Last year as part of a Facebook Group Home Project I decided to shoot Jane’s Second home her Allotment Plot. This was shot over a 12 month Period in 2018 and was shot on the Fujifilm GFX50s with 32-64mm lens and it was also shot in Colour with minimal editing using Classic Chrome. I could not give this Project as much time as I would have liked but I managed to get enough images for a book and at some point in 2019 I will sit down and make the book. As soon as I started the project I realised the wider Project could have been a study of all the plot tenants and not just Jane but I barely had time to shoot jane and her plot.
I won’t bore you with any more words here are the images from The Plot.
If you read my previous blog post or watched my YouTube video you will know I have just been to Ireland for the first time in years.
I had a rough time in Ireland with my health so did not achieve all I wanted but had a relaxing time apart from the times I was kept awake all night with Gallstone Pain.
I was going to shoot lots of video but did not feel up to it so there is just a short film on YouTube this time.
My previous blog post was all about the iphone and how amazing it was to have with me so that I could shoot, process and upload the images in seconds.
This is just post it just to share a few of the images I shot in Ireland with the Fujifilm X100F my favorite camera in the Fujifilm range for so many reasons and even though I have just brought two X-T3’s for Landscape and Video they will never beat the weight and ease of use of the X100F.
I really did not want to be carrying a tripod and bags of gear with me everywhere I went in Ireland so kept it really simple. Canon G7X MKII in my pocket for video and back up, X100F over my shoulder and iphone in my pocket.
I have to confess to mostly using the iphone and then second came the X100F and last the G7X.
We were blessed with Storm Ali whilst we were in Northern Ireland so managed to get some interesting shots of the Giants Causeway and with storm force winds it was quite a challenge at times.
I used the X100F with a Lee Filters 0.9 Grad handheld in front of the lens just to darken the sky and keep the spray off my lens on most of the shots.
We had an amazing time and now I have to put together a workshop on Achill Island with Matt Walkley so will leave you to look at a few of the images I made with the X100F.
2017 has been my year of Colour project and it’s not over yet !
It finishes on the 31st of December and I cant wait, I have only taken a hand full of black and white images and they were taken over the last month or so. I feel like a sprinter stuck in the starting blocks for 9 months ! I think in a way it’s a good thing as I am bursting with black and white creativity I want to get out of my system.
As for colour ! I never really have liked colour and on my recent trip to Scotland I had some time stuck in my camper on the really bad weather days to reflect on the Year of Colour project so far. I started the year hating colour and I will be ending the year really hating color ! I was hoping to come out of this year with a colour style as well as more understanding of colour. I do have a better understanding but the colour style is a sticking point.
I understand that every day light is diferent and even the weather the light and the time of day has a bearing on the scene, so shooting on Auto colour balance will give you a neutral look but it won’t give you the consistency within the dynamic range.
I am a very lazy editor and only want to spend 3-6 min per image in Lightroom or Snapseed and one thing I know I should like but don’t is presets ! I don’t understand why I don’t like them I just don’t and I think the only way I could get colour consistency and style would be to start making presents. The downside to presets for me is the fact I use quite a few diferent camera bodies with different sensors so I would have to make a preset for each sensor and I really get fed up when the preset makes all the wrong changes and I then have to spend longer fixing the issue. So I don’t use presents and I don’t think I want to !
My black and white work for the last 10 years has all been without a single preset and just processed by eye, it’s all very consistent and apart from the blacks getting deeper with the mood of the scene or my mood they just seem to work !
I am not sure I will pursue colour in to 2018 but if I do I think I need to start to learn Colour Grading for Style ! The downside to this is every film ever made is colour graded for that style of film ! So for me to colour grade and try and find a unique colour style is a pain in the arse ! It used to be so much easier with Film !
You might have noticed there were quite a few rainbows in Scotland this month !
I have just sold quite a few cameras and lenses and started to reduce my Fujifilm kit to make way for possibly the GFX50s but am still deciding. However I have now brought an XT20 and sold my X-T2. The X-T2 was great but I just do not need it anymore because I am stopping shooting events. The X100F and the X-T20 and the XPro2 work so well together and do have more consistency as they all have the same sensor so I might look in to Colour Style over the next three months and give you more details at the end of the project. I know this combination of cameras works so who knows.
I do feel at the moment I will be returning to Black and White next year, but we shall see.
Is it day 3 already !
I decided to take the GFX in to town (Liverpool) with me for a little walk around, again no tripod and the 32-64mm Zoom, just wanted another day with a camera over my shoulder and no bag.
I decided to shoot for Colour today following on from yesterdays black and white work, just to make a change and make me look for more interesting shots involving interesting colours.
