This is just to remind everyone that I am with Wex Photographic over the next 3 months and have 15 photowalks and a couple of talks around the UK branches.
These are very reasonably priced and a great way to get out in your local city with like-minded people for a few hours of Photography.
Here is the link to sign up hope to see a few of you guys there.
Today I made the decision to hand back my X and become an X X Photographer !
This was not an easy decision but the timing was about right for me and my business moving forward.
So what camera system will I be moving to you might all ask ! Well the truth is I am not going to be moving to any other system, I love the Fujifilm X System and the GFX and this will remain my brand of choice.
I never ever got paid by Fujifilm to say that the X System was great and always said I only said it was great because that was the way I felt about it. But there are plenty of people that did not believe me. I can honestly say now that Fujifilm have never paid me to say the X system is great and from now on I will still be using what I feel is the right system for my workflow. I loved the X100 the day it was released and I have loved all the X Series cameras that I have used. Going back to basics when I moved over from Nikon and got the first X100 and XPro1 made me slow down and think and the sensors have always blown me away. The XPro1 was and still is as much a game changer back then as the GFX is the game changer today. The fact that the exposure triangle is where you need it and the cameras just feel right in your hands will never change and the work I have produced with the X Series cameras speaks for itself. I can’t wait to see what Fujifilm bring us in the future.
Watching all the griping and moaning about the new XH1 from all the Nikon and Canon users on social media has made me laugh over the last couple of weeks. Fujifilm have come up with a camera that you all asked for ! So why all the moaning that its too big or the grip is not right or this and that ! It’s hard to read and pathetic at times. Photography is about the image and creating amazing images with the 6 inches behind the camera not the tech that goes in to it. Video is a whole new ballgame and Fujifilm are now improving in that field as well and in time I am sure will bring us an amazing camera for Video. I really do wish people would get on with creating great content with stills or video and be proud of the work they produce and get off social media moaning and running people and companies down.
I only own one camera that is not a Fujifilm camera and its a Canon 200D and this is my Vlogging camera and will remain my Vlogging camera until Fujifilm make a camera with an articulated screen that I can use to Vlog with. I would use my X-T20 all the time for Video and Vlogging but its just takes me to long to set up, even though I prefer the images out of the X-T20 I love the ease of use of the 200D. I did use my X-70 for a while but the Rode Mic would get in the way of the flip up screen. I have used the X-T20 and the 200D side by side on some workshops and can say that the X-T20 images are always better, but the 200D is just a breeze to work with when filming yourself. Fingers crossed in the future Fujifilm with bring us a decent articulated screen and all my dreams will come true.
I have been so busy over the last few years I have hardly had any time to stop and think and even worse I have not been able to give the time I need to develop Fujiholics. I sat down at the end of 2017 and decided I needed to make changes to my business plan to give more time to Fujiholics in 2018 / 2019 and also to concentrate on my own business and get back to making images I like and not images that people expect me to make.
I have three projects on the go this year and also need the time to concentrate on my own personal work. The fear has always been that I would start to hate photography because I would spend more time in the office and less time out taking photos and last year was very much 90% hard graft marketing and I hardly shot a thing. So it’s time for change. I still love the photowalks and getting out and meeting people and I really do love all the Fujiholics what a great bunch of people and the community I believe is one of the best in the industry.
I have absolutely loved all my time with the Fujifilm UK team and the Fujifilm team around the world it’s honestly been some of the best moments of my Photography career. I have never met such a passionate bunch of people in all my life, the team really do believe in the X Series as much as we the users do and that makes them very special team.
I have lots and lots of plans for Fujiholics in the future and with the help of Richard Waine and my new Business Partner who will be revealed very soon I hope to bring all the Fujiholics some great new content and a few surprises.
So thank you to all the guys at Fujifilm you all know who you are and here is to an even more exciting future.
I guess I have fallen in love with this camera, it blows me away every time I use it and to think I left it so long before I invested ! I have always secretly wanted to get a medium format camera but I never really had the need for it or a business case to buy it, as I said in my previous post about the GFX I just decided to buy it as an early retirement present to myself, not that photographers ever really retire.
I have three projects to shoot with the GFX this year as well as getting back in to Landscape photography and this is the perfect tool for the job.
