This is just to remind everyone that I am with Wex Photographic over the next 3 months and have 15 photowalks and a couple of talks around the UK branches.
These are very reasonably priced and a great way to get out in your local city with like-minded people for a few hours of Photography.
Here is the link to sign up hope to see a few of you guys there.
GNARBOX Announces ‘GNARBOX 2.0 SSD ’ Kickstarter Campaign
The leader the in field backup market announces the release of the second generation to their breakout product via Kickstarter; along with debuting key integrations with Adobe, Dropbox, and LumaFusion.
(Los Angeles, CA) – MYGNAR INC., the developer of rugged backup devices for cameras, pr oudly announces a Kickstarter campaign to support the development of the second generation of their core product GNARBOX , launching globally on April 3 2018 .
GNARBOX 2.0 SSD is a rugged backup device for content creators who prefer to travel without a laptop. Unlike other portable hard drives, GNARBOX has assembled an ecosystem of mobile applications that serve the professional workflow in the field.
“We believe in making the creative process easier for anyone with a camera. Since the launch of GNARBOX 1.0, we’ve worked with our active community of photographers and videographers to understand the goals of content creators.” said Tim Feess , co-founder and CEO of MyGnar Inc. “GNARBOX 2.0 SSD is designed for professionals who want to reliably back up their cards in the field and advance their mobile editing workflow. The goal is leave your laptop at home and streamline a process that can otherwise be a burden to creativity. With this product, you can get more work done in the field so you spend less time at home in front of your computer. you get home to your computer. It’s water, shock, and dust resistant , yet packed with the power to review RAW photos and render ProRes videos while in the field.” continued Feess.
Since shipment of its first units in Spring 2017, GNARBOX is quickly becoming the industry-standard mobile workflow platform for on-the-go content creators. The market for backup devices has expanded in early 2018 with the introduction of the Western Digital MyPassport Wireless Pro SSD and LaCie DJI CoPilot. GNARBOX 2.0 SSD will be the highest-powered, most versatile, premium option on the market. With software tools for creative independence, hands-on customer support, and the most third party integrations on the market, GNARBOX has demonstrated its clear position as the leader in this space.
New to the redesigned GNARBOX is an on-box OLED display and button array, allowing users to backup files faster than ever before. When a card is detected, the box prompts you to kick off a transfer with the single press of a button. With a second tap, you can direct the transfer to a preset folder tree for automatic organization. This new tool is designed to save creators meaningful time in the field, and add needed reliability to their creative process.
GNARBOX 2.0 SSD is proud to offer key integrations with widely-used software tools, including LumaFusion, Adobe Premiere Pro, Adobe Lightroom and Dropbox:
- ● GNARBOX + LumaFusion Integration : GNARBOX integrates with LumaFusion by leveraging its processing power in support of the most powerful multi-track timeline video editor available on iOS.
- ● GNARBOX + Adobe Premiere Pro/Final Cut Pro Integration : GNARBOX integrates with Adobe Premiere Pro and Final Cut Pro to create a frictionless video editing workflow that starts in the field and follows you back to your production studio.
- ● GNARBOX + Adobe Lightroom Integration : GNARBOX integrates with Adobe Lightroom CC to create a direct connection to the industry-leading photography app.
● GNARBOX + Dropbox Integration : GNARBOX can sync folders with Dropbox to create a seamless transition to your cloud storage.
GNARBOX is also launching four new mobile applications with the 2.0 product:
- ● Safekeep: The most powerful field backup experience, with tailored file/folder organization and sleek tools to manage file movement across your devices.
- ● Selects: Super-fast preview of RAW photos, making it easy to mark your selects with EXIF metadata and prepare for editing in Lightroom Classic/CC.
- ● Sequence: An accelerated rough-cut assembly app that acts as a bridge to Industry-Standard editing tools like Premiere Pro and FinalCut Pro. You can review videos, prepare bins, and send your sequences to your favorite timeline editor with the widely-used XML format.
