Fujifilm

GFX50s C mode.

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GFX50s GF23mm ISO100 1/13sec f/16 Lee 0.9 Med Grad

I guess I have fallen in love with this camera, it blows me away every time I use it and to think I left it so long before I invested ! I have always secretly wanted to get a medium format camera but I never really had the need for it or a business case to buy it, as I said in my previous post about the GFX I just decided to buy it as an early retirement present to myself, not that photographers ever really retire.

I have three projects to shoot with the GFX this year as well as getting back in to Landscape photography and this is the perfect tool for the job.

Three of the projects I am involved with will include really large prints and even though the other X Series cameras are capable of large prints they cant hold the detail as well as a bloody great images sensor in a medium format camera.

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GFX50S GF23mm ISO100 1/5 sec f/16 Lee 0.9 Med Grad

One amazing thing about the GFX is the ability to switch it to C Mode once the Lens is set to C and the ISO dial is set to C and the shutter speed dial is set to T the camera is in Command mode and the back and front Command dials act as a DSLRs command diles do and control the Speed and Aperture. Also if you push the front command dial you can then alter the ISO so this puts the Exposure Triangle at your fingertips.

The command mode gives you the control you need to dial in the exposure you require for LE Photography ( Long Exposure ).

The old way was to take and exposure and then calculate the filter factor with the current exposure time to give you the time it would take to make the exposure. Well that all just changed the GFX50s can’t do a timed exposure up to 60 minutes on its own.

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GFX50s GF23mm ISO100 12 sec f/8 Lee IRND 15 Stop Lee 0.9 Med Grad

Let me explain, you set up the shot focus the lens then set the lens to M to prevent it from re focusing when you press the shutter. Then you simply place the filter you require like the Lee 15 Stop in the holder and adjust the Aperture do the desired depth of field. Then you move the shutter speed all the way until the camera meters for the sceen through the filter. Once you set you then just set the self timer in the Q Menu to 2 seconds to prevent camera shake and make your exposure. You don’t even need a cable release so that’s one thing less to blow around in the wind.

This function alone as made my whole life so much easier and considering the GFX is about the same size as a D800 and my Landscape kit now consists of one camera and three lenses I am really happy. I use the GF23mm GF32-64mm and the GF110mm and this little lot is quite a light lighter than the Nikon D3s and pro lenses I used to carry and the images from the GFX are outstanding as it the dynamic range.

Right I best get back to wales and see what else this thing can do.

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GFX50s GF23mm ISO100 240 sec f/16 Lee 15 Stop Lee 0.6 Med Grad 

2017 Year of Colour

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GFX50s 32-64mm at 32mm 1/90 sec f/11 ISO100 

What a year ! Its now December and my Year of Colour project is nearly over and I am glad. Its been a very busy year for me and the project has been dragging along behind me instead of inspiring me to get out and shoot ! I always thought it would be hard but it was a lot harder than I expected. I have never been a fan of colour so I already set myself up for failure before I started.

Colour for me growing up in a black and white world with black and white TVs in the house and all my film cameras loaded with black and white film 99% of the time was never going to be easy. I think after learning to see in black and white colour just does not do it for me. I very nearly gave up on several occasions but I am glad I stuck with it. I think black and white is my escape from the real world, the fantasy land of TV as a child.

The project does not really finish until the 31st of December but I have had some back problems and whilst trying to get that under control I really am not inspired or motivated to get out and create anything remotely interesting.

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GFX50s 32-64mm 1/160sec at f/8 ISO200 

I wanted to force myself to shoot Colour for a year to see if I could fall in love with it and get some form of continuity in my work and develop a colour style. I soon found out Colour does not work like that, to have continuity you need continuity in lighting every day and that is the hardest part. Its easy to set up in a studio and have the same lights and white balance but out in the real world the light is diferent every day so the only way to get a consistency would be to light the subject the same no matter what the weather conditions or time of day. In bright light the colours pop and we are cooking on gas. When there is no light or poor light we have dull washed out colours and these images require a lot more work. In a very short space of time at the start of the year I got fed up with the issue of continuity.