Three of the projects I am involved with will include really large prints and even though the other X Series cameras are capable of large prints they cant hold the detail as well as a bloody great images sensor in a medium format camera.
One amazing thing about the GFX is the ability to switch it to C Mode once the Lens is set to C and the ISO dial is set to C and the shutter speed dial is set to T the camera is in Command mode and the back and front Command dials act as a DSLRs command diles do and control the Speed and Aperture. Also if you push the front command dial you can then alter the ISO so this puts the Exposure Triangle at your fingertips.
The command mode gives you the control you need to dial in the exposure you require for LE Photography ( Long Exposure ).
The old way was to take and exposure and then calculate the filter factor with the current exposure time to give you the time it would take to make the exposure. Well that all just changed the GFX50s can’t do a timed exposure up to 60 minutes on its own.
Let me explain, you set up the shot focus the lens then set the lens to M to prevent it from re focusing when you press the shutter. Then you simply place the filter you require like the Lee 15 Stop in the holder and adjust the Aperture do the desired depth of field. Then you move the shutter speed all the way until the camera meters for the sceen through the filter. Once you set you then just set the self timer in the Q Menu to 2 seconds to prevent camera shake and make your exposure. You don’t even need a cable release so that’s one thing less to blow around in the wind.
This function alone as made my whole life so much easier and considering the GFX is about the same size as a D800 and my Landscape kit now consists of one camera and three lenses I am really happy. I use the GF23mm GF32-64mm and the GF110mm and this little lot is quite a light lighter than the Nikon D3s and pro lenses I used to carry and the images from the GFX are outstanding as it the dynamic range.
Right I best get back to wales and see what else this thing can do.
Wow what a great six days ! 124,000 steps around some amazing cities with the amazing Fujifilm X100F.
We Started in Leeds and ended in Liverpool. We went to Dale Photographic, Calumet, Wilkinsons,Cambrian and LCE. We carried 8 X100F bodies and a small team from Fujifilm UK Richard, Pete and the amazing John Dallas.
We ran three walks a day with three groups of up to 8 people on each session over six days and covered some serious miles.
The feedback on the X100F has been very positive and that has reflected in the amazing amount of Pre Orders.
Most of the guys that came on the walks loved the X100F and think its a good move to sell their X100 X100S of X100T’s to move up to the Fourth Generation camera. Just incase you did not know the F in X100F stands for Fourth. A few of the guys were undecided about the X100F but were very interested in the X-T20 or the X-T2 one of the guys was desperate for the GFX50S.
There were a quite a few of the guys that did not like the placing of the Q button and the fact you could knock the joystick. This was mentioned by quite a few of the Fujifilm X Photographers when the camera was out on evaluation. We will feed back the Q button issue to Fujifilm and hope they can make the change on the next version. The Q button can be locked by pressing and holding the Menu OK button but this will lock all the function buttons. Some of the guys did not like the fact the joystick would rub against their clothing and get moved, however the Joystick can be turned off by pressing and holding it down for more than 3 sec.
Its been a long six days and I am worn out now and need a nice break so will be hiding out in my camper van this weekend somewhere quiet. One thing that always amazes me about the Fujifilm family is what an amazing group of people you Fujifilm users are, so friendly and positive about the brand.
Thanks for the great company over the last week all you lucky winners and I hope you enjoy your x100F when it is released on the 23rd of February. Thanks for traveling from as far as Oban and Birmingham to spend a couple of hours with the X100F in the North West and North Wales and making the last six days so much fun. You know who you are and thanks…..
Way back in 2013 my project was A Year of Black and White and this was to explore my digital black and white photography in many ways and to see what I could learn in a year. I mainly wanted to learn how to process black and white files and try to find a style that would suit me. It was a great success but as time goes by and we get older our tastes change.
I did not think in 2017 I would be doing a year of colour ! I have been thinking about it for a while now and I have decided it’s time to give it a go. If I am asked to produce Black and White images for clients then I will do but the rest of my work will be shot in RAW and processed in Lightroom and possibly Viveza but we shall have to see how that progresses.
I would love to be able to just use Fujifilm Jpegs but I am not sure they can give me the starting point I need for a simple workflow.