I first went in to Bold Street Coffee my favorite coffee shop in Liverpool, I love this place the coffee is amazing and so is the fruit toast. Its not the largest place but you can always get a seat, I have never waited more than a few minutes. Great place to sit and think before you walk round the city. There is always an Exhibition on in the cafe this time it was painted skateboards.
I then walked down Bold St to Resurrection and noticed the have a new Cafe and Barbers upstairs. I took the shot more as a reference shot to remind me to come back when the upstairs window is more interesting. Whilst I waited for the foot fall to drop to get a decent balance I noticed the guys both in their phones at each end. I can’t get over the detail this camera shows even in web sized images. When zooming in on my Mac I am blown away. So much so that I am going to have to buy one !!! Yes its only day three and I am totally bitten by the GFX bug.
I did say there I can’t see a place in my workflow for this camera when it first came out because I have up my pair of Nikon D3s Bodies to go small ! I have decided I am going to keep my XPro2 and my X100F with the set of f/2 primes and sell the rest of my kit to fund the GFX ! This is not just a Game Changer it’s a Rule Breaker ! It should not be this easy to use a Medium Format camera in the Streets ! I have some new plans for the next few years I want to start shooting more Street for myself for personal projects and always want to Explore Cityscapes and Landscapes with simple editing in Lightroom with no PS work. This is the camera to give me my passion and creativity back in that direction due to the amazing detail.
I do love a good Pret ! I shot this image because of the poster and the guy’s arm pointing at the girl giving a lead into the shot. We get too close sometimes in Street photography and miss all the great Street Scenes. If you look at the crop below you will see what drew me in to the scene.
I finished my walk around the city just looking for interesting colours and scenes that interested me and started to shoot them. The GFX itself was not even a concern. But not having it in a bag in some areas I walked through did make me think this is 8K around my neck. Not a real problem and in Liverpool as it always been a very safe city. But there are some places in the UK I would feel uneasy. Will it stop me buying one no. It just means I will need a new bag !
I am off to Wales tomorow so days 4,5,6 will be online by Sunday night, and next week I am shooting a Video so my posts might be a bit slow. But I will aim to put a GFX post on every day until the Hire is over and I have send it back and start sulking.
In the images below the detail in the lady’s hair is stunning !
As quite a few people know I am changing the format of my workshops in 2018 so if anyone wants to take part in the present format, please choose one of my Street Photography Workshops from the list below.
This is the format for 2017.
The workshops will encourage debate about Street Photography and help the participants to be more critical about their work.
The workshops are suitable for professional and amateur photographers of all levels. We ask you to familiarise yourself with using your camera and learn how to change settings quickly before attending the day, this will enable you to enjoy the experience fully.
The day will start at 10.30am and conclude at 16.30pm with a break for lunch and plenty of comfort breaks throughout the day, most of the day will be out on the streets. There is a lot of walking during the day and the event may take place in inclement weather so come prepared.
You will spend the day with myself exploring the streets picking up tricks and tips on my style of Street Photography throughout the day. My Street photography workshops and courses are fun, informative and relaxed. They are both challenging and highly enjoyable and designed to stretch your imagination.
I uses the Fuji X100F and XPro2 with a 35mm or 16mm Prime lens.
You can bring any DSLR or mirrorless camera on this course; fixed lens compacts are also welcome. If you are wondering what lenses to bring 50mm is ideal for full frame and 35mm film uses. APSC size sensors 35mm is ideal or lenses around the normal focal length.
The day normally starts at 10.30am with a coffee introductions and a discussion about the day. We will touch on the ethics and law and how to deal with challenges in this area.
Next we will discuss camera set up for the day and the best set up for street photography with a practical demonstration of street camera technique.
Matt will cover what Street Photography is, and show you some of his favourite Street Photographers images. He will also show you the best way to approach his style of Street photography.
We normally spend around two hours covering these subjects then around 12.30am we head straight out on to the streets where you can watch the way Matt works and try out some of the tips and tricks that he shares with you.
We break for lunch around 1.30pm where we can find a quiet place for a snack to discuss the mornings work and share our experiences.
We then go back out on the streets to practice your new street techniques and try and find your street rhythm and look for some interesting characters or great light!
We stay out shooting until about 4pm, we then find a quiet place to sit as a group to discuss the day and this will include lessons learnt. Matt will share his processing techniques and preferred software. Matt will give you his views on Critique and show you how to review your own work.
I know the majority of you guys that read my blogs and attend my workshops are Fujifilm users but for all you that have other brands of camera please feel free to book on any of these workshops as all camera brands are more than welcome.
Here are the available dates left this year, please click on the dates for availability:
These will be the last Street Photography Workshops in this format at this price.
I have some interesting ideas for Locations and Styles of Workshops for next year, these workshops will be a little more complex so require a lot more planning.
