Long Exposure

GFX50s C mode.

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GFX50s GF23mm ISO100 1/13sec f/16 Lee 0.9 Med Grad

I guess I have fallen in love with this camera, it blows me away every time I use it and to think I left it so long before I invested ! I have always secretly wanted to get a medium format camera but I never really had the need for it or a business case to buy it, as I said in my previous post about the GFX I just decided to buy it as an early retirement present to myself, not that photographers ever really retire.

I have three projects to shoot with the GFX this year as well as getting back in to Landscape photography and this is the perfect tool for the job.

Three of the projects I am involved with will include really large prints and even though the other X Series cameras are capable of large prints they cant hold the detail as well as a bloody great images sensor in a medium format camera.

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GFX50S GF23mm ISO100 1/5 sec f/16 Lee 0.9 Med Grad

One amazing thing about the GFX is the ability to switch it to C Mode once the Lens is set to C and the ISO dial is set to C and the shutter speed dial is set to T the camera is in Command mode and the back and front Command dials act as a DSLRs command diles do and control the Speed and Aperture. Also if you push the front command dial you can then alter the ISO so this puts the Exposure Triangle at your fingertips.

The command mode gives you the control you need to dial in the exposure you require for LE Photography ( Long Exposure ).

The old way was to take and exposure and then calculate the filter factor with the current exposure time to give you the time it would take to make the exposure. Well that all just changed the GFX50s can’t do a timed exposure up to 60 minutes on its own.

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GFX50s GF23mm ISO100 12 sec f/8 Lee IRND 15 Stop Lee 0.9 Med Grad

Let me explain, you set up the shot focus the lens then set the lens to M to prevent it from re focusing when you press the shutter. Then you simply place the filter you require like the Lee 15 Stop in the holder and adjust the Aperture do the desired depth of field. Then you move the shutter speed all the way until the camera meters for the sceen through the filter. Once you set you then just set the self timer in the Q Menu to 2 seconds to prevent camera shake and make your exposure. You don’t even need a cable release so that’s one thing less to blow around in the wind.

This function alone as made my whole life so much easier and considering the GFX is about the same size as a D800 and my Landscape kit now consists of one camera and three lenses I am really happy. I use the GF23mm GF32-64mm and the GF110mm and this little lot is quite a light lighter than the Nikon D3s and pro lenses I used to carry and the images from the GFX are outstanding as it the dynamic range.

Right I best get back to wales and see what else this thing can do.

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GFX50s GF23mm ISO100 240 sec f/16 Lee 15 Stop Lee 0.6 Med Grad 

The Stunning X-T10

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What can I say, I have owned or still own every X series camera that Fuji have made and so far the X-T10 is the star. I love my X-T1 and should prefer it to the X-T10,  I actually do when I am shooting events in the rain and need a battery grip but the rest of the time the X-T10 is my go to camera.

I am never one for a technical review. I like to use a camera over a few months and see how it works for me in the real world.

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I used to take the X100T everywhere I went but now its the X-T10. Its so small and with the 27mm pancake lens its just the best street camera in the range. I have also found myself using it for long exposure workshops instead of the X-T1.

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I think the autofocus is just a little bit faster than the X-T1 and the images from RAW appear to be a little cleaner and sharper, so much so that I hardly spend any time processing them.

I have hardly picked up my X-T1 since the festival season finished and have had the X-T10 around my neck in all weathers (not that I recommend you do it) but I have found myself shooting in torrential rain and this little camera has not missed a beat. It’s no secret I use my cameras  as a tool and not a prize possession. This little camera is just bullet proof.

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It’s small enough to be invisible for Street but has a great viewfinder and perfect size rear screen for me to teach Landscape and  Long Exposure classes.

I thought I would be running back to my X100T or my X-T1 in no time but I am still in love with this little thing.

It’s great with most of the smaller lenses but becomes unbalanced with the larger glass but this is to be expected.

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I use this camera on Auto ISO for most of my Street work and shoot with the large green square on continuous focus for anything that is moving. It nails it 99% of the time, this is with me walking and my subject on the move. I hear lots of people talking about how the Fuji’s don’t compare to the DSLR they have and I find this strange as the people that come on my workshops with DSLRs can’t get a single in focus shot on the move. They can with the shutter speed cranked up to the max on a bright day but thats a different story.

I go out day after day with this little camera and come home very pleased with the keepers.

I have been using it with the 27mm as if it was bolted on but now I have the new 35mm f/2. I hope to give it a treat over the festive period with a change of glass.

I can’t fault this little camera and I love it so much I have two, one to shoot wide and one to shoot long!

So this is my go to Fuji X Series Camera until something more interesting comes along…

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