I could never have done this project with Nikon as the RAW files were such a pain for me to process and to find consistency with. I have noticed however the Fujifilm RAF files are almost where I need them to be be to create a colour style. I could be mistaken but this is what 2017 will all be about.
So on the 1st of January 2017 I will start the project and it will finish on the 31st of December 2017, I have not quite decided where I am going to start putting the images apart from social media as I hate mixing black and white and colour so I need to think about this over the next couple of weeks.
I hope to come out of 2017 with a more consistent colour workflow and a more interesting colour style. I also want to explore Colour Street photography through my own eyes.
Black and White Street photography has always been an amazing storytelling medium and I have always found colour quite annoying, but as I get older its growing on me.
My colour work has always been a bit abstract and a little loud and I have toned that down for people but that means I have fallen into the trap of pleasing the viewer and not myself. Its now time to change all that and work out what works for me.
I am quite looking forward to it and in a way it’s quite exciting and as with my Year of Black and White I will have the RAW files in 2018 if I need to process any images into black and white.
One of my favorite Street Photographers is Saul Leiter and I know his style has inspired me so now I need to explore colour for myself and see where it takes me.
When Clifton Cameras do a promotion, they certainly don’t do it by halves – The #StreetLife competition was no exception to the rule! Spanning many months and encompassing a variety of different events and competitions, the StreetLife promotion was HUGE! It’s also rather in-depth, so bare with me while I try to explain.
One of the most exciting parts of the #StreetLife promo was the competitions. There were three different street photography competitions, each with a different theme and the chance to win an awesome FujiFilm X100T! There was also a prize for the overall winner, which was an all expenses paid trip to a European city to shoot street photography with yours truly.
The first competition ran from March – May and the theme was shadows. This proved to be a really popular section and there were thousands of entries in total. After some debate, the panels of judges, myself included picked this fantastic shot taken by Jim Moody.
(Image by Jim Moody)
“This was the strongest image for many reasons, being shot from above made this image stand out from the crowd, the strong angles of the buildings added to the great composition of the shot, the arrow shaped shadow pointing into the darkness makes you think, but at the same time you want to know more about the woman standing with her arms folded, making this a great Street image.”
Skip forward a few short weeks, and it’s time for section two competition which ran from early June through to mid August. This time, it’s the more difficult theme of Layers. Now, we don’t mean lengthy photoshop composition, instead we were looking for multiple things occurring in a single frame – David Goold delivered just that. A image titled “Hostage.Crisis” was picked as the winner of that round and won himself a Fujifilm X100T.
(Image by David Goold)
End of August through to start of November was the third and final section of the competition. The theme – Red. A simple one, but we gave specific instructions that the images must be kept real and red was a crucial part of the overall composition. After much deliberation, us judges agreed on Vasile Buzdugan’s entry entitled “Nuns.”
(Image by Vasile)
Alongside the Street Life competition, I ran a series of free photos walks open to anyone on the behalf of Clifton Cameras. To give everyone a chance to attend these were thrown up and down the country. The first one was on the 4th July in Bristol, the second was 5th September in my hometown of Liverpool and the third and final one was on the 1st November in London.
This is where the story gets a bit complicated. The day comes to announce the winner, after much deliberation, us judges picked David Goold’s image titled “Hostage Situation” as the winner overall. We’d all had that image in our shortlist and came to the conclusion, this superb image deserved to take 1st place.
The winner was due to be announced mid-november across social media and on the Clifton Cameras website. However, just days before, the unthinkable happened – The Paris Terror attacks. It was a huge shock to everyone and due to the nature of the image and the timing, we thought we would delay the announcement out of respect for the tragic event. We had also decided upon the european city we were going to visit, which coincidentally was Paris.
One night in Paris.
Skip forward to September 2016 and it’s time for David Goold to get his prize – An all expenses paid 1 on 1 street photography weekend in Paris.
