I’m a bit late thinking about my 2019 project and I have not even finished my 2018 Project !
Not that I have to finish it on the 31st January this year as I have given myself and the group that are all doing the Home project extra time as we have to have the images ready for an Exhibition in Hull next October at the Hull International Photography Festival the first weekend in October 2019. My Home Project is The Plot and is all about Janes second home her Allotment.
I can just share one image with you from my Plot project and its the one below.
Part of my projects process it to work out what I would get the most out of that would also push me and take me in a new direction but because I have a few other project on the go I am probably going to be quite reserved next year, because I want to concentrate on YouTube in the first couple of months and i have a house to finish my time will be limited for a while.
I did however start thinking about my 2019 projects when I shot this image in Edinburgh a couple of months back ! It was pouring with rain and as I stood there with my X100F grabbing some frames of wet people running for the train I started to get a few ideas flooding in but most of them would be to much work.
I am already working on two projects that are long term and one is Where is Jane and the image below is from that very long term project and is all about finding Jane. She is on the Path to the left if you are struggling
A big part of my thought process for projects is taking photos and see if they would work as a body of work or how difficult the project would be to shoot and how long it would take ! I guess these thought go through my head all the time.
Ideas like the image above come and go and eventually just like when you smell freshly made coffee one such idea will excite me and it starts me on my new Project Journey.
Next year I am going to take you on that Journey with me on my Youtube Channel.
This is just to remind everyone that I am with Wex Photographic over the next 3 months and have 15 photowalks and a couple of talks around the UK branches.
These are very reasonably priced and a great way to get out in your local city with like-minded people for a few hours of Photography.
Here is the link to sign up hope to see a few of you guys there.
GNARBOX Announces ‘GNARBOX 2.0 SSD ’ Kickstarter Campaign
The leader the in field backup market announces the release of the second generation to their breakout product via Kickstarter; along with debuting key integrations with Adobe, Dropbox, and LumaFusion.
(Los Angeles, CA) – MYGNAR INC., the developer of rugged backup devices for cameras, pr oudly announces a Kickstarter campaign to support the development of the second generation of their core product GNARBOX , launching globally on April 3 2018 .
GNARBOX 2.0 SSD is a rugged backup device for content creators who prefer to travel without a laptop. Unlike other portable hard drives, GNARBOX has assembled an ecosystem of mobile applications that serve the professional workflow in the field.
“We believe in making the creative process easier for anyone with a camera. Since the launch of GNARBOX 1.0, we’ve worked with our active community of photographers and videographers to understand the goals of content creators.” said Tim Feess , co-founder and CEO of MyGnar Inc. “GNARBOX 2.0 SSD is designed for professionals who want to reliably back up their cards in the field and advance their mobile editing workflow. The goal is leave your laptop at home and streamline a process that can otherwise be a burden to creativity. With this product, you can get more work done in the field so you spend less time at home in front of your computer. you get home to your computer. It’s water, shock, and dust resistant , yet packed with the power to review RAW photos and render ProRes videos while in the field.” continued Feess.
Since shipment of its first units in Spring 2017, GNARBOX is quickly becoming the industry-standard mobile workflow platform for on-the-go content creators. The market for backup devices has expanded in early 2018 with the introduction of the Western Digital MyPassport Wireless Pro SSD and LaCie DJI CoPilot. GNARBOX 2.0 SSD will be the highest-powered, most versatile, premium option on the market. With software tools for creative independence, hands-on customer support, and the most third party integrations on the market, GNARBOX has demonstrated its clear position as the leader in this space.
New to the redesigned GNARBOX is an on-box OLED display and button array, allowing users to backup files faster than ever before. When a card is detected, the box prompts you to kick off a transfer with the single press of a button. With a second tap, you can direct the transfer to a preset folder tree for automatic organization. This new tool is designed to save creators meaningful time in the field, and add needed reliability to their creative process.
GNARBOX 2.0 SSD is proud to offer key integrations with widely-used software tools, including LumaFusion, Adobe Premiere Pro, Adobe Lightroom and Dropbox:
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● GNARBOX + Dropbox Integration : GNARBOX can sync folders with Dropbox to create a seamless transition to your cloud storage.