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X100F 1/640sec f/3.2 ISO 640

I did however start to look at and play around with film simulation modes on the Fujifilm cameras and even though you could not quite get the continuity you could get a consistent body of work that looked the same. I also looked in to colour grading as they do when they make films but this started to get very complicated. I am in the process of learning to edit film and thought it would all come in handy and it did. I shoot my video in colour so I guess my year has not been wasted as I am putting some of the things I have learnt about colour to good use in camera for my blogs.

I started out hating colour and to be honest for still images I am still a Black and White lover, in all honesty I prefer black and white films as well. I guess colour is so very distracting that it confuses me. My black and white has a consistency and style that works for me. Black and White is a story telling media and colour sometimes can distract you from the story if you get it wrong or are super critical of the way colour works in a scene. I dont hate colour as much as I did and I have a newfound respect for anyone who can keep their outdoor work consistent in every lighting condition without elaborate lighting set ups. I want to do more exhibitions in the future and this is where I need continuity.

Iso also has a big to play in this situation the higher the ISO the darker the image and the more noise is introduced, this looks fine in black and white and even better when printed but really does darken your colour images down. The other issue with colour is my mood ! In black and white you can see my mood changes in my work and this is shown as you would expect in dark moody images with lots of black. In colour they just look more dull and boring ! Primary colours can also be so very distracting in colour images form the story or from the main subject so this to can be very frustrating.

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X-T2 90mm 1/680sec f/2.2 ISO400

I used quite a few Fujifilm cameras during my project and have to say that helped me to decide on what cameras to keep and what to sell. With black and white there is always a small difference in how you process between sensor upgrades but with colour this is huge. I soon discovered that as long as you keep to the same sensor across the board when editing then the files are the same across the editing range, but as soon as you work on say and X-T1 file and an X-T2 file they are worlds apart. As you all know I am not a bit fan of editing so I need a simple workflow that does not take up much of my time.

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X-T2 90mm 1/2200sec f/4 ISO400 

When I did my year of black and white I did change cameras because of the project and the same has happend this time. I sold all my older X Series cameras and updated to the newer versions to keep sensor continuity across the range. So now I have X100F, XPro2, X-T20 as my main X series work horses. I did however buy a second had X70 to stick in my pocket and take everywhere.  I also splashed out on the GFX but that’s more for some projects I have in 2018/2019. I also sold quite a few lenses to lighten my load but that was more due to lack of use. I always do regular lightroom searches to see how much use a lens is getting and if its not getting used it’s not earning its keep so needs to go.

Projects help me to make these camera and lens decisions as well as other work I do, because I might use a diferent lens for a project than I do for my street or client work.

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The year of colour was not a complete waste of time I did learn a lot and I did have a good play around with film simulation because I did quite a few edits on my ipad and not on my macbook so I found taking a Jpeg in to SnapSeed or Lightroom Mobile was a lot more simple if I had already applied a preset and got it to as close as I would like in camera first. Most of the time it just needed a slight crop or straighten before posting the image. I am not a fan of editing on Tablets and that I think is just down to my eyesight. I prefer 27″ monitors so that I know there is no dust on the sensor or other issues.

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X-T2 90mm 1/280sec f/2 ISO400 

I set my X70 on Jpeg and RAW on classic chrome and in 2018 I will change this to Acros and green filter. I use my X70 as an extension of my iphone for blogging etc I know the XE3 is now out and far better but I prefer the screen on the X70 as it’s so much more versatile. Hopefully one day Fujifilm will make an X80.

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GFX50S 110mm 1/30sec f/10 ISO100 

I think we all see colour in a slightly diferent way and I know I have a few friends who are colourblind. I also think we all like to view other peoples work not just for the subject matter but for the colour style they have. I think in time I could find a colour style that would suit me but I really do just prefer black and white.   It’s been an interesting experiment. Its not been as interesting for me as my year of black and white way back in 2013 but I have decided to go back to 90% black and white for 2018 and have a play around with colour when the mood takes me.