- ● Showcase: The laptop-free way to project your photos and videos on a big screen, wherever you are.Complete Technical and Hardware Specifications of GNARBOX 2.0 SSD:
- ● Intel Quad Core, 2.40GHZ CPU
- ● 4 Core Intel HD Graphics GPU
- ● 867mbps 802.11 ac/b/g/n WiFi
- ● 2/4GB LPDDR3 RAM
- ● NVMe SSD up to 1TB
- ● SD Card Backup:75-100MB/sec write speeds
- ● USB-C Backup: 400-500MB/sec read/write speeds
- ● USB-C Computer Connect: 400-500MB/sec read/write speeds
- ● 2x USB-C, SD & microHDMI ports
- ● 4-6 hour battery life
- ● 3200mAh 7.4v removable lithium ion battery
- ● IP67 – Waterproof to 1m for 30minutes
- ● Dimension – 6.05” x 3” x 1.16” / ~1.1lbGNARBOX 2.0 SSD will offer several storage capacities in association with special pricing for Kickstarter rewards throughout the campaign, which are listed below along with MSRP:
- ● GNARBOX 2.0 SSD (128GB) – $399 USD
- ● GNARBOX 2.0 SSD (256GB) – $499 USD
- ● GNARBOX 2.0 SSD (512GB) – $599 USD
- ● GNARBOX 2.0 SSD (1TB) – $999 USDFull media kit available via the link below:CLICK HERE TO ACCESS
Each pledge for a GNARBOX 2.0 on Kickstarter will receive an extra battery along with a USB-C to C cable and custom wall plug for superfast charging.
With a Kickstarter goal of $180,000, MyGnar intends to begin manufacturing in September 2018 and shipping to backers in December 2018. International pledges are encouraged as the product will ship globally.
Three years after the first successful Kickstarter for the original GNARBOX (now aptly titled GNARBOX 1.0 ) which raised over $500,000 in 30 days, the brand has developed a strong, supportive community of experienced content creators; ranging from professional photographers, videographers, adventure/travel bloggers and even field reporters and journalists.
“GNARBOX 2.0 is a tool that we expect to be in everyone’s camera bag before long,” said Will Africano co-founder and CMO of MyGnar Inc. “We’ve heard from many of the industry’s most decorated photographers and videographers, our own community of GNARBOX users on live chat and Facebook, and the YouTube reviewers who helped share our story. We’re confident in how innovative 2.0 will be for the world of creators.”
GNARBOX prides itself on offering unparalleled customer service which includes personal one-on-one guidance and assistance from their internal teams who maintain expertise in media production workflows and troubleshooting. In addition, GNARBOX also crafts workflow-specialist-led tutorials and reviews designed to support the skills and development journey of a streamlined content creator via Youtube.
An active community of production industry experts also supports the GNARBOX Ecosystem with reviews and testimonials, including support from Chris Burkard , UnboxTherapy , Peter McKinnon and PhotoJoseph . GNARBOX Insiders , a forum-like Facebook community , gathers creative individuals dedicated to streamlining their workflows; connecting GNARBOX users and sharing their latest content and workflow tips and tricks. Insiders also provides an exclusive look at software and product releases before they are publicly announced.
In 2017, the GNARBOX Pro Team was introduced as a group of photo/video professionals who are both creators as well as educators. As Pro Team members, they actively aid in creating public conversations around GNARBOX, and provide GNARBOX-related education at workshops and industry events.
The original device is now referred to as GNARBOX 1.0 with differentiating storage versions of 128GB or 256GB. This entry-level GNARBOX will continue to be supported and will see the same software improvements from future 2.0 software releases and updates. GNARBOX 2.0 SSD will provide significant improvements to backup speeds, transcoding times and on-board functionality that are not available to GNARBOX 1.0. There are currently no plans for an upgrade or trade-in program.
With single-step backup, fast file review and culling, and integrated access to professional editing software, GNARBOX 2.0 SSD will save content creators time and make them more reliable creators.
Designed for S treamlined Content Creators w ho produce content while on-the-move, GNARBOX 2.0 SSD is a rugged backup device for content creators who prefer to travel without a laptop. Unlike other portable hard drives, GNARBOX has assembled an ecosystem of mobile applications that serve the professional workflow in the field. G NARBOX is a creative technology company based in Los Angeles. It’s backed by an active community of content creators and develops products and solutions to revolutionize the multimedia management experience.