GNARBOX is also launching four new mobile applications with the 2.0 product:
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- ● Showcase: The laptop-free way to project your photos and videos on a big screen, wherever you are.Complete Technical and Hardware Specifications of GNARBOX 2.0 SSD:
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- ● Dimension – 6.05” x 3” x 1.16” / ~1.1lbGNARBOX 2.0 SSD will offer several storage capacities in association with special pricing for Kickstarter rewards throughout the campaign, which are listed below along with MSRP:
- ● GNARBOX 2.0 SSD (128GB) – $399 USD
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- ● GNARBOX 2.0 SSD (1TB) – $999 USDFull media kit available via the link below:CLICK HERE TO ACCESS
Each pledge for a GNARBOX 2.0 on Kickstarter will receive an extra battery along with a USB-C to C cable and custom wall plug for superfast charging.
With a Kickstarter goal of $180,000, MyGnar intends to begin manufacturing in September 2018 and shipping to backers in December 2018. International pledges are encouraged as the product will ship globally.
Three years after the first successful Kickstarter for the original GNARBOX (now aptly titled GNARBOX 1.0 ) which raised over $500,000 in 30 days, the brand has developed a strong, supportive community of experienced content creators; ranging from professional photographers, videographers, adventure/travel bloggers and even field reporters and journalists.
“GNARBOX 2.0 is a tool that we expect to be in everyone’s camera bag before long,” said Will Africano co-founder and CMO of MyGnar Inc. “We’ve heard from many of the industry’s most decorated photographers and videographers, our own community of GNARBOX users on live chat and Facebook, and the YouTube reviewers who helped share our story. We’re confident in how innovative 2.0 will be for the world of creators.”
GNARBOX prides itself on offering unparalleled customer service which includes personal one-on-one guidance and assistance from their internal teams who maintain expertise in media production workflows and troubleshooting. In addition, GNARBOX also crafts workflow-specialist-led tutorials and reviews designed to support the skills and development journey of a streamlined content creator via Youtube.
An active community of production industry experts also supports the GNARBOX Ecosystem with reviews and testimonials, including support from Chris Burkard , UnboxTherapy , Peter McKinnon and PhotoJoseph . GNARBOX Insiders , a forum-like Facebook community , gathers creative individuals dedicated to streamlining their workflows; connecting GNARBOX users and sharing their latest content and workflow tips and tricks. Insiders also provides an exclusive look at software and product releases before they are publicly announced.
In 2017, the GNARBOX Pro Team was introduced as a group of photo/video professionals who are both creators as well as educators. As Pro Team members, they actively aid in creating public conversations around GNARBOX, and provide GNARBOX-related education at workshops and industry events.
The original device is now referred to as GNARBOX 1.0 with differentiating storage versions of 128GB or 256GB. This entry-level GNARBOX will continue to be supported and will see the same software improvements from future 2.0 software releases and updates. GNARBOX 2.0 SSD will provide significant improvements to backup speeds, transcoding times and on-board functionality that are not available to GNARBOX 1.0. There are currently no plans for an upgrade or trade-in program.
With single-step backup, fast file review and culling, and integrated access to professional editing software, GNARBOX 2.0 SSD will save content creators time and make them more reliable creators.
Designed for S treamlined Content Creators w ho produce content while on-the-move, GNARBOX 2.0 SSD is a rugged backup device for content creators who prefer to travel without a laptop. Unlike other portable hard drives, GNARBOX has assembled an ecosystem of mobile applications that serve the professional workflow in the field. G NARBOX is a creative technology company based in Los Angeles. It’s backed by an active community of content creators and develops products and solutions to revolutionize the multimedia management experience.
ABOUT MYGNAR INC.:
Guided by the leadership of co-founders Tim Feess and Will Africano, MyGnar Inc. conceptualizes and produces breakthrough innovations for content creation and distribution. Their mission is to make the creative process as seamless as possible for anyone with a camera. Through creative storytelling, strategic partnerships and investments, MyGnar Inc. continues to roll-out new technologies and products that enable their core values of creativity, community support and adventure to be replicated by their valued customers at all levels of interaction and exploration.
Told By Thomas
What a year ! Its now December and my Year of Colour project is nearly over and I am glad. Its been a very busy year for me and the project has been dragging along behind me instead of inspiring me to get out and shoot ! I always thought it would be hard but it was a lot harder than I expected. I have never been a fan of colour so I already set myself up for failure before I started.