After leaving my home in Liverpool I headed for the Eurostar where I met David. We spent the journey chatting all things photography, the plan for the next two days and putting the world to rights. Interestingly, we both agreed upon the Fujifilm Fujinon XF 27mm f/2.8 lens was our favourite for Street Photography. Oh, and we both wished for an even faster version to come from Fujifilm in the future. Running through our kit, I had opted to use my FujiFilm XPro2 armed with the Fujinon XF 16mm f1.4 WR and a FujiFilm X-T1 coupled with the Fujinon XF 35mm f/2 lens. Meanwhile, David’s main set-up was the Fujifim X-T10 with the Fujifilm 18-55mm f/3.5-5.6 OIS MKII.
It was about 1pm before the Taxi reached the hotel and we spent the journey with the windows open desperately thankful for the breeze. Once we were all checked in and sorted our first stop was that really tall building that looks a bit like the Blackpool Tower – I forget it’s name.
We set a route from the Eiffel Tower down to Champs-Elysees, then towards Arc de Triomphe followed by a walk The Louvre and we finished our 14 miles trek in a beautiful area around Folie-Mericourt. By that time sun had started to set, so we ended up going back towards The Louvre for a bit of grub and a well deserved sit down!
In those tourist areas it was really difficult to find quick pit stops to grab something small to eat and drink. Most of the places we stumbled across were subscribed to the laid back, French dining experience. We love that style on the right occasion but we had pictures to take and just needed some quick in and out sustenance. It was so hot and the streets were packed with tourists which meant most places had completely sold out of cold drinks. Thankfully though, we stumbled across a Starbucks along the way and was able to get some kind of delicious orange frappe creation.
After a day of shooting some fantastic street photography and seeing a bunch of Paris’s finest landmarks, it seemed like a natural progression to head to a local french place for dinner. However, where we were, we couldn’t find a little bistro in sight. We ended up settling for an Italian, well, at least it borders France right? It turns out, the reason we couldn’t find any French places was because we were in fact in the ChinaTown, which explains a lot really.
A lot of street photographers have strong preferences for certain conditions in order to give them that perfect light. For me though, I don’t feel that strongly about it – I like to work with whatever I have. Of course, harsh sunlight can be quite awkward to work with but I think that it sets the scene and allows us photographer to create a different ambience with the light we use in our pictures. Paris has something about it, although the sunshine was constantly bright, it was much more forgiving than I once though. I was expecting a lot of areas of blown out highlight detail and deep dark shadows, but the light on the street as a lot kinder than I anticipated. Perhaps it was the buildings, the positioning of the sun or just having a bit more dynamic range from the X-PRO2 sensor, it just worked out quite nicely.
With all this said, the real recipe for a great street shots is decent light, a decent composition and a moment. Even in a great city like Paris, the moment is the hardest bit. There are colourful characters, interesting objects but it’s all down to that split second where everything comes good.
HOT HOT HOT! Day two was yet another scorcher hitting highs of 38ºC at mid-day. We hatched a plan over breakfast and decided to take a Taxi to the Moulin Rouge followed by an exploration of the area. Climbing the stairs to Montmartre and wandering around the square along the beautiful cobbled streets was rather pleasant. I can imagine if there was a bit of rain the day before the reflections and the texture you would get from those cobbles would have been incredible, but of course, there was no chance of rain on this particular day. We searched the streets for a nearby Starbucks but came away unsuccessful as they didn’t do any icy frappe things. With that terrible news, we headed back towards the hotel to get our bags and also grabbed a light lunch in a local french place followed by a cold beer. For some reason, cold beer was all we could find. Judging by the general lack of cold beverages available, anyone would think that summer had come out of nowhere and suddenly surprised the shopkeepers of Paris.
Our train back to the UK was our next stop and was leaving at 6:30pm, so we opted to head towards the train station after lunch picking a great location to concentrate your efforts before heading home. The area is known for it’s colourful characters and it the location is easy on the eye – or should what be sensor?
Well, there’s not much else to say here other than to express my thanks to everyone involved with this exciting project.
We reached out to David Goold for his take on the trip – Here’s what he had to say.
Audrey Hepburn said that “Paris is always a good idea” – but in thirty-eight degrees Celsius?! It had been forecast for a week but the reality of a high summer heatwave in France’s capital was suddenly with us. “Welcome to Hell!” was the greeting from the African taxi driver at Paris Gare du Nord as we began our Big Adventure. Fortunately, I had decided to travel light from Scotland; I brought with me just the X-T10 and the 18-55mm zoom for my photo workshop with Fujifilm Ambassador and pro street photographer (and now good friend), Matt Hart.