I will advertise the 2018 Workshops around about October time.
I will be leading the Fujiholics Photowalks in London, Edinburgh and Bristol this year so make sure you sign up before all the places are gone. We have over 350 people signed up for London already.
Hope to see some of you on a Free Walk or Workshop and if you are a Fujifilm shooter then our new Facebook group might be for you here.
Here we are four months in to my Year of Colour and I am struggling !
I always thought it would be hard thats why I chose to take it on as a project, but this has been so much harder than I thought but mainly because I have been so busy. I have hardly been able to get out and shoot any personal work so have just had to grab a few shots on my workshops and walks.
I have found out as expected colour is complicated! I have always realised that and found it very difficult to match the colour to my mood and style. I think it was a lot easier back in the film days you chose a film for your style or job and just went out and created. Well I did, because I chose colour transparency film so did not have much say in the initial process. I guess that’s another reason I went black and white in the early days.
With digital you have so many choices from camera to software it’s just a minefield but I think I made a small breakthrough yesterday on a workshop.
I started off this project with the XPro2 and the X100F as my main cameras and now I have decided to just use the X100F for the rest of the project as best I can.
I have been going between RAW and Jpeg and then changing my mind again but now I have decided to shoot Jpeg and Raw and start playing around with the Jpeg settings in camera on the X100F. This way hopefully I will have a few choices at the editing stage, I have struggled to get a Jpeg image to look how I want it to look and prefer RAW with a very simple Lightroom conversion but I still feel I am missing a trick with Jpegs.
So it’s time to start experimenting. I can’t do that chopping and changing between cameras, the X100F is going to get some serious use this year.
Consistency without pre sets is going to be my main bug bear as I have an amazing black and white workflow that just works. With colour it’s more dependent on the quality of light on the day and the colour temperature of the light so that has become a big issue for me. I have been falling out with colour in a big way over the last couple of months so much so that I was starting to hate it.
But then I shot the image above and started to look at colour in a whole new way. I realised I was thinking in terms of Digital and not Film and the closer I could get to the film or Cine look the better. I think colour trends change and people do like saturated mad colours but I dont think thats me. I have always liked the way RAW files looked except they are flat and lifeless but with a few tweaks they come alive.
So I need to explore if I can get the same feel in camera with Jpegs, I am not holding up much hope but by shooting Jpeg and Raw I have kept my options open.
Thank you Fujifim for Film Simulations, I am going to play with these over the next couple of months and see what happens. If it drives me nuts I have the RAW files to fall back on.
This image changed it yesterday. The colour of the shop front and the guys shirt were a close match so I wanted to capture this in RAW and make some simple changes to get the image to look how I wanted in Lightroom. I then set about getting the camera set up to look like this on the rear screen or as close as I could get it.
I then did the same with this image, it’s just a crazy experiment trying to edit a shot before you take it in camera but thought I would give it a go.
My dream is to not need to use Lightroom to edit so it’s about time I started playing around to achieve the end goal !
Way back in 2013 my project was A Year of Black and White and this was to explore my digital black and white photography in many ways and to see what I could learn in a year. I mainly wanted to learn how to process black and white files and try to find a style that would suit me. It was a great success but as time goes by and we get older our tastes change.
I did not think in 2017 I would be doing a year of colour ! I have been thinking about it for a while now and I have decided it’s time to give it a go. If I am asked to produce Black and White images for clients then I will do but the rest of my work will be shot in RAW and processed in Lightroom and possibly Viveza but we shall have to see how that progresses.
I would love to be able to just use Fujifilm Jpegs but I am not sure they can give me the starting point I need for a simple workflow.
I could never have done this project with Nikon as the RAW files were such a pain for me to process and to find consistency with. I have noticed however the Fujifilm RAF files are almost where I need them to be be to create a colour style. I could be mistaken but this is what 2017 will all be about.
So on the 1st of January 2017 I will start the project and it will finish on the 31st of December 2017, I have not quite decided where I am going to start putting the images apart from social media as I hate mixing black and white and colour so I need to think about this over the next couple of weeks.
I hope to come out of 2017 with a more consistent colour workflow and a more interesting colour style. I also want to explore Colour Street photography through my own eyes.
Black and White Street photography has always been an amazing storytelling medium and I have always found colour quite annoying, but as I get older its growing on me.
My colour work has always been a bit abstract and a little loud and I have toned that down for people but that means I have fallen into the trap of pleasing the viewer and not myself. Its now time to change all that and work out what works for me.
I am quite looking forward to it and in a way it’s quite exciting and as with my Year of Black and White I will have the RAW files in 2018 if I need to process any images into black and white.
One of my favorite Street Photographers is Saul Leiter and I know his style has inspired me so now I need to explore colour for myself and see where it takes me.