Colour for me growing up in a black and white world with black and white TVs in the house and all my film cameras loaded with black and white film 99% of the time was never going to be easy. I think after learning to see in black and white colour just does not do it for me. I very nearly gave up on several occasions but I am glad I stuck with it. I think black and white is my escape from the real world, the fantasy land of TV as a child.
The project does not really finish until the 31st of December but I have had some back problems and whilst trying to get that under control I really am not inspired or motivated to get out and create anything remotely interesting.
I wanted to force myself to shoot Colour for a year to see if I could fall in love with it and get some form of continuity in my work and develop a colour style. I soon found out Colour does not work like that, to have continuity you need continuity in lighting every day and that is the hardest part. Its easy to set up in a studio and have the same lights and white balance but out in the real world the light is diferent every day so the only way to get a consistency would be to light the subject the same no matter what the weather conditions or time of day. In bright light the colours pop and we are cooking on gas. When there is no light or poor light we have dull washed out colours and these images require a lot more work. In a very short space of time at the start of the year I got fed up with the issue of continuity.
I did however start to look at and play around with film simulation modes on the Fujifilm cameras and even though you could not quite get the continuity you could get a consistent body of work that looked the same. I also looked in to colour grading as they do when they make films but this started to get very complicated. I am in the process of learning to edit film and thought it would all come in handy and it did. I shoot my video in colour so I guess my year has not been wasted as I am putting some of the things I have learnt about colour to good use in camera for my blogs.
I started out hating colour and to be honest for still images I am still a Black and White lover, in all honesty I prefer black and white films as well. I guess colour is so very distracting that it confuses me. My black and white has a consistency and style that works for me. Black and White is a story telling media and colour sometimes can distract you from the story if you get it wrong or are super critical of the way colour works in a scene. I dont hate colour as much as I did and I have a newfound respect for anyone who can keep their outdoor work consistent in every lighting condition without elaborate lighting set ups. I want to do more exhibitions in the future and this is where I need continuity.
Iso also has a big to play in this situation the higher the ISO the darker the image and the more noise is introduced, this looks fine in black and white and even better when printed but really does darken your colour images down. The other issue with colour is my mood ! In black and white you can see my mood changes in my work and this is shown as you would expect in dark moody images with lots of black. In colour they just look more dull and boring ! Primary colours can also be so very distracting in colour images form the story or from the main subject so this to can be very frustrating.
I used quite a few Fujifilm cameras during my project and have to say that helped me to decide on what cameras to keep and what to sell. With black and white there is always a small difference in how you process between sensor upgrades but with colour this is huge. I soon discovered that as long as you keep to the same sensor across the board when editing then the files are the same across the editing range, but as soon as you work on say and X-T1 file and an X-T2 file they are worlds apart. As you all know I am not a bit fan of editing so I need a simple workflow that does not take up much of my time.
When I did my year of black and white I did change cameras because of the project and the same has happend this time. I sold all my older X Series cameras and updated to the newer versions to keep sensor continuity across the range. So now I have X100F, XPro2, X-T20 as my main X series work horses. I did however buy a second had X70 to stick in my pocket and take everywhere. I also splashed out on the GFX but that’s more for some projects I have in 2018/2019. I also sold quite a few lenses to lighten my load but that was more due to lack of use. I always do regular lightroom searches to see how much use a lens is getting and if its not getting used it’s not earning its keep so needs to go.
Projects help me to make these camera and lens decisions as well as other work I do, because I might use a diferent lens for a project than I do for my street or client work.
The year of colour was not a complete waste of time I did learn a lot and I did have a good play around with film simulation because I did quite a few edits on my ipad and not on my macbook so I found taking a Jpeg in to SnapSeed or Lightroom Mobile was a lot more simple if I had already applied a preset and got it to as close as I would like in camera first. Most of the time it just needed a slight crop or straighten before posting the image. I am not a fan of editing on Tablets and that I think is just down to my eyesight. I prefer 27″ monitors so that I know there is no dust on the sensor or other issues.
I set my X70 on Jpeg and RAW on classic chrome and in 2018 I will change this to Acros and green filter. I use my X70 as an extension of my iphone for blogging etc I know the XE3 is now out and far better but I prefer the screen on the X70 as it’s so much more versatile. Hopefully one day Fujifilm will make an X80.