I have some new projects in place for 2018 / 2019 and these are all secret projects. One I am doing with a few friends and two by myself but they all work quite well together. Hopefully all the projects will come together as a book and also at least two exhibitions. I normally do a book at the end of every project but this year I don’t feel the images from my year of colour are strong enough for a book so will skip 2017.

I am going to take some time off over December and January to give my back a chance to sort itself out. I have had two quite serious accidents in the past one that broke my back and it appears this is all coming back to haunt me. Taking time off to heal and to put some thought into my projects.

I still have a couple of workshops left in 2018 as Matthew Hart Photography but will be putting a lot more time in to Fujiholics.

I hope you all have a great Christmas see you all in 2018.

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X70 1/250sec f/2.8 ISO 1600

X70 Dark Horse

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I recently purchased an X70, it’s not the first time I bought one as I got Jane one when they first came out. Jane was lucky enough to see the X70 before it was made,  it was just a mock up the first time she saw it and she said when its made whe would like one. So as soon as it launched I got a her one. She is not that in to Photography so has not used it much. She said I could use it, but that feels wrong to use a present. So in the end when John a friend of mine was selling his to buy an XE3 I decided to buy his X70. It was in as new condition with a few extras for just £325.

I hear he loves his XE3 so its a win win as I really love the X70 its one of the best cameras fujifilm have ever made.

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I am not a JPEG shooter but wanted a simple put in my pocket carry everywhere camera that I could change up on the move or even just plug in to my powerbank. I was not fussed about a viewfinder as with the nice wide 18.5mm lens I could just point and shoot. The tilt screen is very good as it tilts in a totally diferent way to the X-T2 and X-T10 so it just perfect for the way I shoot. The only downside to the rear screen is you cant put a thumb grip in the hotshoe as the screen tilts from the top.

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I have know there are some big fans of the X70 out there and I also know so much was launched at the same time the X70 came out the camera got overlooked. This is a shame as this little camera is stunning. At the time of writing I do not know if there will be an X80 but if there is and it’s anything like the X70 it will be stunning. If Fujifilm just added bluetooth as they have in the XE3 then that would be good enough for me.

I have seen a few for sale over the last few weeks and these are a bargain.

I am just getting into Video and shot a short clip on the X70 with its flip around screen and was quite impressed, not a bad little vlogging camera to be honest with its selfie view screen.

I set the to Jpeg fine and Classic Chrome with dynamic range to Auto Sharpness +1 Highlight Tone -1 Shadow Tone +1 Noise Reduction 0.

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I was away in Edinburgh at the weekend and managed to shoot a few quick images with the X70 and the beauty of this little camera came to light from the start. It was in my pocket all weekend and when not in my pocket on the table next to me. For the first time ever I just copied the jpegs to my ipad and edited them in Lightroom Mobile or Snapseed well that was the intention ! In reality I just made a small crop to most of them.

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Lets just say me and the X70 are getting along fine and this little camera is going to live in my pocket and go with me everywhere.

What a stunning bit of kit.

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Gillis London Bag

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I have not been one for to much gear talk over the years but I keep getting asked about my kit so have decided to start writing more about my kit.  I will also be trying to use YouTube more and more over the coming months to do the same.

I have just received my new Gillis London Leather bag, this is a 15″ MacBook bag so not small and not light, it’s made of fantastic quality leather and will last me the rest of my life.

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We all love a good camera bag and there is no bag for every occasion but I wanted a smart bag for that special occasion or meetings etc that would hold my 15″ MacBook and and also hold a reusable water bottle as well have a separate compartment for and umbrella etc

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Gillis London came up with this design that should work perfectly for me, as I start using it I will keep you informed about how I get on and what I keep in the bag.

