GNARBOX Announces ‘GNARBOX 2.0 SSD ’ Kickstarter Campaign
The leader the in field backup market announces the release of the second generation to their breakout product via Kickstarter; along with debuting key integrations with Adobe, Dropbox, and LumaFusion.
(Los Angeles, CA) – MYGNAR INC., the developer of rugged backup devices for cameras, pr oudly announces a Kickstarter campaign to support the development of the second generation of their core product GNARBOX , launching globally on April 3 2018 .
GNARBOX 2.0 SSD is a rugged backup device for content creators who prefer to travel without a laptop. Unlike other portable hard drives, GNARBOX has assembled an ecosystem of mobile applications that serve the professional workflow in the field.
“We believe in making the creative process easier for anyone with a camera. Since the launch of GNARBOX 1.0, we’ve worked with our active community of photographers and videographers to understand the goals of content creators.” said Tim Feess , co-founder and CEO of MyGnar Inc. “GNARBOX 2.0 SSD is designed for professionals who want to reliably back up their cards in the field and advance their mobile editing workflow. The goal is leave your laptop at home and streamline a process that can otherwise be a burden to creativity. With this product, you can get more work done in the field so you spend less time at home in front of your computer. you get home to your computer. It’s water, shock, and dust resistant , yet packed with the power to review RAW photos and render ProRes videos while in the field.” continued Feess.
Since shipment of its first units in Spring 2017, GNARBOX is quickly becoming the industry-standard mobile workflow platform for on-the-go content creators. The market for backup devices has expanded in early 2018 with the introduction of the Western Digital MyPassport Wireless Pro SSD and LaCie DJI CoPilot. GNARBOX 2.0 SSD will be the highest-powered, most versatile, premium option on the market. With software tools for creative independence, hands-on customer support, and the most third party integrations on the market, GNARBOX has demonstrated its clear position as the leader in this space.
New to the redesigned GNARBOX is an on-box OLED display and button array, allowing users to backup files faster than ever before. When a card is detected, the box prompts you to kick off a transfer with the single press of a button. With a second tap, you can direct the transfer to a preset folder tree for automatic organization. This new tool is designed to save creators meaningful time in the field, and add needed reliability to their creative process.
GNARBOX 2.0 SSD is proud to offer key integrations with widely-used software tools, including LumaFusion, Adobe Premiere Pro, Adobe Lightroom and Dropbox:
- ● GNARBOX + LumaFusion Integration : GNARBOX integrates with LumaFusion by leveraging its processing power in support of the most powerful multi-track timeline video editor available on iOS.
- ● GNARBOX + Adobe Premiere Pro/Final Cut Pro Integration : GNARBOX integrates with Adobe Premiere Pro and Final Cut Pro to create a frictionless video editing workflow that starts in the field and follows you back to your production studio.
- ● GNARBOX + Adobe Lightroom Integration : GNARBOX integrates with Adobe Lightroom CC to create a direct connection to the industry-leading photography app.
● GNARBOX + Dropbox Integration : GNARBOX can sync folders with Dropbox to create a seamless transition to your cloud storage.
GNARBOX is also launching four new mobile applications with the 2.0 product:
- ● Safekeep: The most powerful field backup experience, with tailored file/folder organization and sleek tools to manage file movement across your devices.
- ● Selects: Super-fast preview of RAW photos, making it easy to mark your selects with EXIF metadata and prepare for editing in Lightroom Classic/CC.
- ● Sequence: An accelerated rough-cut assembly app that acts as a bridge to Industry-Standard editing tools like Premiere Pro and FinalCut Pro. You can review videos, prepare bins, and send your sequences to your favorite timeline editor with the widely-used XML format.
