivalent)
The close focusing capabilities of the FUJINON XF90mmF2 R LM WR allow you to isolate key parts of a subject so you can shoot dramatic portraits or close-ups of flowers and insects.
(5) Weather, Dust, and Freeze Resistance
The lens features a weather- and dust-resistant structure with seven seals on the lens barrel. It can also work in temperatures as low as -10°C. This keeps the lens protected from rain, dust and splashes of water when shooting outdoors.
(6) Lightweight and compact
The lens weighs approx 540g, and is compact too, with a filter thread measuring just 62mm. The combined weight with the XF56mm F1.2 R is less than 1kg – great news for portrait photographers who want to travel light and still shoot with prime lenses for sharp images and strong bokeh.
The Fuji X-T10 and the 90mm f/2 will be available to touch and hold in Demo form at Cambrian Photography Show on the 23rd May http://www.cambrianphoto.co.uk/
I still shoot film and in a way love film more every year. I have just picked up a Nikon F100 Film Camera for £150 second hand from Cambrian Photography combined with a 50mm 1.8G lens also second hand for £99. I now have the perfect fast action Street film camera. This camera is stunning its also in fantastic condition and cheap as chips, as I remember this camera was around £1200 new.
Everyone knows I only shoot Fuji Camera’s for Digital, but I shoot all different makes of film camera from Nikon Fm2, Olympus OM10, Fujica St750,Nikon F100, and quite a few others. I also love the old 120 roll film cameras without names that I find on my travels.
I just love to get out and shoot Street with film. I love the discipline of shooting 12, 24, 36 exposures and love the imperfections that can happen with the use of film. When I picked up my F100 from Cambrian I picked up a couple of rolls of out of date Ilford Xp2 Super, cheap to process in C41 and great for some nice grain. I could not wait to get out and shoot some Street.
I hardly ever show my film images, it’s a long story why, but to cut it short many years ago I lost all my printed images and negatives in a flat fire. Years and years of work all gone in a few hours. I lost a lot more than that in that fire, I lost a vinyl collection that included the first record I had ever brought and lots of other items of sentimental value.
I learnt a lot that day about possessions and it changed the way I see my photography and life to this day.
My love of photography is the act of going out and creating images and being out there on the streets teaching and connecting with people. The images that I have shot a week ago or a year ago don’t have much meaning to me unless I have an emotional connection with them so after a while if I lost the lot again I would not be as upset as I was the first time it happened. The images that do mean a lot to me however are backed up off site so they are always available !
The reason I don’t show my film images on social media or to anyone else is the simple fact I want them all to remain pure ! Sounds crazy, but I don’t want them to be judged by others or commented on. I want these images just for me. I am only showing these few today due to the fact this was the first roll of film I put through the F100 so it was just a test roll.
I love to go out and shoot film with a variety of cameras it makes me re think my work and also slows me down and makes me look. I get into a very fast Street rhythm and at times its to fast so changing cameras makes me see so much more. Every time I get used to shooting with one film body I will take a different one out, even though I know them all inside out just the change is refreshing.
I also find its so refreshing after a day out shooting film there is no rush to edit, you can go home sit down and have a nice cup of tea, you don’t have that urge to get the images off the memory card to see what you shot ! You have to wait.
I don’t develop or print my own any more, I leave that to Cambrian Photography and only take the film over to Cambrian when I visit for Workshops etc, this way its quite exciting to see what I have on the contact sheet when I get my film back.
I normally just get a contact sheet with the images scanned to disk and then from that point, if I like what I see I will progress to larger hi res scans or prints. Its not as expensive as some people think and this roll of 24 exposures film was £4 and it was £6.99 for developing and scanning.
I went out with my F100 and my X100T with Jim Moody the guy in the image above to have a wonder around Liverpool and shoot some Street. The images from my X100T were off the memory card and on to Facebook within and hour of getting home ! I even said to myself I am sure I shot more than that ! It was then I released I was shooting film as well.
I also changed rolls part way through the day, so I still have a few images I will forget about over the next few weeks. So it will be a nice surprise next time I take a trip to Cambrian.
If you have not shot film for a while or your have never used a film camera its worth the time and effort to get a second had camera and a roll of film and get out and have a go.
If you have a young family film is great for the children and it teaches them vital skills for the day they pick up a digital camera. I have a few friends that have introduced their kids to film and they are loving it, one lad has just gone of to UNI to study photography and has not shot digital yet ! I will never stop shooting film and the best bit of shooting film is the simple fact that when I am dead and gone all the images on my hard drive will be lost forever but the prints and negatives will be there for my boys and their family’s to look though and enjoy !