ABOUT MYGNAR INC.:
Guided by the leadership of co-founders Tim Feess and Will Africano, MyGnar Inc. conceptualizes and produces breakthrough innovations for content creation and distribution. Their mission is to make the creative process as seamless as possible for anyone with a camera. Through creative storytelling, strategic partnerships and investments, MyGnar Inc. continues to roll-out new technologies and products that enable their core values of creativity, community support and adventure to be replicated by their valued customers at all levels of interaction and exploration.
Told By Thomas
Today I made the decision to hand back my X and become an X X Photographer !
This was not an easy decision but the timing was about right for me and my business moving forward.
So what camera system will I be moving to you might all ask ! Well the truth is I am not going to be moving to any other system, I love the Fujifilm X System and the GFX and this will remain my brand of choice.
I never ever got paid by Fujifilm to say that the X System was great and always said I only said it was great because that was the way I felt about it. But there are plenty of people that did not believe me. I can honestly say now that Fujifilm have never paid me to say the X system is great and from now on I will still be using what I feel is the right system for my workflow. I loved the X100 the day it was released and I have loved all the X Series cameras that I have used. Going back to basics when I moved over from Nikon and got the first X100 and XPro1 made me slow down and think and the sensors have always blown me away. The XPro1 was and still is as much a game changer back then as the GFX is the game changer today. The fact that the exposure triangle is where you need it and the cameras just feel right in your hands will never change and the work I have produced with the X Series cameras speaks for itself. I can’t wait to see what Fujifilm bring us in the future.
Watching all the griping and moaning about the new XH1 from all the Nikon and Canon users on social media has made me laugh over the last couple of weeks. Fujifilm have come up with a camera that you all asked for ! So why all the moaning that its too big or the grip is not right or this and that ! It’s hard to read and pathetic at times. Photography is about the image and creating amazing images with the 6 inches behind the camera not the tech that goes in to it. Video is a whole new ballgame and Fujifilm are now improving in that field as well and in time I am sure will bring us an amazing camera for Video. I really do wish people would get on with creating great content with stills or video and be proud of the work they produce and get off social media moaning and running people and companies down.
I only own one camera that is not a Fujifilm camera and its a Canon 200D and this is my Vlogging camera and will remain my Vlogging camera until Fujifilm make a camera with an articulated screen that I can use to Vlog with. I would use my X-T20 all the time for Video and Vlogging but its just takes me to long to set up, even though I prefer the images out of the X-T20 I love the ease of use of the 200D. I did use my X-70 for a while but the Rode Mic would get in the way of the flip up screen. I have used the X-T20 and the 200D side by side on some workshops and can say that the X-T20 images are always better, but the 200D is just a breeze to work with when filming yourself. Fingers crossed in the future Fujifilm with bring us a decent articulated screen and all my dreams will come true.
I have been so busy over the last few years I have hardly had any time to stop and think and even worse I have not been able to give the time I need to develop Fujiholics. I sat down at the end of 2017 and decided I needed to make changes to my business plan to give more time to Fujiholics in 2018 / 2019 and also to concentrate on my own business and get back to making images I like and not images that people expect me to make.
I have three projects on the go this year and also need the time to concentrate on my own personal work. The fear has always been that I would start to hate photography because I would spend more time in the office and less time out taking photos and last year was very much 90% hard graft marketing and I hardly shot a thing. So it’s time for change. I still love the photowalks and getting out and meeting people and I really do love all the Fujiholics what a great bunch of people and the community I believe is one of the best in the industry.
I have absolutely loved all my time with the Fujifilm UK team and the Fujifilm team around the world it’s honestly been some of the best moments of my Photography career. I have never met such a passionate bunch of people in all my life, the team really do believe in the X Series as much as we the users do and that makes them very special team.
I have lots and lots of plans for Fujiholics in the future and with the help of Richard Waine and my new Business Partner who will be revealed very soon I hope to bring all the Fujiholics some great new content and a few surprises.
So thank you to all the guys at Fujifilm you all know who you are and here is to an even more exciting future.
Black and White Editing.
I like to keep my Black and White workflow as simple as possible and have refined my systems and processes over the last ten years. I use Lightroom CC and Silver Efex Pro 2 for all my black and white images. I shoot most of the time in RAW but this process is just as effective with Jpegs, you just have less latitude with the Jpeg file. SEP2 is part of the Google Nik Collection and was made free to everyone last year.