- ● Showcase: The laptop-free way to project your photos and videos on a big screen, wherever you are.Complete Technical and Hardware Specifications of GNARBOX 2.0 SSD:
- ● Intel Quad Core, 2.40GHZ CPU
- ● 4 Core Intel HD Graphics GPU
- ● 867mbps 802.11 ac/b/g/n WiFi
- ● 2/4GB LPDDR3 RAM
- ● NVMe SSD up to 1TB
- ● SD Card Backup:75-100MB/sec write speeds
- ● USB-C Backup: 400-500MB/sec read/write speeds
- ● USB-C Computer Connect: 400-500MB/sec read/write speeds
- ● 2x USB-C, SD & microHDMI ports
- ● 4-6 hour battery life
- ● 3200mAh 7.4v removable lithium ion battery
- ● IP67 – Waterproof to 1m for 30minutes
- ● Dimension – 6.05” x 3” x 1.16” / ~1.1lbGNARBOX 2.0 SSD will offer several storage capacities in association with special pricing for Kickstarter rewards throughout the campaign, which are listed below along with MSRP:
- ● GNARBOX 2.0 SSD (128GB) – $399 USD
- ● GNARBOX 2.0 SSD (256GB) – $499 USD
- ● GNARBOX 2.0 SSD (512GB) – $599 USD
- ● GNARBOX 2.0 SSD (1TB) – $999 USDFull media kit available via the link below:CLICK HERE TO ACCESS
Each pledge for a GNARBOX 2.0 on Kickstarter will receive an extra battery along with a USB-C to C cable and custom wall plug for superfast charging.
With a Kickstarter goal of $180,000, MyGnar intends to begin manufacturing in September 2018 and shipping to backers in December 2018. International pledges are encouraged as the product will ship globally.
Three years after the first successful Kickstarter for the original GNARBOX (now aptly titled GNARBOX 1.0 ) which raised over $500,000 in 30 days, the brand has developed a strong, supportive community of experienced content creators; ranging from professional photographers, videographers, adventure/travel bloggers and even field reporters and journalists.
“GNARBOX 2.0 is a tool that we expect to be in everyone’s camera bag before long,” said Will Africano co-founder and CMO of MyGnar Inc. “We’ve heard from many of the industry’s most decorated photographers and videographers, our own community of GNARBOX users on live chat and Facebook, and the YouTube reviewers who helped share our story. We’re confident in how innovative 2.0 will be for the world of creators.”
GNARBOX prides itself on offering unparalleled customer service which includes personal one-on-one guidance and assistance from their internal teams who maintain expertise in media production workflows and troubleshooting. In addition, GNARBOX also crafts workflow-specialist-led tutorials and reviews designed to support the skills and development journey of a streamlined content creator via Youtube.
An active community of production industry experts also supports the GNARBOX Ecosystem with reviews and testimonials, including support from Chris Burkard , UnboxTherapy , Peter McKinnon and PhotoJoseph . GNARBOX Insiders , a forum-like Facebook community , gathers creative individuals dedicated to streamlining their workflows; connecting GNARBOX users and sharing their latest content and workflow tips and tricks. Insiders also provides an exclusive look at software and product releases before they are publicly announced.
In 2017, the GNARBOX Pro Team was introduced as a group of photo/video professionals who are both creators as well as educators. As Pro Team members, they actively aid in creating public conversations around GNARBOX, and provide GNARBOX-related education at workshops and industry events.
The original device is now referred to as GNARBOX 1.0 with differentiating storage versions of 128GB or 256GB. This entry-level GNARBOX will continue to be supported and will see the same software improvements from future 2.0 software releases and updates. GNARBOX 2.0 SSD will provide significant improvements to backup speeds, transcoding times and on-board functionality that are not available to GNARBOX 1.0. There are currently no plans for an upgrade or trade-in program.
With single-step backup, fast file review and culling, and integrated access to professional editing software, GNARBOX 2.0 SSD will save content creators time and make them more reliable creators.
Designed for S treamlined Content Creators w ho produce content while on-the-move, GNARBOX 2.0 SSD is a rugged backup device for content creators who prefer to travel without a laptop. Unlike other portable hard drives, GNARBOX has assembled an ecosystem of mobile applications that serve the professional workflow in the field. G NARBOX is a creative technology company based in Los Angeles. It’s backed by an active community of content creators and develops products and solutions to revolutionize the multimedia management experience.
ABOUT MYGNAR INC.:
Guided by the leadership of co-founders Tim Feess and Will Africano, MyGnar Inc. conceptualizes and produces breakthrough innovations for content creation and distribution. Their mission is to make the creative process as seamless as possible for anyone with a camera. Through creative storytelling, strategic partnerships and investments, MyGnar Inc. continues to roll-out new technologies and products that enable their core values of creativity, community support and adventure to be replicated by their valued customers at all levels of interaction and exploration.