Its not a cheap bag and retails at £320 but this is a top quality leather bag and there are plenty of expensive camera bags on the market that dont last 5 minutes. There are also quite a few at this price range that are not this good.

As you can see from the youtube video above it has plenty of pockets and lots of storage space so should hold all I need for a workshop or a meeting.

So far I just love this bag and cant wait to use it …

 

 

 

Colour

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2017 has been my year of Colour project and it’s not over yet !

It finishes on the 31st of December and I cant wait, I have only taken a hand full of black and white images and they were taken over the last month or so. I feel like a sprinter stuck in the starting blocks for 9 months ! I think in a way it’s a good thing as I am bursting with black and white creativity I want to get out of my system.

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As for colour ! I never really have liked colour and on my recent trip to Scotland I had some time stuck in my camper on the really bad weather days to reflect on the Year of Colour project so far. I started the year hating colour and I will be ending the year really hating color !  I was hoping to come out of this year with a colour style as well as more understanding of colour. I do have a better understanding but the colour style is a sticking point.

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I understand that every day light is diferent and even the weather the light and the time of day has a bearing on the scene, so shooting on Auto colour balance will give you a neutral look but it won’t give you the consistency within the dynamic range.

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XT20 16mm 3 shot Pano 

I am a very lazy editor and only want to spend 3-6 min per image in Lightroom or Snapseed and one thing I know I should like but don’t is presets ! I don’t understand why I don’t like them I just don’t and I think the only way I could get colour consistency and style would be to start making presents.  The downside to presets for me is the fact I use quite a few diferent camera bodies with different sensors so I would have to make a preset for each sensor and I really get fed up when the preset makes all the wrong changes and I then have to spend longer fixing the issue. So I don’t use presents and I don’t think I want to !

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My black and white work for the last 10 years has all been without a single preset and just processed by eye, it’s all very consistent and apart from the blacks getting deeper with the mood of the scene or my mood they just seem to work !

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I am not sure I will pursue colour in to 2018 but if I do I think I need to start to learn Colour Grading for Style ! The downside to this is every film ever made is colour graded for that style of film ! So for me to colour grade and try and find a unique colour style is a pain in the arse ! It used to be so much easier with Film !

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X100F 6 shot Pano 

You might have noticed there were quite a few rainbows in Scotland this month !

I have just sold quite a few cameras and lenses and started to reduce my Fujifilm kit to make way for possibly the GFX50s but am still deciding. However I have now brought an XT20 and sold my X-T2. The X-T2 was great but I just do not need it anymore because I am stopping shooting events. The X100F and the X-T20 and the XPro2 work so well together and do have more consistency as they all have the same sensor so I might look in to Colour Style over the next three months and give you more details at the end of the project. I know this combination of cameras works so who knows.

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Fujifilm X-T20 16mm

I do feel at the moment I will be returning to Black and White next year, but we shall see.

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Fujifilm X100F

 

GFX50s Day 10

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Well day 10 did not turn out as expected due to far too many phone calls first thing this morning followed by a few to many important emails. So the Liverpool Street plan was scrapped hopefully I can get out on Monday and Tuesday and try again.

I instead decided to go to Speke Hall and take my tripod for some long exposures if the weather held out. Unfortunately as soon as I got there the sun came out and the clouds started to clear so I only managed one LE shot and that is the black and white image below. Its also the School holidays and I had forgotten about that so the place was packed. Great for LE as you can just make the people disappear. I did manage to grab a few shots with no people as well.

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GFX50s ISO 200 645 Sec f/16 0.9 soft grad 16 stop ND 

I have work commitments for the next three days so wont be able to use the GFX again until Monday and Tuesday so will have to write up days 11 and 12 then, after that the GFX has to go back to Hire A Camera !

I only managed one LE shot but was blown away with the dynamic range of the GFX I did one practise LE shot and underexposed by about 3 minutes. When I moved the exposure slider in Lightroom I found I could rescue the image. I then moved the slider to + and – 5 stops and was blown away but the fact the image could go to both extremes without loss of detail ! This camera is truly quite amazing.