Two full days shooting ‘street’ in that city – in that heat – needed serious and careful attention to health and safety. Drenched in Factor 50, we paced ourselves from the start and must have each consumed a litre of water every two hours whilst pounding the pavements during our two-day stay.
But that city rewarded us with golden sunlight and inky black shadows, such elegant architecture and characterful citizens and visitors. In that special light, haute couture red dresses and heels had us, if not running, then staggering briskly to capture the decisive moment at those distinctive, striped street crossings in Le Marais.
I suppose we each develop our own technique, learning from our mistakes, but I had never experienced the technique of a professional street ‘tog. It was a revelation to watch Matt in action… to watch his pace change as he spotted an opportunity and to keep out of his way while he ruthlessly sought the decisive moment. And I hope I caught a few of those myself whilst learning to sharpen my eye. I suspect Matt features in many of them and I’m very happy about that – some wonderful memories of our journey to Hell and back.
For making it all happen, big thanks to Clifton Cameras, Fujifilm UK but most of all to Matt. We had such a blast. Let’s do it again soon! But perhaps in December this time, please?
(Images by David Goold)
I read in the week that some people do not trust the reviews by the Fujifilm Ambassadors.
I started to question my own thoughts. I decided however that I have always given an open and honest view of the Fujifilm X series. I am not one for long reviews anyway so most of my thoughts and feelings about the X Series are from hands on demonstrations and talking to people out and about on the streets on workshop days and events.
I have also never been the pessimistic type and always see the good in all the gear I use and only use very limited functions on the camera so it’s not easy for me to start pulling something apart I am passionate about.
I was asked by Fujifilm UK to be an Ambassador because of my work and because I had already adopted the Fuji X Series in to my workflow and was enjoying the refreshing change from DSLR to mirrorless. So I was already a fan you could say, but if you know me you will know I am quite blunt and honest about most things and if I did not like the X Series I would have moved to a different brand by now.
My blogs are few and far between and as you all probably know by now I am dyslexic and find sitting down to write a blog as about as exciting as sticking pins in my eyes.
Kevin Mullins has by far the best blog on the Fuji X system that I have seen as a Fujifilm Ambassador and he gives a real honest review. Although Kevin and myself both love the X Series, we have both pointed out issues and faults in some of the past X Series cameras and lenses and say so in public.
When I moved over from the Nikon system to X100, XPro1 the 18mm and 35mm lens after using a Nikon D3s, I was under no illusion the Xpro1 was better I just wanted a change and I was making a leap of faith that Fujifilm would catch up with the mirrorless system and make an amazing camera one day to match their sensors and lenses.
Well I am so glad I took the leap of faith, I have been using the X-T2 now for a couple of months and can honestly say it’s a game changer. If this is what they can come up with in 5 years, I can’t wait for the next 5 !!!
I am not going to go into all the technical mumbo jumbo as most of you know I just use the exposure triangle and go out and shoot. So I will leave you to read Kevin’s review or even better take a look at and independent review like Cameralabs Gordon always gives a fair and honest review on most camera systems and lenses.
For me though the proof of the pudding is in the images and the X-T2 is stunning not just the images but in its handling and focus speed. I still prefer the XPro2 for Street photography but that’s just because I love the rangefinder style of camera for shooting people in my candid style. But the X-T2 is a killer camera for my Gig and Event work as well as my Landscape work. They are diferent animals as far as I am concerned.
Today I went out for a quick meeting in town, I decided to take the X-T2 and one of my favorite lenses the 90mm f/2 and see if I could grab a couple of Street shots on my route.
I remember shooting this image below a couple of weeks back with the same set up and wanted to see if I could shoot a moving target with me moving and the focus keep up.
I walk at quite a pace when I am out and about, even though you can learn to compensate for slow autofocus by standing still zone focusing if you need to. You don’t need to do this with the X-T2 this thing nails the shots, that some of the previous X Series bodies might have missed. The XPro2 I would say is just as good but the the X-T2 gives you a little more confidence. It just has that positive feel about it.