My workflow is simple and after a day out shooting I pop my memory card in to my MacBook Pro and copy the images in to Lr CC this is where I view the images and make my selections. I might shoot 40-60 images in a session or more but I normally only end up with 3-5 keepers if that. Once I have made my selections I then open each image in turn in SEP2 for conversion to black and white. After a few small slider movements I import the image back in to Lr for some final editing and then star rating this whole process takes less than 3-6 min per image.
I view each image on my 27” Eizo Monitor, the monitor is calibrated regularly even though this is a black and white process I need to see every tone between the black end of the spectrum and the white end. If you don’t have a calibrated monitor or an old monitor its best to buy a new up to date LED type monitor as these are great out of the box. You can download a test card from the internet to check your screen, if you can’t see every band in the chart you need to calibrate of upgrade your monitor.
I will take you through my very simple workflow from start to finish with this image taken of Glenfinnan Scotland, this is the RAW file out of camera converted to Jpeg.
First I import my images in to Lr and once in Lr I then view all my images and the images I want to keep I give a one * I do this in the Library module. Once I have made my keeper selection I then highlight and delete the rest of the images leaving my keepers and these are all the ones with the one* sometimes at this point I will remove a couple of the one* images if I think the others are stronger. At times, I have deleted the whole lot.
Once selected I will then import the first keeper in to SEP2 this is a simple right click open in SEP2.
Once the image opens in SEP2, I do not touch the left-hand side of the program as this is mostly pre-sets and there is no point in opening a pre-set because I will then have to spend the next 10-20 min trying to get the image back to the way I want it from the pre-set. I only ever use the sliders and the controls on the right-hand side of SEP2 and only use the main sliders and not open them up for fine control. The main sliders I use are Brightness Contrast and Structure and I make changes by eye to every single image I open. I start at the top and work down the sliders. I normally brighten most images by about 20% then contrast about 20% and then apply quite a lot of Structure to make the images pop about 60% but this is all by eye and not an exact science. On the Glenfinnan, I am going to go Brightness 22 Contrast 22 and Structure 66.
If I need to just make controlled adjustments I use the control points so as not to cause over processing of artefacts in the complete image. This is mainly with people’s faces or complicated backgrounds with out of focus areas. I don’t need to do that in this image, I am happy with the way the image looks so I then import the image back in to Lr.
Once in Lr I switch to the development module.
I again start at the top right of the sliders and work my way down sometimes a few tweaks and at others hardly anything at all, therefore I don’t use pre-sets in Lr as I would spend most of my time correcting the changes the pre-sets make.
I always keep an eye on the Histogram for clipped highlights as these look harsh in digital images and even worse printed. I ignore the clipped blacks as these looks great when printed and I do like quite dark blacks in my images.
The first thing I do to this image in Lr is add a graduated filter to the sky and use the exposure control to darken the Sky by one stop. I then use the shadows slider to just pull back the shadows from the mountains. I then make a second graduated selection and darken the top of the sky to about half a stop.
I then work my way down the sliders Contrast +24 Shadows +18 Blacks -31 Clarity +31 and finish off with a post-crop Vignette of about -7 I would also use the adjustment brush to lighten the snow areas and darken any areas using the exposure slider. This is about the same way you would dodge and burn in the Dark Room. This is all to personal taste, I prefer my whites to be white in an image so do tend to burn in the white but without over exposing them.
I would then rate my image for personal use between 3* and 5* if I felt at this stage the image was 2* or 1* I would delete it.
The image looks quite dark in WordPress but looks great printed or on my Eizo, I hope to run a Black and White editing workshop for Fujiholics later in the year so please keep an eye open on the Fujiholics website.
I was planing on bringing you my review on my Gnarbox but due to my heavy editing workload this month and the fact my new G Tec drive has not arrived I am going to have to bring it to you next month.
I am now the only UK member of the Gnarbox Pro Team. I am really happy to be working with Gnarbox as I feel Gnarbox is a perfect fit for my workflow.
I have had a play around with this great product and I am happy to say it’s easy to use and I see some great potential in the Gnarbox for my back up solution in the field.