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GFX50s ISO 200 1/100 Sec  f/16 0.9 Grad

I used to dream as a lad of being a photographer and always wanted to have a great big medium format camera for Landscape and Portraiture. I have owned some MF film cameras but only Hired MF digital cameras due to cost. I think now that Fujifilm have brought MF into the realms of  high end DSLRs it’s time for me to fullfill a little boys dream and look at purchasing a MF camera for myself. Once you have used the GFX it really does put all other cameras to shame. Low Noise High Iso Capability combined with super sharp images with a depth and feel you can only get from MF is just the start of this love affair with MF and the GFX. The tones out of the camera are just stunning and the handling is just so intuitive. The touch screen is so clever I found out today that when viewing a scene on the rear LCD if you swipe down you get a heads up aircraft style display to help you get the camera level on all axis.

I did not manage to get many images from today but here are a few, all images shot on 32-64m lens.

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GFX50s ISO 320 1/160 Sec f/10 0.9 Grad
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GFX50s ISO 100 1/90 Sec f/11 0.9 Grad 

GXF50s days 4,5,6…

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GFX days 4,5,6 are all a bit of a blur, it was such a great weekend with great friends and went far to fast.

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It was Fujiholics Wales Weekend. This year a small group of Fujiholics met up in Beddgelert for the weekend with no real plan. Well there was a plan, take a few photos drink some beer have a few coffees and some cake ! Share some stories and catch up with friends old and new.

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We all met up on Cae Du Campsite on Friday night and had a few beers and discussed the plan for Saturday ! This was a complete waste of time as we changed our minds in the morning.   We decided to take the Steam Train from Beddgelert to Porthmadog on the Welsh Highland Railway.   The original plan was to do a Circular Walk.

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It was a fantastic little journey and Jane was just a little bit excited !  She even got to drive a Steam Train at Porthmadog station with some of the girls in the group.

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We went in to an amazing cafe called Jennys for breakfast in Porthmadog, they had some of the best home cooked cakes we had seen for quite a while ! The Lemon meringue pies were to dies for and we brought two for the journey home !!

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We had a great journey back and ate most of the lemon meringue and finished the evening off in the village in Saracens Head with a very nice meal and a few pints.

We all made our own way home on Sunday as North Wales was quite busy and there were not to many places to park for a Fujiholics tour…

I shot all the images from the weekend on the GFX in a variety of lighting conditions and processed the black and white images with Silver Efex Pro and the colour images are all just a very quick lightroom edit.

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I carried the GFX around all weekend and I have to say it was not as heavy as I expected but its still on the heavy side. You know you have it round your neck after a days walking thats for sure. The point is though does it matter ? The answer is yes and no ! Its heavy and if it was a DSLR there would be no point in the extra weight when you have the X-T2 or XPro2 but this thing is so good you dont care ! I again only went out with the 32-64mm lens just to save carrying the other lenses with me and found it just perfect a very versatile lens indeed.

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I am shooting a film in the morning and will be taking the GFX and might try one of primes just to change things up abit.

I will try and get you some images online tomorow night when we finish shooting the video but if I get in late I will skip it until Wednesday night.

So far I am loving the GFX and so much so I have just hired it again for another project in November. I have hired a some diferent lenses for November so will be able to show you the a few images shot on those then. I still have to use the 63mm and the and the 120mm and hope to do that this week at some point.

I cant wait to get up to Scotland to shoot some Landscape with this amazing bit of kit.

One thing is for sure I will be sad to see the GFX go back at the end of the hire its got to be the best camera I have ever used in my life and the files are just so easy to edit ! They are a breeze in Lightroom, I am for the first time just starting to fall a little in love with Colour !!! Yes on my year of colour I am starting to work out what I like about colour and thats all down to the GFX.

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