I think we all see colour in a slightly diferent way and I know I have a few friends who are colourblind. I also think we all like to view other peoples work not just for the subject matter but for the colour style they have. I think in time I could find a colour style that would suit me but I really do just prefer black and white. It’s been an interesting experiment. Its not been as interesting for me as my year of black and white way back in 2013 but I have decided to go back to 90% black and white for 2018 and have a play around with colour when the mood takes me.
I have some new projects in place for 2018 / 2019 and these are all secret projects. One I am doing with a few friends and two by myself but they all work quite well together. Hopefully all the projects will come together as a book and also at least two exhibitions. I normally do a book at the end of every project but this year I don’t feel the images from my year of colour are strong enough for a book so will skip 2017.
I am going to take some time off over December and January to give my back a chance to sort itself out. I have had two quite serious accidents in the past one that broke my back and it appears this is all coming back to haunt me. Taking time off to heal and to put some thought into my projects.
I hope you all have a great Christmas see you all in 2018.
2017 has been my year of Colour project and it’s not over yet !
It finishes on the 31st of December and I cant wait, I have only taken a hand full of black and white images and they were taken over the last month or so. I feel like a sprinter stuck in the starting blocks for 9 months ! I think in a way it’s a good thing as I am bursting with black and white creativity I want to get out of my system.
As for colour ! I never really have liked colour and on my recent trip to Scotland I had some time stuck in my camper on the really bad weather days to reflect on the Year of Colour project so far. I started the year hating colour and I will be ending the year really hating color ! I was hoping to come out of this year with a colour style as well as more understanding of colour. I do have a better understanding but the colour style is a sticking point.
I understand that every day light is diferent and even the weather the light and the time of day has a bearing on the scene, so shooting on Auto colour balance will give you a neutral look but it won’t give you the consistency within the dynamic range.
I am a very lazy editor and only want to spend 3-6 min per image in Lightroom or Snapseed and one thing I know I should like but don’t is presets ! I don’t understand why I don’t like them I just don’t and I think the only way I could get colour consistency and style would be to start making presents. The downside to presets for me is the fact I use quite a few diferent camera bodies with different sensors so I would have to make a preset for each sensor and I really get fed up when the preset makes all the wrong changes and I then have to spend longer fixing the issue. So I don’t use presents and I don’t think I want to !
My black and white work for the last 10 years has all been without a single preset and just processed by eye, it’s all very consistent and apart from the blacks getting deeper with the mood of the scene or my mood they just seem to work !
I am not sure I will pursue colour in to 2018 but if I do I think I need to start to learn Colour Grading for Style ! The downside to this is every film ever made is colour graded for that style of film ! So for me to colour grade and try and find a unique colour style is a pain in the arse ! It used to be so much easier with Film !
You might have noticed there were quite a few rainbows in Scotland this month !
I have just sold quite a few cameras and lenses and started to reduce my Fujifilm kit to make way for possibly the GFX50s but am still deciding. However I have now brought an XT20 and sold my X-T2. The X-T2 was great but I just do not need it anymore because I am stopping shooting events. The X100F and the X-T20 and the XPro2 work so well together and do have more consistency as they all have the same sensor so I might look in to Colour Style over the next three months and give you more details at the end of the project. I know this combination of cameras works so who knows.
I do feel at the moment I will be returning to Black and White next year, but we shall see.
GFX days 4,5,6 are all a bit of a blur, it was such a great weekend with great friends and went far to fast.
It was Fujiholics Wales Weekend. This year a small group of Fujiholics met up in Beddgelert for the weekend with no real plan. Well there was a plan, take a few photos drink some beer have a few coffees and some cake ! Share some stories and catch up with friends old and new.
We all met up on Cae Du Campsite on Friday night and had a few beers and discussed the plan for Saturday ! This was a complete waste of time as we changed our minds in the morning. We decided to take the Steam Train from Beddgelert to Porthmadog on the Welsh Highland Railway. The original plan was to do a Circular Walk.
It was a fantastic little journey and Jane was just a little bit excited ! She even got to drive a Steam Train at Porthmadog station with some of the girls in the group.