Told By Thomas
Black and White Editing.
I like to keep my Black and White workflow as simple as possible and have refined my systems and processes over the last ten years. I use Lightroom CC and Silver Efex Pro 2 for all my black and white images. I shoot most of the time in RAW but this process is just as effective with Jpegs, you just have less latitude with the Jpeg file. SEP2 is part of the Google Nik Collection and was made free to everyone last year.
My workflow is simple and after a day out shooting I pop my memory card in to my MacBook Pro and copy the images in to Lr CC this is where I view the images and make my selections. I might shoot 40-60 images in a session or more but I normally only end up with 3-5 keepers if that. Once I have made my selections I then open each image in turn in SEP2 for conversion to black and white. After a few small slider movements I import the image back in to Lr for some final editing and then star rating this whole process takes less than 3-6 min per image.
I view each image on my 27” Eizo Monitor, the monitor is calibrated regularly even though this is a black and white process I need to see every tone between the black end of the spectrum and the white end. If you don’t have a calibrated monitor or an old monitor its best to buy a new up to date LED type monitor as these are great out of the box. You can download a test card from the internet to check your screen, if you can’t see every band in the chart you need to calibrate of upgrade your monitor.
I will take you through my very simple workflow from start to finish with this image taken of Glenfinnan Scotland, this is the RAW file out of camera converted to Jpeg.
First I import my images in to Lr and once in Lr I then view all my images and the images I want to keep I give a one * I do this in the Library module. Once I have made my keeper selection I then highlight and delete the rest of the images leaving my keepers and these are all the ones with the one* sometimes at this point I will remove a couple of the one* images if I think the others are stronger. At times, I have deleted the whole lot.
Once selected I will then import the first keeper in to SEP2 this is a simple right click open in SEP2.
Once the image opens in SEP2, I do not touch the left-hand side of the program as this is mostly pre-sets and there is no point in opening a pre-set because I will then have to spend the next 10-20 min trying to get the image back to the way I want it from the pre-set. I only ever use the sliders and the controls on the right-hand side of SEP2 and only use the main sliders and not open them up for fine control. The main sliders I use are Brightness Contrast and Structure and I make changes by eye to every single image I open. I start at the top and work down the sliders. I normally brighten most images by about 20% then contrast about 20% and then apply quite a lot of Structure to make the images pop about 60% but this is all by eye and not an exact science. On the Glenfinnan, I am going to go Brightness 22 Contrast 22 and Structure 66.
If I need to just make controlled adjustments I use the control points so as not to cause over processing of artefacts in the complete image. This is mainly with people’s faces or complicated backgrounds with out of focus areas. I don’t need to do that in this image, I am happy with the way the image looks so I then import the image back in to Lr.
Once in Lr I switch to the development module.
I again start at the top right of the sliders and work my way down sometimes a few tweaks and at others hardly anything at all, therefore I don’t use pre-sets in Lr as I would spend most of my time correcting the changes the pre-sets make.
I always keep an eye on the Histogram for clipped highlights as these look harsh in digital images and even worse printed. I ignore the clipped blacks as these looks great when printed and I do like quite dark blacks in my images.
The first thing I do to this image in Lr is add a graduated filter to the sky and use the exposure control to darken the Sky by one stop. I then use the shadows slider to just pull back the shadows from the mountains. I then make a second graduated selection and darken the top of the sky to about half a stop.
I then work my way down the sliders Contrast +24 Shadows +18 Blacks -31 Clarity +31 and finish off with a post-crop Vignette of about -7 I would also use the adjustment brush to lighten the snow areas and darken any areas using the exposure slider. This is about the same way you would dodge and burn in the Dark Room. This is all to personal taste, I prefer my whites to be white in an image so do tend to burn in the white but without over exposing them.
I would then rate my image for personal use between 3* and 5* if I felt at this stage the image was 2* or 1* I would delete it.
The image looks quite dark in WordPress but looks great printed or on my Eizo, I hope to run a Black and White editing workshop for Fujiholics later in the year so please keep an eye open on the Fujiholics website.