I don’t normally have much time for editing in the field the most I do is a couple of quick edits for Social media. The fact I can edit RAW files on my phone or iPad with the Gnarbox really does appeal to me. I am getting more and more in to Video and being able to use the Gnarbox to throw some quick edits together for Social media is also great.
It’s not got massive storage but most of the time I don’t need it to back up my Street Photography.
Intel Quad Core, 1.92ghz CPU
128GB or 256GB Solid State
USB 3.0, USB 2.0, SD and Micro SD Ports
4000 mAh 3.7v rechargeable battery
4 Core Intel HD Graphics GPU
2gig of Ram
Duel Band 300mbs 802.11 a/b/g/n WiFi
Data Transfer up to 4GB per Minute
iOS & Android Compatible
Battery Life 4-6 Hours
Water Shock and Dust Resistant
5.3″ x 4.3″x1″ / 1lb
I hope to bring you a review over the next few weeks.
I guess I have fallen in love with this camera, it blows me away every time I use it and to think I left it so long before I invested ! I have always secretly wanted to get a medium format camera but I never really had the need for it or a business case to buy it, as I said in my previous post about the GFX I just decided to buy it as an early retirement present to myself, not that photographers ever really retire.
I have three projects to shoot with the GFX this year as well as getting back in to Landscape photography and this is the perfect tool for the job.
Three of the projects I am involved with will include really large prints and even though the other X Series cameras are capable of large prints they cant hold the detail as well as a bloody great images sensor in a medium format camera.
One amazing thing about the GFX is the ability to switch it to C Mode once the Lens is set to C and the ISO dial is set to C and the shutter speed dial is set to T the camera is in Command mode and the back and front Command dials act as a DSLRs command diles do and control the Speed and Aperture. Also if you push the front command dial you can then alter the ISO so this puts the Exposure Triangle at your fingertips.
The command mode gives you the control you need to dial in the exposure you require for LE Photography ( Long Exposure ).
The old way was to take and exposure and then calculate the filter factor with the current exposure time to give you the time it would take to make the exposure. Well that all just changed the GFX50s can’t do a timed exposure up to 60 minutes on its own.
Let me explain, you set up the shot focus the lens then set the lens to M to prevent it from re focusing when you press the shutter. Then you simply place the filter you require like the Lee 15 Stop in the holder and adjust the Aperture do the desired depth of field. Then you move the shutter speed all the way until the camera meters for the sceen through the filter. Once you set you then just set the self timer in the Q Menu to 2 seconds to prevent camera shake and make your exposure. You don’t even need a cable release so that’s one thing less to blow around in the wind.
This function alone as made my whole life so much easier and considering the GFX is about the same size as a D800 and my Landscape kit now consists of one camera and three lenses I am really happy. I use the GF23mm GF32-64mm and the GF110mm and this little lot is quite a light lighter than the Nikon D3s and pro lenses I used to carry and the images from the GFX are outstanding as it the dynamic range.
Right I best get back to wales and see what else this thing can do.
What a year ! Its now December and my Year of Colour project is nearly over and I am glad. Its been a very busy year for me and the project has been dragging along behind me instead of inspiring me to get out and shoot ! I always thought it would be hard but it was a lot harder than I expected. I have never been a fan of colour so I already set myself up for failure before I started.
Colour for me growing up in a black and white world with black and white TVs in the house and all my film cameras loaded with black and white film 99% of the time was never going to be easy. I think after learning to see in black and white colour just does not do it for me. I very nearly gave up on several occasions but I am glad I stuck with it. I think black and white is my escape from the real world, the fantasy land of TV as a child.
The project does not really finish until the 31st of December but I have had some back problems and whilst trying to get that under control I really am not inspired or motivated to get out and create anything remotely interesting.
I wanted to force myself to shoot Colour for a year to see if I could fall in love with it and get some form of continuity in my work and develop a colour style. I soon found out Colour does not work like that, to have continuity you need continuity in lighting every day and that is the hardest part. Its easy to set up in a studio and have the same lights and white balance but out in the real world the light is diferent every day so the only way to get a consistency would be to light the subject the same no matter what the weather conditions or time of day. In bright light the colours pop and we are cooking on gas. When there is no light or poor light we have dull washed out colours and these images require a lot more work. In a very short space of time at the start of the year I got fed up with the issue of continuity.