The next two shots with me walking towards the two subjects at quite a pace and just lifting the camera up to shoot as they walked towards me.
I was blown over when I reviewed these images over a coffee before my meeting. BOOM was the word that came in my head. I thought wow Fuji you have done it you have made the camera for all the people that doubted the Mirrorless System. I am quite sure this camera is going to sell like hot cakes. I will just say that this 90mm lens is amazing on this camera. I love to shoot wide and long when I am out on my own and this lens has just the right reach to compliment the 16mm f/1.4 out and about.
Someone commented the other day that I used to sing the praises of the 27mm and the X-T10 and thats very true and I still have the 27mm on my X-T10 and there it stays.
I have to spend some time getting used to the new Cameras Fuji asks us to Test and the X-T10 still has a big place in my heart and a small space in my camera bag.
It all comes down to the right tool for the job and I am lucky enough to have a large toolbox to select my tools from.
At the moment as I write this the X-T2 and the 90mm f/2 are a perfect match for Street style candid portraits…
I had another great year at The Photography Show and this year was just the same as last year as far as questions were concerned, but this time about the Xpro2 and not the X-T2 so I have decided to answer a few questions in this blog. If you came to the show and listened to my talk for Fujifilm UK, you will know how much I hate writing and why. I also only tend to write my blog when I have something to say, the rest is just noise.
One of the great things about TPS is the fact that so many photographers get together in one place and get to inspire each other. I always come away from the show buzzing with ideas. This year the biggest buz and the coolest places to be where the SmugMug Stand and the Fujifilm Stand, this is in part to the huge community of like minded photographers that love to be part of what is becoming the coolest collaboration in photography ever.
To many people get bogged down in the TEC, at the end of the day you only need a box with a lens and a way of controlling Aperture, Exposure and ISO the rest is all personal taste.
We all choose cameras we like the look and feel off and we listen to the people around us for feedback and read reviews etc, that is the same for a sofa or pair of shoes or a toaster.
People are free to choose what ever camera they like so there is no real need to moan about one you don’t like go buy one that fits your personal requirements.
All you really need is the exposure triangle the rest is just semantics! I was asked over and over again at the show to pick all the fault’s in the XPro2 and when I said it does not have any, one person was pushing me for a fault he even said “so what would other people say was wrong with it” I don’t know what other people would say I have never been one to wish a camera had this or what or needed x or y I just buy a camera that I feel an emotional connection to and that has the exposure triangle close to hand, after all that is all I NEED ! I don’t need much more in my line of work, I am a Photographer and just need to take pictures. I do like a great lens to give me a sharp image if I want a sharp images and Fuji lenses give me that in droves.
I have an XT10 for Street and to stick in my pocket and that has a 27mm lens on it, I have another XT10 with a 90mm lens on it. My XPro2 has a 35mm f/2 lens on it and my X-T1 has a battery pack and 50-140mm on it most of the time. These are all for different jobs like a mechanic with a socket set! The Cameras are the ratchets and the lenses the sockets so picking fault in ratchet or socket for one job is pointless when you have a great set of tools ! I get asked about 4k video etc and I roll my eyes ! I have two GoPro cameras for video if I want to shoot 4K but in all honesty the Video in my XPro2 or X-T1 is great for blogging etc If I wanted amazing stunning video I would buy a new tool for my tool box not moan about the ones I have.
So why do I buy new cameras if I am not chasing the tec ? I chase the warranty that’s why, you see so many people blaming the manufactures and moaning about faults 5 months or 8 months out of warranty. I thinks it’s mad! Social media has become a media hub for moaning about out of warranty issues with all brands. As a professional even before I used Fuji X Series camera I used to buy a new Nikon body every time the warranty ran out that way if I ever had an issue I could return it and get it repaired without any hassle. To be honest in all the time I have owned the Fujifilm X System and I don’t look after my tools as much as I should, I have never had to have them repaired. The only camera I sent back was one of my X-T1’s for the light leak issue and that was turned around in 7 days.