The colour images that follow are just a few that I managed to save from a snapped off roll of film from my FujicaSt750.
I just love the imperfection on this roll, it was also the first roll of colour film I put through this camera. There is something about the imperfections in photography that make me want to shoot Street more than any other subject, so combining my love of Street with my use of film just has to be done..
My 2014 Portrait Project became what I can only describe as complicated, this was for many reasons. One reason was arranging times when it was a convenient time for both my subject and I to be available for a shoot, it became quite apparent very quickly this was going to be a big issue. The weather also had a big part to play in the timing of shoots and it was too nice or two wet for some of the planned shoots. I also quickly decided shooting planed portraits was not for me. I love to shoot people but in a more candied reportage style, so the whole project started to go downhill from day one. But I decided to continue with the project and just see how it progressed.
If I ended up with just a hand full of images but learnt a lot from my project the whole year’s project would have been worth it. But hardly any progress was made over the first few months, I said to myself over and over again, never again….
Every project I start is for a reason and this project was designed to not only take me out of my comfort zone shooting people I had first met on the Internet, but also shooting people I had not met at all and only ever spoken to via social media. There were a couple of exceptions, an old friend Sam and her husband Chris who approached me at the start of the year. Sam does not like having her photo taken but wanted to step out of her comfort zone and have her portrait taken by me this year. How could I refuse, Chris ended up having his portrait taken as he waited for me to finish shooting Sam, the best part of this story is, Chris has now brought a camera and taken up photography. Looks like Sam will have to get used to having her portrait taken!
One thing I found out very quickly was trying to pin someone down to shoot them at a date and time was almost impossible, this alone made me want to throw the towel in from the start. I love street photography and event photography it’s the spontaneity that gets me excited, I just love it when all the elements of a great shot fall in to place. Trying to get a subject to be in the place they wanted to be, to be shot how they wanted to be shot on the right day at the right time in the right dress, with the right light was almost impossible !
On one occasion I was due to meet my subject at 9am, but after a few Facebook messages and phone calls they did not arrive until 1pm, by this time the light was useless and the planned location was in the wrong direction to the sun and it was pouring with rain. We had to wait for the rain to stop then shoot a new location. By the time we got the shot it was nearly dark. This was a big learning curve for me. Did I want to spend a whole day shooting one subject for my project! The simple answer was NO!
One Lady came all the way from Australia and was very much out of her comfort zone when I shot her image so thank you Linda.
I love all my projects, making each project last a year was a good move, it gives me time to completely hate the whole project and to want to throw in the towel, but when the mojo comes back to then pull yourself out of that hole using the towel as a rope !
I now know I hate shooting planned portraits, I can’t think of anything worse than trying to organise and plan a shoot with people you have not met and may not meet again. I found out the British weather is just as unpredictable as I thought it was. I found out getting people to relax for their portrait was very complicated and required a lot of work, most of the shoot in fact was taken up with getting the subject to relax. I have noticed even with some of the best portraits I have ever seen there is sometimes a look in the eyes of boredom or mind wondering! I have always hated that look, in street I always look for those few seconds before eye contact to try and make the shot.
I was lucky to be able to shoot a couple of my subjects as they worked; this made the whole process much easier. On the whole people are quite hard to work with as subjects, the more creative they are the more difficult this becomes.
Don’t get me wrong some people are great and I would like to say thank you to all the people who have allowed me to shoot them and use their portraits in this project. It was a pleasure to shoot you all and in some cases quite a laugh. Some people I could not shoot and this was more down to both my work commitments and theirs, as well as the distances we would have to travel.
I have learnt quite a lot from my project I can now use in my street and event work, I also have far more confidence in asking random people for a portrait than ever before! I have always been able to ask people for portraits but, not always had the confidence with some types of people at the important times. I won’t let these given moments pass me buy any more. I probably won’t shoot this type of portraits again but if do, I will plan at least a day or half a day for each shoot.
I have also found the Fuji X cameras are just perfect for Portraits, the XPro1 is my favorite, it slows me down and makes me think and also relaxes my subjects a lot more than a huge great DSLR in between my face and theirs. The Fuji X-T1 is also great when you want to speed things up when you can see the subjects mind wondering.
So in the end I managed 14 images, not as many as I thought but more than one a month so not to bad.
So that’s the 2014 project out of the way now for my very exciting 2015 street project…