I did however start to look at and play around with film simulation modes on the Fujifilm cameras and even though you could not quite get the continuity you could get a consistent body of work that looked the same. I also looked in to colour grading as they do when they make films but this started to get very complicated. I am in the process of learning to edit film and thought it would all come in handy and it did. I shoot my video in colour so I guess my year has not been wasted as I am putting some of the things I have learnt about colour to good use in camera for my blogs.
I started out hating colour and to be honest for still images I am still a Black and White lover, in all honesty I prefer black and white films as well. I guess colour is so very distracting that it confuses me. My black and white has a consistency and style that works for me. Black and White is a story telling media and colour sometimes can distract you from the story if you get it wrong or are super critical of the way colour works in a scene. I dont hate colour as much as I did and I have a newfound respect for anyone who can keep their outdoor work consistent in every lighting condition without elaborate lighting set ups. I want to do more exhibitions in the future and this is where I need continuity.
Iso also has a big to play in this situation the higher the ISO the darker the image and the more noise is introduced, this looks fine in black and white and even better when printed but really does darken your colour images down. The other issue with colour is my mood ! In black and white you can see my mood changes in my work and this is shown as you would expect in dark moody images with lots of black. In colour they just look more dull and boring ! Primary colours can also be so very distracting in colour images form the story or from the main subject so this to can be very frustrating.
I used quite a few Fujifilm cameras during my project and have to say that helped me to decide on what cameras to keep and what to sell. With black and white there is always a small difference in how you process between sensor upgrades but with colour this is huge. I soon discovered that as long as you keep to the same sensor across the board when editing then the files are the same across the editing range, but as soon as you work on say and X-T1 file and an X-T2 file they are worlds apart. As you all know I am not a bit fan of editing so I need a simple workflow that does not take up much of my time.
When I did my year of black and white I did change cameras because of the project and the same has happend this time. I sold all my older X Series cameras and updated to the newer versions to keep sensor continuity across the range. So now I have X100F, XPro2, X-T20 as my main X series work horses. I did however buy a second had X70 to stick in my pocket and take everywhere. I also splashed out on the GFX but that’s more for some projects I have in 2018/2019. I also sold quite a few lenses to lighten my load but that was more due to lack of use. I always do regular lightroom searches to see how much use a lens is getting and if its not getting used it’s not earning its keep so needs to go.
Projects help me to make these camera and lens decisions as well as other work I do, because I might use a diferent lens for a project than I do for my street or client work.
The year of colour was not a complete waste of time I did learn a lot and I did have a good play around with film simulation because I did quite a few edits on my ipad and not on my macbook so I found taking a Jpeg in to SnapSeed or Lightroom Mobile was a lot more simple if I had already applied a preset and got it to as close as I would like in camera first. Most of the time it just needed a slight crop or straighten before posting the image. I am not a fan of editing on Tablets and that I think is just down to my eyesight. I prefer 27″ monitors so that I know there is no dust on the sensor or other issues.
I set my X70 on Jpeg and RAW on classic chrome and in 2018 I will change this to Acros and green filter. I use my X70 as an extension of my iphone for blogging etc I know the XE3 is now out and far better but I prefer the screen on the X70 as it’s so much more versatile. Hopefully one day Fujifilm will make an X80.
I think we all see colour in a slightly diferent way and I know I have a few friends who are colourblind. I also think we all like to view other peoples work not just for the subject matter but for the colour style they have. I think in time I could find a colour style that would suit me but I really do just prefer black and white. It’s been an interesting experiment. Its not been as interesting for me as my year of black and white way back in 2013 but I have decided to go back to 90% black and white for 2018 and have a play around with colour when the mood takes me.
I have some new projects in place for 2018 / 2019 and these are all secret projects. One I am doing with a few friends and two by myself but they all work quite well together. Hopefully all the projects will come together as a book and also at least two exhibitions. I normally do a book at the end of every project but this year I don’t feel the images from my year of colour are strong enough for a book so will skip 2017.
I am going to take some time off over December and January to give my back a chance to sort itself out. I have had two quite serious accidents in the past one that broke my back and it appears this is all coming back to haunt me. Taking time off to heal and to put some thought into my projects.
I hope you all have a great Christmas see you all in 2018.