Quite a few people think we get our kit for free but this is just not true, I paid for all my Fuji X Cameras and lenses before I was a Fujifilm Ambassador and still do to this day. We do get to hire new gear when it’s available and free of charge but it has to be given back. The only camera I have been given was the Fuji XPro2 and this also had my name on the serial number. This was a gift for all my hard work in the XPro2 launch and my ongoing work for Fujifilm. But when I say given, if I had invoiced Fujifilm for my time this it would far outweigh the cost of the camera.
Mirrorless cameras make great tools and don’t take up any room so you can in fact have quite a few in your toolbox, I also do like a spare body for back up.
I was asked at the show if I could choose one X Series camera what one would it be ! That is like saying what is your favourite Socket or wrench! Well the answer if it was a toolbox would be SnapOn and what ever socket I needed for the job.
So why Fuji, well I started buying the X Series cameras and the found this great community around the world that all had this passion for the brand, they would share there passion and I soon found myself starting Fujiholics to put on events to get everyone together to share the passion and take photos, mostly of coffee and cake and each others cameras it appears !
As far as a camera is concerned, I only need an exposure triangle and I am happy, but the X Series have given me so much more I have never had so many collaboration talks with so many photographers. The Fujifilm teams all over the world are all great people and are all part of the community in one way or another.
If you pushed me to say what is the best all round Street Combo I would have to say the XPro2 and 35mm f/2 lens at the moment but that’s because I LOVE shooting Acros Film Simulation with Green filter Jpegs are my thing at the moment as I hate processing with a vengeance. The 35mm f/2 is just sexy that is all !
I try to have an emotional attachment to my work and I need the same feeling with my camera system. Perfect tool for that is right for the job.
They X Series do look good next to a coffee and cake to !
My Fujifilm journey started back in 2011 but it was hit and miss. I was a Nikon shooter and had been for over 40 years. In 2011 I found myself looking for a camera system that was smaller and lighter than my Professional Nikon system. I looked at Sony and Panasonic but wanted great glass and realised that only the top players in the camera market could offer this. I picked up a Fuji X10 and had a love hate relationship with it so in the end sold it. I read all the reviews and was put off the X100 but in the end found one for a good price on ebay and purchased a really nice camera.
The image above was one of the first images I shot with the X100 and I was hooked. This amazing little camera was producing images far cleaner than my Nikon D3s and for a fraction of the cost. Yes focus was slow and it only had one lense but it was the way it made me feel that shocked me, this camera had set me free.
It was not long before I walked in to Cambrian Photography and took a massive leap of faith. I bought the Xpro1 along with the 18mm, 60mm and the 18-55mm Kit lens and decided to give it a go on my trip to Venice. I had made up my mind that if it worked for me I would come home and sell all my professional Nikon Gear.
Before I went I was almost convinced this would not happen, how could this Xpro1 replace my D3s and Pro glass as it was so slow to focus and so awkward to use !
I came back from Venice and the decision had been made this XPro1 was perfect for me. I was convinced that stepping away from mainstream DSLR’s and choosing a camera that slowed me down and made me think out of the box again was the way forward. So I took the leap and sold all my Nikon gear. I said to myself that if I needed a Pro DSLR for a job I would just hire one. That was four years ago and I have not needed to use a DSLR and will never look back.
It’s amazing how the reason you changed gets under your skin at times and the slow focus on the XPro1 drove me to buy the X-T1 and the X-T10. These cameras work perfectly for my event photography and due to the small size of the X-T10 I started to use two of these stunning little cameras back to back one with 27mm f/2 and one with 90mm f/2 lenses. It is quite amazing how small the X-T10 is with the 27mm lens it’s almost the same size as the X100T.
My plan was if I am totally honest was to wait for the X-T2 if there was one and use my X-T10s for Street and the X-T1 for Landscape and wet events and bring the X-T2 in to play.
But then BOOM Fuji asked me to test out the Xpro2 and it’s just changed my photography all over again. When I first picked it up my first thought was where is the tilting screen ? It’s hard to go out and test a camera that is not due out for three months when you are a Street photographer I can tell you.
I started using the Xpro2 and at first I was not blown away, but this was the same feeling I have had with all the Fuji X Cameras. They are like magic in your hands, the more you get to know the camera, the more they come alive in your hands. This camera is fast to focus, it surely has to be the fastest yet.