We went in to an amazing cafe called Jennys for breakfast in Porthmadog, they had some of the best home cooked cakes we had seen for quite a while ! The Lemon meringue pies were to dies for and we brought two for the journey home !!
We had a great journey back and ate most of the lemon meringue and finished the evening off in the village in Saracens Head with a very nice meal and a few pints.
We all made our own way home on Sunday as North Wales was quite busy and there were not to many places to park for a Fujiholics tour…
I shot all the images from the weekend on the GFX in a variety of lighting conditions and processed the black and white images with Silver Efex Pro and the colour images are all just a very quick lightroom edit.
I carried the GFX around all weekend and I have to say it was not as heavy as I expected but its still on the heavy side. You know you have it round your neck after a days walking thats for sure. The point is though does it matter ? The answer is yes and no ! Its heavy and if it was a DSLR there would be no point in the extra weight when you have the X-T2 or XPro2 but this thing is so good you dont care ! I again only went out with the 32-64mm lens just to save carrying the other lenses with me and found it just perfect a very versatile lens indeed.
I am shooting a film in the morning and will be taking the GFX and might try one of primes just to change things up abit.
I will try and get you some images online tomorow night when we finish shooting the video but if I get in late I will skip it until Wednesday night.
So far I am loving the GFX and so much so I have just hired it again for another project in November. I have hired a some diferent lenses for November so will be able to show you the a few images shot on those then. I still have to use the 63mm and the and the 120mm and hope to do that this week at some point.
I cant wait to get up to Scotland to shoot some Landscape with this amazing bit of kit.
One thing is for sure I will be sad to see the GFX go back at the end of the hire its got to be the best camera I have ever used in my life and the files are just so easy to edit ! They are a breeze in Lightroom, I am for the first time just starting to fall a little in love with Colour !!! Yes on my year of colour I am starting to work out what I like about colour and thats all down to the GFX.
I have been organising the Fujiholics Photowalks for a couple of years now and get amazing amount of pleasure out of leading the walks. The Fujifilm Family is what it’s all about and as much as it sounds corny it really is about putting the Social back into Social media !
On Thursday the 20th July I made my way to Bristol, quite a long journey from Mossley Hill Station in Liverpool then on to Bristol Temple Meads. Booked in advance this is a £30 single with TheTraineline.com my next blog post will give full details of how I use this service and why.
I had a meeting in Bristol on the Thursday and on Friday I had my last Street Photography workshop with Calumet UK. I have run a series of workshops with Calumet over 2017 in various cities but that was the last one for Calumet. I am also bringing my own Street Workshops to a close in 2017 as I want to focus on more personal work in 2018.
A Very wet day for the Calumet Worksop and nice to see so many Fujifilm X Series cameras on the day. I used my XPro2 and 23mm to walk around with instead of my X100F mainly because the XPro2 is weather resistant.
We had a great day round and about on the Streetsof Bristol despite the rain.
On Saturday we met up at @Bristol for the start of the Fujiholics photo walk. 120 signed up for the walk with Eventbrite unfortunately only 20 came out for the walk. This is always disappointing. Even though I always expect half numbers, when it’s lower I sometimes wonder why I put the effort in. I think for 2018 I will have to come up with a new plan. I will still do the walks but include a small fee and give out something on the day like a Memory card or ThinkTank battery holder. I will have to give it some thought.
It was however a great day in Bristol and nice to see so many old faces and some new ones. Fujiholics Walks are all about meeting new people and having a great day out networking meeting social media friends, drinking coffee, eating cake and drinking the occasional beer.
I planned a slightly different route this year and I think everyone that started the walk finished so will probably do the same route next year !
The Bristol Harbour Festival was on this year and this brought an extra 250,000 people to the city. I have to admit Bristol is an amazing city I have never seen so many so drunk but still standing up in my life. The Harbour festival appears to be a time the whole city comes out in force to dress up and have a few drinks. What an amazing place.
We ended the walk at the Old Duke where a few beers were consumed.
I was lucky to get a lift home on the Sunday with Richie so that saved me the Train ride.
The interesting thing is the car journey and train journey with stops and changeovers are almost the same time give or take a few minutes with out delays so from Liverpool to Bristol it’s about 3 hours 45min..
See you in Edinburgh next weekend….