The shape of the camera is a vast improvement over the XPro1 and the inclusion of two fast card slots is going to make quite a few wedding shooters happy. The inclusion of the ISO dial in with the shutter speed dial, puts all the buttons and knobs back on the outside of the camera so you have the exposure triangle where you need it. There is a neat little joystick on the back of the camera and the buttons are all in the right place for me.
You all know I am not one for technical write ups as all the pixel stuff does not do anything for me and there are camera testers all over the UK that can test this camera to death for you all. But one word of caution, I was put off the X System for six months before I got the X100 because of all the reviews so be careful what you choose to read. This system is not all about pixels and super fast this and that, it is about changing your way of thinking.
So why do I love this camera ? It’s easy, I don’t have to edit any of my images any more. I have always been a RAW shooter converting in Lightroom and Silver Efex Pro 2 until now. This camera is a game changer for me and the file size is just about right. The XPro2 is going to change my photography for the better.
The design of the XPro2 compared to the Xpro1 is completely different making the XPro2 sit so nicely in your hand.
I am going to be shooting Jpeg with the XPro2 for the next year with the 35mm f/2 lens for a Street Project I am doing with a few friends on Flickr. I love a good project and this project will help me to learn how to setup and use the Xpro2 for Jpeg and never have to edit again. The time this is going to save me is life changing. At the moment I have the camera set up to black and white with green filter. I have Dynamic Range set to 200%, Highlight Tone -1, Shadow Tone +3, Sharpness +1, Noise Reduction off. I will be playing around with these settings a lot more over the coming months.
It’s been a pleasure testing this new camera for Fujifilm and it was also an honour to have one of my images that I shot on the XPro2 selected for the Exhibition in Japan with 100 other X Photographers from around the world.
I think Fujifilm have made a stunning camera and I would like to thank them for for listening to all the X Photographers and Fujiholics around the world and adding most of the requests and ideas to this little camera.
I can’t wait to see what the future holds and I am so glad I made that leap of faith nearly 5 years ago. The Xpro2 is a huge step forward I am quite sure the Fuji roadmap is going to be very exciting…
Here is a video I shot about the my Fujifilm journey including some XPro 2 images.
What can I say, I have owned or still own every X series camera that Fuji have made and so far the X-T10 is the star. I love my X-T1 and should prefer it to the X-T10, I actually do when I am shooting events in the rain and need a battery grip but the rest of the time the X-T10 is my go to camera.
I am never one for a technical review. I like to use a camera over a few months and see how it works for me in the real world.
I used to take the X100T everywhere I went but now its the X-T10. Its so small and with the 27mm pancake lens its just the best street camera in the range. I have also found myself using it for long exposure workshops instead of the X-T1.
I think the autofocus is just a little bit faster than the X-T1 and the images from RAW appear to be a little cleaner and sharper, so much so that I hardly spend any time processing them.
I have hardly picked up my X-T1 since the festival season finished and have had the X-T10 around my neck in all weathers (not that I recommend you do it) but I have found myself shooting in torrential rain and this little camera has not missed a beat. It’s no secret I use my cameras as a tool and not a prize possession. This little camera is just bullet proof.
It’s small enough to be invisible for Street but has a great viewfinder and perfect size rear screen for me to teach Landscape and Long Exposure classes.
I thought I would be running back to my X100T or my X-T1 in no time but I am still in love with this little thing.
It’s great with most of the smaller lenses but becomes unbalanced with the larger glass but this is to be expected.
I use this camera on Auto ISO for most of my Street work and shoot with the large green square on continuous focus for anything that is moving. It nails it 99% of the time, this is with me walking and my subject on the move. I hear lots of people talking about how the Fuji’s don’t compare to the DSLR they have and I find this strange as the people that come on my workshops with DSLRs can’t get a single in focus shot on the move. They can with the shutter speed cranked up to the max on a bright day but thats a different story.
I go out day after day with this little camera and come home very pleased with the keepers.
I have been using it with the 27mm as if it was bolted on but now I have the new 35mm f/2. I hope to give it a treat over the festive period with a change of glass.
I can’t fault this little camera and I love it so much I have two, one to shoot wide and one to shoot long!
So this is my go to Fuji X Series Camera until something more interesting comes along…